Julius Caesar Metaphors

Humanity has become the most dominant species on Earth due to our high intelligence and communication skills but our communication can also be used to easily manipulate and convince. This manipulation is shown when, Mark Antony delivered a deeply passionate and articulate speech at Caesar’s funeral, altering the political dynamics of the Rome in William Shakespeare’s play Julius Caesar. Antony uses his words to influence the Roman people. He effectively uses rhetorical devices to prove his point and gain the support of the citizens. Antony also uses the rhetorical device of Pathos to invoke emotion in the crowd and Ethos to use Brutus’ and the conspirator’s reputation against them.

Calpurnia’s second argument begins with a metaphor, “[w]hen beggars die, there are no comets seen” With this device, she emphasizes the intensity of the events happening, she compares the importance of royalty to the powerless, to play to Caesar’s ego. Her next device is hyperbole as she argues against her husband. She claims that the “heavens themselves blaze forth the deaths of princes” to exaggerate how much the people and their gods care about Caesar and to compare her husband to a prince. She then equips herself with influential word choice to flatter Caesar and to place herself as less than him, so he feels that he still holds the power in their relationship. She addresses Caesar as “my lord” while begging him to stay home. Her following device is personification. She accuses his “wisdom [of being] consumed in confidence” to emphasize his clouded judgment to show the realism of what Calpurnia is saying. She next uses an understatement to ask him to “not go forth today.” She is desperate for him to stay, but the understatement highlights the urgency by making it seem negligible. She wants Caesar to “call it [her] fear”, as to why he is staying at home. This selection of detail is her using logos, a logical escape that avoids him seeming weak. With juxtaposition and the connotation of the word choice in each phrase, Calpurnia makes their own home appear safer than the Senate House Caesar wants to go to, telling him to blame her fear for keeping him “in the house and not [his] own. [They’ll] send Mark Antony to the Senate House.” Ending her argument with rich word choice, she tries to implement pathos to convince him that the omens are dangerous because of her own fear. She wants to “prevail” in trying to convince Caesar to

Julius Caesar, a Roman general, dictator, and leader, is considered to be one of history 's most influential and powerful rulers to this day, in which his rise to power, conquest of Europe, and controversial downfall all remain to be told during modern days. The play Julius Caesar written by William Shakespeare, portrays the events leading up to Julius Caesar’s assassination, and how those who conspired against him banded together and plotted Caesar’s demise. Many of those conspirators assassinated Caesar due to his quick rise to absolute power, his “acts” of disrespect against the senate such as his failing to stand to receive the title of becoming a “god,” and pure jealousy and anger towards Caesar’s success and rule over the Roman empire. Caesar, an ambitious man, was able to conquer many lands and peoples for Rome through successful military campaigns in which he became one Rome’s best generals due to the amount of successful battles he had won and the amount of blood he had shed for Rome’s expansion. However, Caesar’s trait of ambitiousness would prove to be a double edged sword.

In Shakespeare's tragedy Julius Caesar, Portia uses repetition, rhetorical questions, and parallelism in order to persuade Brutus to tell his secret. Portia uses repetition to get Brutus’ attention and to show him how much she wants to know the secret. Pleading, Portia urges, “I should not need, if you were gentle Brutus. / Within the bond of marriage, tell me, Brutus” (2.1.301,302). By using repetition she gets Brutus’ attention so he knows she is talking to him. If Portia did not repeat his name, Brutus would not be as inclined to listen to her. With Portia stating his name more than once he is focused on her and knows that what she is saying is vital. In this part of Portia’s speech she uses pathos. She persuades Brutus by bringing up their

In the play The Tragedy of Julius Caesar, an honorable man, Brutus, is planning to overthrow the soon to be king, Julius Caesar. Brutus is persuaded by Cassius that Caesar is a liar, too ambitious, weak, and not fit to be Rome’s king. Brutus soon believed Cassius, and they and the conspirators made a plan to kill Caesar. After Caesar’s death, Brutus planned to justify his actions of killing Caesar at his funeral in his speech to the people. After Brutus’s speech, the citizens of Rome were all in agreement that Brutus did the right thing for Rome. Brutus then decides to allow Caesar’s best friend, Antony, to speak in honor of Caesar. Antony speaks, and he convinces the citizens that Brutus’s actions were unjust and turned the people against Brutus.

In Julius Caesar, one of William Shakespeare’s more well-known plays, Marc Antony finds himself persuading a crowd who believe Caesar’s death was for the benefit of the Roman people. Antony had implored “Friends, Romans, Countrymen, lend me your ears” in an attempt to sway the crowd to give credence to his belief that Caesar’s death is a tragedy to the Roman folk and create a mutual bond between him and the crowd. This bond created by Antony is one of the very few times his speech dips into the realm of ethical appeals. The crowd of Romans had been originally convinced by the three main conspirators, mainly by Brutus, that Caesar’s death was to the benefit of all the Romans by portraying Caesar as a tyrant. Robert P. Yagelski had stated in chapter 8 of his book “rhetoric is the art of identifying the available means of persuasion. Antony had found which avenue to take and predominantly used pathos to manipulate the simple-minded folk to seek revenge and give the same sentence to the conspirators and Caesar had received.

Many people know that Julius Caesar was betrayed and killed by many people who he had thought to be his friends. Some less common knowledge is that he did still have friends and others who stayed loyal to him. One man named Mark Antony was the most loyal of them all, even after Caesar’s death. When he found out Caesar had been killed, he began plotting to get on the traitor’s good sides and make it seem as if he had joined them so that he could convince the citizens to fight against them with him. He deceived the traitors and convinced them to let him speak at Caesar’s funeral, and in this speech he turned the citizens against them using very powerful rhetorical skills. After he had drove the traitors from the city, he took control of the city and led them to victory in a war against the conspirator’s armies. These are three telling examples that prove Antony’s skill and potential as a leader.

What would you do if your friend was stabbed but you couldn’t tell? This was the exact situation Marcus Antony faced when his friend Julius Caesar was stabbed by many men called the conspirators. Antony has to give a speech to the Roman people at Caesar’s funeral where he talks about the great things Caesar has done for Rome and its people. He can not talk wrongfully of the conspirators or he will end up like Caesar so he has to effectively use his language to persuade the crowd into believing that the conspirators wrongfully killed Caesar without telling them that the conspirators wrongfully killed Caesar. In act three of Julius Caesar Antony uses so many rhetorical appeals in order to persuade the crowd such as, ethos to give an appeal to Caesar and Brutus, logos to get the Roman people to want to hear more of what he is not telling, and pathos to make the crowd feel sorry for Caesar and join Anthony’s side.

In the tragic play Julius Caesar there is a leader everybody looked up to named Caesar. Although people looked up to him he was not always loyal,trustworthy, or honorable. Some seen it before others and want to make a change and within that change Caesar had to be kilt. Brutus being Caesar friend knew the games that he played and became one of the ones that put an end to his games. With him being his friend he honoured him for all the good but as he was ambitious Brutus slew him. Maybe Caesar knew he was no good to Roman because once he seen Brutus standing upon the conspiracy something switched in him he no longer fought for his life. Caesar last words were “Et tu, Brutus(you too Brutus)then falls Caesar”.

Julius Caesar, a play by William Shakespeare, has many instances of great rhetoric in the speech of its characters. Marc Antony, a main character and a pupil of the great Julius Caesar, has a speech that shows many uses of rhetorical appeal and devices. He is able to sway the citizens easily because of how strong his rhetoric is and how persuasive he is. Antony uses devices like dramatic irony, appeals (ethos, logos, pathos), and repetition to make the citizens believe in him and Caesar to disregard the conspirators argument.

The Roman senators all took part in betraying Caesar by murdering him. One of the main people involved, Brutus, held a funeral service for the deceased Caesar along with a brief speech. One of Julius Caesar's main companions who loved him dearly, Antony, also gave a speech that lasted much longer. After looking through the ethos, logos, and pathos mentioned in this story, it is obvious that Antony is more persuasive.

Mark Antony and Marcus Brutus from the play of “Julius Caesar” written by William Shakespeare, both try to persuade their audience if Julius Caesar is ambitious or a noble man. They both use rhetorical devices and persuasion very well, but unlike Brutus, Mark Antony is more persuasive in convincing his audience because he appeals to the audience’s emotions by embedding rhetorical questions, physically displaying emotions and sympathy, and capitalizing on his relations with Caesar throughout his funeral speech.

The speech Brutus gives his fellow conspirators contains a variety of figurative language to describe the act of killing Caesar and shows Brutus’ commitment to the cause. Originally, Cassius believed that Caesar needed to be killed while Brutus was unconvinced. However, Brutus’ diction in this speech shows how his thought process has changed. He tells the conspirators to carve Caesar as a “dish fit for the gods” (174) rather than slaughter him mercilessly. He believes that Caesar’s body should not be left as a “carcass fit for hounds” (175). Through the use of words such as “carve” and “carcass”, Brutus depicts Caesar’s murder in a rather gruesome manner. Brutus uses metaphors in his speech in order to describe the killing of Caesar. He compares the

William Shakespeare is known for writing famous trajedies about certain things that can happen or already have happened to all of us so that we can relate and unterstand the story better. In Julius Caesar betrayal plays a big part in the story line. Betrayal is something that happens to everyone at some point in their life and it's one of the worst things that we have to overcome and sometimes we can't. Life is already not easy and when you factor in something like betrayal it can really hurt and even, like in Caesar's situation, kill you. Shakespeare wrote this play with different types of betrayal because there isn't just one. There are many different types of betrayal but they can all lead to the same outcome and that is why it is such a trajedy. In our world and in Julius Caesar betrayal is either driven by jealous and greedy people or ones that are convinced they are doing it for the greater good.

“Even the noblest men can be seduced by power; it has the power to kill, to distort, and to corrupt” Through this passage, Matthew Sims captures in essence how individuals often turn to betrayal and deception in order to gain their heart’s desires. This characteristic is not only present in life, but can also be seen in modern and classical literature, including the well known work of Julius Caesar. In Shakespeare’s Julius Caesar, the lust for power transcends any one individual and ultimately leads to death and corruption of not only Caesar, but also of Brutus and Cassius. The play begins with Caesar parading through the streets of Rome as he triumphs in his victory over Pompey. However, Brutus, Cassius, and many others hatch a plot to