Merchant Of Venice Trial Scene Analysis

The scene from Othello my group is performing is act 5, scene 2. In this scene, Desdemona is sleeping and Othello enters her room. He intends to kill her because he is convinced that she has cheated on him. She awakes from her slumber and she and Othello converse...Othello suggests to her that he is going to kill her, but she pleads him not to and to wait because she is not guilty of any sin against him. He does not listen to her and eventually smothers her with a pillow. Emilia then enters the room and finds out what Othello did. She becomes angry at Othello and herself because Desdemona was blameless. It eventually comes to light that Iago staged the affair and Iago kills his wife Emilia and Othello kills himself.

The play ‘The Merchant of Venice’ Shakespeare effectively engages the modern audience through the means of comedic conventions within themes and characters. Comedy conventions such as racial and cultural slurs don’t engage the audience as successfully as they did during the 16th century. Since then, our perceptions have changed because of the impacts of historic events. However, the use of double entendre and gender roles continue to amuse modern day audiences. The Merchant of Venice is classified as a problem play/comedy because it deals with contentious social issues between the characters on stage, who typically represent conflicting points of view within a realistic social context along with comedic conventions. Written by the illustrious William Shakespeare about a merchant of Venice who must default in a large loan provided by an abused Jewish moneylender. Shakespeare uses some of the fundamental aspects of society in conjunction with subtle comedic conventions in order to appeal to a modern audience.

“Othello” is a Shakespearian tragedy set in sixteenth century Venice during the Turkish and Venetian Wars. The story follows the powerful Moor of Venice, Othello, and his tragic moral, military and marital downfall due to the corruption instigated by his jealous ancient, Iago. Throughout the play, the themes of womanhood, appearance versus reality, as well as prejudice in identity are explored. Further, contemporary responders can extract individual meaning through applying the literary criticisms.

One of the strengths of good theater is its ability to mirror the problems and conditions shaping its time. In The Merchant of Venice, William Shakespeare reflects two important aspects of Elizabethan society: the corrupting influence of prosperity and the increasingly vengeful nature of Venetian justice. To address the former issue, Shakespeare downplays the importance of wealth by associating its involvement in romance with superficial and insubstantial advantages. He characterizes prosperity as a deceiving agent, citing its ability to introduce shallowness into a relationship. Shakespeare reasons that genuine romance depends on sacrifice and emotion, not wealth. The problem with justice is equally striking. In the play, justice is

Venice had the ideal location at the center of a large network of seafaring mercantile trade (Van Brummelen 65). From the far east came silk, from India came spices, and out of Venice went delicacies such as wine and glass (Berg 308). Venetian ships transported salt from the Venetian lagoon, pepper and other spices from North Africa, and slaves, silk and purple textiles from Asia to northern and western Europe (McKay 406). But saying the economic success of Venetian merchants was merely a result of Venice’s location fails to consider the governmental, industrial, and cultural factors that shaped the economy.

Looking into Shakespeare’s work, the class and I got to view “The Merchant of Venice”. I

Only by considering a range of perspectives can we truly appreciate the world of Shakespeare’s Othello. It is through my exploration of these perspectives and their relationship with changing morals and values that has enriched my understanding of the play. One such reading of the play challenges the marginalisation and objectification of woman in a patriarchal Venetian society, while taking into account the changing role of women in modern society. Another interpretation of Othello examines its post colonial elements through the protagonist Othello, and his insecurities of being a black man in a white society. My interpretation of the play as a portrayal of the values existing in Shakespeare’s time is filtered through these

Stereotypes for every different religion, ethnicity, culture, and gender exist among the minds of the human race. These typecasts have ruled this world for as long as there has been diversity among people. In Shakespeare’s comedic tragedy, The Merchant of Venice, one prejudice is very central to the theme. The play is dominantly set in Venice, one of the most liberal cities of the Renaissance era. In this place and time period, anti-Semitism is very much in force. The Jewish people are discriminated against and treated terribly by the Christians living in Venice. Shylock, a wealthy Jew, is mercilessly spurned many times by men like Antonio, a Venetian merchant. In contrast to this blind hatred is the longing and lust associated with

The Merchant of Venice is a play set in a very male and Christian dominated society where other religions and women rights weren’t very well accepted by the community. However Portia, a rich woman who had previously been controlled by men, triumphs as she manipulates tricks and saves the lives of the men.

William Shakespeare’s The Merchant of Venice is a perplexing story of dark humor, race, religion, identity, love, and justice. Generally, most people understand The Merchant of Venice as a comedy about a bitter and outcasted Jewish moneylender named Shylock who seeks revenge against a Christian merchant who has failed to pay his loan back. However, there are many different perspectives on whether The Merchant of Venice is a comedy or a tragedy depending on one’s views on the difference between race and religion. If one views the story as a comedy, it is a dark comedy full of many problems, especially the controversial subject matter of anti-Semitic attitudes of its Christian characters. If one views it as a tragedy, it is a tragedy that concludes with majority of its characters in a “happy ending”—that is if one agrees that Jessica’s decision of love over betraying her father and giving up her Jewish identity is indeed a happy ending.

The renaissance was a time of great and immeasurable change within all aspects of European life; so much so that it could be seen as beginnings of our modern western society. Leading this revitalization in culture and society in Europe’s historical development were to the two of the most dominant states of renaissance Italy, Florence and Venice. These small city-states were the powerhouses of the time and assisted speeding up the renaissance and helped spur revolutionary developments along the way being the main hubs of influence in the Italian peninsula during the late 13th and early 16th century. Florence could be characterized as a financial centre, with their banking system considered extraordinarily ahead of time; in addition being the main producers of fine elevated their chances to conduct successful trading ventures. Venice was considered one of the largest centers of trade being a coastal city of the shores of the Adriatic Sea, which allowed for prosperous trade with what was then considered the Eastern world; the city was also well known for their quality in ship building as well which likely contributed to them being a large naval power in the region. Now due to fact that both city-states were two different sovereign parts of Italy meant having two different approaches and views on or about a multitude of ideas. To understand the impact of Florence and Venice, the two very influential and affluent republics in renaissance Italy, it is crucial to analyze their over

The Merchant of Venice was created between 1596 and 1598, it was published as a comic, romantic, tragic in 1600. The play has many struggles in it but the main ones are Bassanio's quest to marry Portia and his attempt to free Antonio from Shylock's deal. The idea that Shakespeare's representation of Shylock is unquestionably Anti-Semitic will be impacted in this essay because thought this book Shakespeare portrayed Shylock as Anti-Semitic.

Disguised as young lawyer Balthazar, who speaks with heightened eloquence to beg Shylock to show mercy. Portia’s speech about the quality of mercy is wasted to Shylock. It's almost as if Shylock got his way, revenge. After all these years it is time for him to complete his deed. His deed to eliminate Antonio. As his moment arrives it is all dismantled by the intelligence of Portia. Portia turns Shylock’s greatest weapon-the law-against him, Portia delivers once last chance of mercy to Shylock. Shylock is warned if even a drop of blood is spilled he will be accused of conspiring a life against another Venetian citizen all of his land and goods will be confiscated by the state. Shylock agrees to take thrice the sum. Shylock drops the case, but Portia deems him guilty for threatening another Venetian citizen. Half his property and land shall go to Antonio and the other half to the state. “I pardon thee thy life before thou ask it.” The Duke of Venice demonstrates mercy even after what the Jew had committed. The court could have acted on revenge against Shylock but they knew mercy was far greater than revenge. Shakespeare urges mercy is preferable than revenge. He tells us that even those who have wronged deserve mercy. Acting towards revenge will not prosper but mercy can be replenishing. Shakespeare shows us one can show mercy and that it is not forced.

In Shakespeare’s The Merchant of Venice, one recurring pattern is male fixation with law and justice.

The Merchant of Venice, also known as “The Jew of Venice” is a drama play originally written by William Shakespeare in 1598. The major conflict occurs when a man named Antonio (Venetian merchant) fails to pay off a loan to a greedy Jewish money loaner known as Shylock who demands a pound of flesh from Antonio in return. Antonio and his friends take a journey through friendship, love, and hatred in an attempt to free him of his pound of flesh fate induced by Shylock. Imagine yourself sitting in the master minds of directors Michael Radford and John Sichel while they are directing their adaptations of the play. Imagine experiencing their unique ideas first hand looking through their