Both Rainer Werner Fassbinder and Todd Haynes have drawn on Sirk’s film melodramas in their films. Discuss the differences and similarities between their uses of Sirkian melodrama in their films Ali: Fear Eats the Soul and Far From Heaven. In developing your analysis you should engage with theoretical debates about these filmmakers’s work and theories of melodrama, and you should support your analysis through close reading of the films
Douglas Sirk, a Danish-German film director, is best known for being the father of Melodrama. He is commonly referred to as a master of the weepie (Willemen 1972) and has been an inspiration and paved the way for other directors to use and adapt his work. One film that has been embraced and recreated is
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In this way, audiences are made aware that if it weren’t for Cathy losing the scarf, they would have never embarked on their journey together.
Williams also states that victim-heroes are the focus of melodramas through recognition of the character’s virtue, where the victim’s point of view is the main concentration of melodrama. The protagonist’s moral virtue ultimately causes immense suffering, thus causing audiences to empathise with them (Williams 1998). In Far From Heaven, it is Cathy who is the virtuous individual who silently suffers to maintain equilibrium within her family and society at large. This is conveyed throughout the film as each event leads us to Cathy’s (the victim) recognition as virtuous through her suffering (Skvirsky 2008). In the first half of the film, Cathy decides she will do well by her husband Frank by bringing his dinner to the office as he is working late. Just as she arrives at his office late at night, Cathy discovers her husband, to her surprise romantically involved with another man. In the latter part of the film, Frank confronts Cathy. He demands to know whether rumours she had spent the afternoon with a man of colour, Raymond Deagon are true. Through the course of these events, Cathy gives up the
After not feeling the need to seek repentance for murdering her parents, Cathy moves on to other victims that she is easily able to seduce and take advantage of, ruining them in the process. Running from her crimes, Cathy tries to get a job as a prostitute, but instead becomes the mistress of Mr. Edwards, a pimp who falls in love with her. Cathy uses him only for protection, constantly stealing from him and making him feel insecure: “Her method was to keep him continually off balance” (94). This goes on for months with Mr. Edwards being so rapt with Cathy that his own health begins to deplete. He is so enthralled that he does not care about anything other than making
Sympathy, another theme in this book, can have the same amount of impact on an individual. Instead of it having a negative reaction to the reader it has a superior reaction to the reader. ?Lee Chong? knew he could not have helped it, but he wished he might have known and perhaps tried to help. It was deeply a part of Lee?s kindness and understanding that man?s right to kill himself is inviolable, but sometimes a friend can make it unnecessary?(Page 2). Lee was having compassionate sentiments for the man who committed suicide. He had a deep feeling that he could of helped in someway to convince the man that his life was worth living. A side story that was important to the theme of Sympathy was a story about Mrs. Kitty Casini a mouse and Mary Talbot ?Kitty Casini had a mouse?Daintily she stabbed the mouse through the back and drew it wriggling to her and her tail flicked with tense delight? ?I can?t blame Kitty Casini? said Mary. ?I?m just not going to like her no matter how much I want to??(Pages 155-156). Mary had intense sympathy for that mouse that with no doubt died a tragic death. She went to the extreme of disliking on of her favorite cat. Sympathy can bring about the good in people. Sympathy for loved ones or strangers can surprise one for their intense emotions.
This essay is based on films of the same story, told in different ways, with emphasis, themes, meaning and interpretation shaped or shaded by the situation of the storyteller; the cinematic mise-en-scene. Based on the same story, the films reveal and reflect the film-maker’s social norms and views, emerging from their different national contexts. While exploring the two films, this essay will examine elements of film language or semiotics: color saturation (or black and white), sound, setting, type of camera angles used; repetition of visual motifs (Metz, 1985). The two films explored were made in the 1960s. Neither film is American, yet both reveal influences and reflections on American cinema and American power; the Western film, adherence or detracting from Hollywood Classical cinema tropes, i.e. close-ups, shot-reverse-shot, POV, depth of field (Bazin, 1985: 128-9). The two films are Kurasawa’s Yojimbo (1961) and Leone’s Fistful of Dollars (1964), from Japan and Italy, respectively. How are they different; how similar? Why do they use the same plot,
Religion is an attempt for solace with the things unknown; a way for humans to explain the metaphysical world in a way that is simple to comprehend. It gives people a sense of purpose, a sense of hope. This new found hope and purpose creates a concept of fate, that people were born on this Earth to do a specific task or undergo a specific set of events. Gabriel Garcia Marquez uses religion to create this sense of fate within his novella Chronicle of a Death Foretold. Marquez uses religious images created by allusions to the bible, the foreshadowing of Santiago’s death, and symbols to emphasize the role of fate.
Most parents feel some sort of love towards a child they conceive, even if they can't afford to keep it. Cathy on the other hand, never felt any sort of connection to her children, as seen when she tried to abort them. Furthermore, Cathy's evilness leads her to kill Faye. When Cathy, or Kate, gave Faye her tonic, she would “carefully squeeze a few drops of clear liquid into the glass, a tincture of nux vomica.”(248) Even though Kate actually loved Faye in a motherly way, she felt it necessary to poison her slowly. She even felt some sadness when she actually died, “from violence she went into a gloomy stupor”(251). Perhaps from realizing what she had done. Although her remorse shows traits of humanity, the actual killing she did proves her to be an actual monster. Not only were her actions corrupt, but her appearance also gave off an uneasy vibe.
When Cathy is first introduced, the narrator calls her a monster, but in chapter seventeen, the narrator begins to doubt his claim, pitying her “waiting for her pregnancy to be over, living on a farm she did not like, with a man she did not love” (138). By including a statement discussing her unhappiness gives Cathy a human motivation to escape, although her escape is evil. When Cathy leaves, she shoots Adam because he attempts to stop her, but she does not aim for his head or heart to kill him, only a shot to the leg, which is enough to stop him, but not enough to kill him. A fatal shot would have been easy for Cathy, however, she had no reason to, so she only damaged Adam enough to achieve her goal. Unwanted pregnancies and unhappy marriages are all situations women attempt to escape, and in some cases, in extreme ways, like shooting their husbands. Humanizing Cathy connects humanity to evil.
The purpose of this essay is to analyse the original drama text with a newer film version, while comparing the
Therefore showing, Cathy had no liking of Samuel or her children and could not stand to be cared for. She had a way of destroying the life of anyone who crossed paths with her, and by biting Samuel’s hand, caused his livelihood to decline. Comparatively, later on in life Cathy ends up with the “fingers of both hands [constantly] bandaged”, due to severe arthritis (192). Cathy lived her life always harming others, with no guilt or regret and this was her punishment.
Ali: Fear Eats the Soul, a film made in 1974 and directed by Rainer Werner Fassbinder, is influenced by Douglas Sirk’s 1955 melodrama All That Heaven Allows. Even though there are similarities in Fassbinder’s film, there are also differences. For example, Fassbinder changes the setting, period, and tone in Ali: Fear Eats the Soul. He transforms the “story from a romanticized if somewhat satirized New England in the fifties to a de – romanticized Munich in the seventies and uses ensemble players rather than star actors” (Reimer 282).
Dante's use of allegory in the Inferno greatly varies from Plato's "Allegory of the Cave" in purpose, symbolism, characters and mentors, and in attitude toward the world. An analysis of each of these elements in both allegories will provide an interesting comparison. Dante uses allegory to relate the sinner's punishment to his sin, while Plato uses allegory to discuss ignorance and knowledge. Dante's Inferno describes the descent through Hell from the upper level of the opportunists to the most evil, the treacherous, on the lowest level. His allegorical poem describes a hierarchy of evil.
Hamlet, one of the most intricate and influential plays by Shakespeare, debatably of all time. It has inspired not only appreciative readers and writing critiques but continuous generations of people. The inspiration led to the fabrication of many great movies, which wasn’t achievable until the 20th century. Before cinema was the prevalent method of sharing appreciation and spilling emotion for a specific subject, art portrayed what would fly through our minds such as the many interpretations of Ophelia’s death. With the imagery put into motion we can try and pick apart how certain people might view the play being portrayed and choose what best suits our expectation of this tragedy. Other things that only film has been able to present to
Passions drive people, and the townspeople in “The Lottery” and Paul in “The Rocking-Horse Winner” are no different. Each of the members of the unnamed town has a strong passion for tradition. The original black box used for the lottery is described as being, “lost long ago, and the black box now resting on the stool had been put into use even before Old Man Warner, the oldest man in town, was born” (Jackson 251). This sentence gives the reader an understanding that the lottery is an ancient tradition that has become an integral part of the town’s lifestyle. Such a tradition can only be carried on for this length of time if the people are passionate about preserving the tradition. Paul had a passion to be wealthy as a way to prove to his mother that he was lucky. From a young age, he saw that his family always wanted more money to support a better lifestyle, yet
There are many ways to supplement a story in order to add lucidity. It is done through literary devices and Tim O'Brien's "The Things They Carried" is no different. "The Things They Carried" is a narrative about a soldier at war in Vietnam. However, this story provides multiple layers of meaning through O'Brien's tone and style that help the reader further understand it. Both of these literary devices are embedded in the story and gradually help define it.
What if everyone was made to pay for their wrongdoings at every instance? Well, if that were to be the case, no one would be free from judgment because everyone makes mistakes. In “Eclipsed”, Brogan brings to light the pretentious acts of so-called holier-than-thou people. She tells a story about the struggles of women in a society that treated them as evil, bringing to light the fact that everyone in this world needs to re-evaluate their moral standings. One of the main characters, Cathy comes back from a failed escape attempt. The rest of the women are not that surprised. It was as if they had given up knowing that they would be caught. But Cathy has been relentless in risking it all just to escape. Hence, this represents her desperation to be free from that prison-like Magdalen Laundry. These women were once free, but have had their humanity stripped from them all in the name of judgement for their sins. But who gave people the right to place judgment on others in such a dehumanizing way? “Spare the rod and spoil the child”, but first one has to take out the log in one’s eye before thinking about the speck in their brother’s.
Requiem for a Dream details the lives of four individuals and how they each deal with their problems by attempting to escape reality. The four main characters depicted in the movie are Harry, Marion, Tyrone, and Sara. Harry is the main protagonist, and the film shows his progression into isolation as he sacrifices his relationships with his mother (Sara) and his girlfriend (Marion) due to his addiction and delusions. Each of the characters has their own individual struggles in their lives, but the film is interesting because they all attempt to escape into a world of their own delusions by using substances. The movie shows the audience a wide range of addiction and dependence through drug use, but it is not solely the use of drugs that fuels the character’s behavior. Use of legal and illicit substances is broadly shown within the film, and that is what stands out the most when viewing the film. However, the characters also have other ways of escaping their reality that sends them further down the path of destruction.