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Melville's Character Analysis

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Beyond the Middle Ages, several influential Renaissance authors find their way into Melville’s body of works. William Shakespeare’s Romeo and Juliet plays a strong role in the character development seen in Pierre: Pierre, like Romeo, acts rather zealously. The circumstances surrounding the killing of Glen Stanly strongly resemble Romeo’s murder of Tybalt. Melville foreshadows these parallels early in the book when Pierre’s mother calls him “a Romeo,” which he finds preposterous (Bell 744). In addition to Shakespeare, Herman Melville imbeds many references to the works of John Milton. Similar to Milton’s characters in Paradise Lost, Melville incorporates the motif of angels and devils in two of his early novels, Mardi and Pierre. …show more content…

However, most of which allude to certain people and events rather than directly quoted chapters and verses (Wright 185-6). One concern that Melville emphasizes through Biblical references is the eternal struggle between good and evil. Similar to the New Testament, one theme of his novella Billy Budd is crucifixion. The conflict of good versus evil, where the Cross triumphs over sin, is seen here through Claggart and Budd. Claggart symbolizes evil, while Budd exhibits a god-like innocence. Like Jesus’ time in the desert, Budd faces a harsh temptation from Claggart when asked to join a mutiny (Wright 193). Melville carefully selects a few distinct portions of his predecessor’s writing to incorporate into his stories because of their figurative meaning beyond the literal text.
A style that critics have noticed in Melville’s publications is his chaotic wording and sentence structure: with phrases such as “Ourselves is Fate,” (Melville qtd. in Kearns 50) the reader begins to clearly see Melville’s chaotic style of writing. This is his use of strings of words as complete sentences that often have errors in semantics and syntax. These mistakes are deliberate, usually for rhetorical value (Kearns 50). An example of which can be seen in the following quote: “Though in many of its aspects this visible world seems formed in love, the invisible spheres were formed in fright.” (Melville qtd. in Kearns 51). A contrast is

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