Maxine Hong Kingston's No Name Woman

My mother was in the room. And it was perhaps the first time she had heard me give a lengthy speech using the kind of English I have never used with her.”(417) Overcoming the barrier between languages she spoke aided Tan in building a bridge between cultures. She changed her language to assimilate into American culture while also keeping familial culture. A piece of heritage that uses a language of intimacy, a different sort of English that relates to family talk. Tan grew up with this language and she still uses it with her mother, husband and in her books. (418) Another method to find identity in a new host society is through appearance. In the essay, “No Name Woman” by Maxine Kingston ideals in appearance were passed from generation to generation. Altering ideals when creating identity is noticed in Kingston’s essay. A long held tradition in many Chinese families is that many generations live under the same roof and this can cause a conflict in ideals. Conflicting ideals between generations is shown as Tan tells how the younger generation hid the identities of their sexual color and their character. Hiding these new identities they hoped to avoid potential conflict with generational ideals. Kingston did not hide her identity, she found herself “walking erect (knees straight, toes pointed forward, not pigeon-toed, which is Chinese-feminine) and speaking in an audible

Over there nobody will look down on her, because I will make her speak only perfect American English.  And over there she will always be too full to swallow any sorrow!  She will know my meaning because I will give her this swan- a creature that became more than what was hoped for.”  (Tan 1)  The culture in China the mothers of Joy Luck dealt with was unlike anything their daughters could ever imagine or appreciate. Between the mothers Lindo, Suyuan, An-mei and Ying-ying, the Chinese culture forced them into being married by a matchmaker, giving up babies, witness desperate attempts to save loved ones, and having an abortion.  In many ways the Chinese culture scared each woman, although they were proud of their heritage, their daughters deserved better.  These four mothers had very high hopes for the better lives that they wanted to give their daughters by raising them in America.  They didn’t like or want to have their daughters looked down upon, just because they were Chinese women.  From each of their own experiences, they learned that they wanted to improve the lives of their following generation.

In Maxine Hong Kingston’s essay “No Name Woman,” Kingston speculates the life of her deceased aunt from an anecdote her mother tells her. Kingston’s aunt is never discussed and is essentially dead to the family and village since she was impregnated by a man other than her husband. As a result, the village raided the family’s home, killed their livestock, and destroyed dinnerware to show Kingston’s aunt a fraction of the betrayal she had caused the town. Kingston’s version of the story retells her aunt being coerced to pursue a new man other than her husband that ends in an unplanned pregnancy. Killing herself, Kingston’s aunt tries to end the consistent bombardment of rejection and humiliation that her sins have caused her by jumping into the village well. To conclude, Kingston states she is haunted by her aunt’s ghost and the Chinese people fear being dragged into the well as a substitute.

“We may look and act modern in many ways, but we can’t escape what we are... obedient chinese daughters.” This quote sums up the world that May and Pearl live in, that no matter the culture, no matter the time period, and no matter the situation, your gender decides your fate or does it? The theme of gender and how they dictate our roles in society run rampant in Shanghai Girls by Lisa Lee. Lee’s novel covers a great deal about the immigrant experience and the struggles they had to go through to adapt to their new environment but one thing they didn 't need to adapt was the parts they played in their families. The importance of this traditional society,where the men are the breadwinners and the women the caretakers are first shown in how Pearl and Mays family worked. The father was expected to make money and take care of the household, while the mother, May and Pearl were off fooling around. When the situation turns dire, the father does not conform to his role to help his family and takes the easy way out and sells off his daughters. However the father did not account for his daughters refusing the offer he already made to pay back his debts. This caused a thunderstorm of confusion and trouble, which led to the death of respect, Pearl had for her father. For in this critical moment, the father wet himself and could not muster out a word but the mother brilliantly stepped in and defused the situation. “I see hardness in her that I’ve never seen before.”,

Can you imagine that everyone rejects you just because you are a girl? That actually happened universally in the last century, specifically in the old China. The gender discrimination was deeply rooted in people’s minds and became a traditional Chinese thinking. Wayson Choy illustrates this kind of discrimination really well in his novel The Jade Peony. In the novel, Grandmother continually reminds Jook-Liang that girl-child is useless, it affect Jook-Liang thinks about people, and change the views of various people. Also, it makes her struggle to assimilate to Chinese and Canadian society. Though, she tries her best to revolt

Elaine Potter Richardson, more famously known as Jamaica Kincaid, is recognized for her writings that suggest depictions of relationships between families, mainly between a mother and daughter, and her birth place, Antigua, an island located in the West Indies. She is also familiarized with Afrocentrism and feminist point of views. Kincaid’s work is filled heavily with visual imagery that produces a mental picture in readers that helps them connect stronger to the reading. An example of this really shines through in her short story piece, “Girl.” This short story describes the life of a lower class woman living in the West Indies, and also incorporates thick detailing between the relationship between her and her mother. Jamaica Kincaid structures the story as if her mother is speaking to her. She writes broad, but straight to the point, allowing readers to imagine to picture her experience. Kincaid uses visual imagery and repetition consistently throughout “Girl” to reveal the theme and tone of the story; conflictual affair between a mother and daughter.

feels cut in half as if her new American world were to pull her apart

In “No Name Woman,” the theme of silence starts with the elementary words of the memoir stating you must not tell anyone. This statement is ironic because Kingston is in fact telling everyone, giving voice to Chinese customs and the lives that are foregone. As written in her memoir, she states, “You must not tell anyone,” my mother said, “what I am about to tell you. In China your father had a sister who killed herself. She jumped into the family well. We say that your father has all brothers because it is as if she had never been born.” (Deshazer 308). It is especially notable and ironic that the memoir begins with the phrase “You must not tell anyone.” Her effort in No Name Woman is to write about that which is never said; her unnamed dead aunt, and the outrageous behaviors in her mother’s Chinese village. Kingston was not necessarily silenced direct by a male figure; however, the words said by her mother “You must not tell anyone” is a representation of Kingston father’s authorization voice through her mother’s explanation. Kingston’s effort is also about discovering a voice, as both a Chinese-American

As China faced new international pressures and the change to a communist society, gender relations transformed women from servants of men to full independent workers, who finally became soldiers of the communist state. In Jung Chang’s novel, Wild Swans, the three women – grandmother Yu-Fang, mother Bao-Qin and daughter Jung Chang – exemplify the expected gender roles of each generation. I will argue that Confucian society presented few economic opportunities for women to support

The author starts the book with the story of her aunt. This story was a well-kept family secret being that her aunt’s actions were of great disappointment to the family. The “no name woman” as the story names her, was forgotten by all her family because she had a child that was not from her husband. This story gives a clear

Medieval China, as seen in the Stories from a Ming Collection, was characterized by distinct separations between men and women’s abilities, typical old fashioned family structure, and a desire to advance their social status. Throughout all the stories in this book, it dives deep into different aspects of how men and women are treated, how families were structured and how that affects their lives, as well as the values these people held. A very common trend in the stories was how different men and women were treated and the limitations they may or may not had.

In The Woman Warrior, Maxine Hong Kingston crafts a fictitious memoir of her girlhood among ghosts. The book’s classification as a memoir incited significant debate, and the authenticity of her representation of Chinese American culture was contested by Asian American scholars and authors. The Woman Warrior is ingenuitive in its manipulation of the autobiographical genre. Kingston integrates the value of storytelling in her memoir and relates it to dominant themes about silence, cultural authenticity, and the cultivation of identity. Throughout her work, Kingston reaches a variety of conclusions about the stories her mother told her by writing interpretations of her mother, Brave Orchid’s, “talk-story”. Brave Orchid’s talk-story is a form

Maxine Hong Kingston’s novel The Woman Warrior is a series of narrations, vividly recalling stories she has heard throughout her life. These stories clearly depict the oppression of woman in Chinese society. Even though women in Chinese Society traditionally might be considered subservient to men, Kingston viewed them in a different light. She sees women as being equivalent to men, both strong and courageous.

As part of the first generation of Chinese-Americans, Maxine Hong Kingston writes about her struggle to distinguish her cultural identity through an impartial analysis of her aunt’s denied existence.  In “No Name Woman,” a chapter in her written memoirs, Kingston analyzes the possible reasons behind her disavowed aunt’s dishonorable pregnancy and her village’s subsequent raid upon her household.  And with a bold statement that shatters the family restriction to acknowledge the exiled aunt, Kingston states that, “… [she] alone devote pages of paper to her [aunt]...”   With this premeditated declaration, Kingston rebelliously breaks the family’s cultural taboo to

“Dagong” means “working for the boss” or “selling labor,” and illustrates the commodification of labor and the subordinate status of the worker, in contrast to socialist imaginations of work as liberating. “Mei” means little sister, often associated with young, unmarried women in contrast to “jie”, the older, mature sister . Thus, the term dagongmei symbolizes the subordination of female migrants, both as migrant workers under urban factory owners, and as women expected to work long hours, some sacrificing their education, in order to support their families. Pun articulates the very real struggles many dagongmei face, from the 1993 Shenzhen factory fire that killed over 80 migrant workers, all but two female, only then alerting China and the rest of the world of the human costs of China’s rapid development to one woman, Yan, who screams in her sleep after years of work despite being in deep physical and emotional pain. Such pain is unbearable, and to scream out is the only way to survive. Yet as Pun argues, their very survival is of itself a form of resistance. These migrant workers may not be organizing, staging mass strikes or protests against the state or factory owners, but they are resisting. By screaming out, Yan is forcing the world to hear her pain. By telling