preview

Metaphors In Refugee Blues

Decent Essays

Hailing from England, W.H. Auden was a pre-eminent literary writer during the 20th century, whose poetry typically reflected his standpoint on politically-torn countries. Throughout the latter half of the 1930’s, Auden’s poems were a form of protest against tyrannical dictators such as Hitler and their murderous policies. As a result, this ideology heavily influenced his work on the highly acclaimed Refugee Blues. Moreover, as he himself had been fleeing from the threat of the Second World War, perhaps we could remember that just as the Jews were being left without a home, Auden was also under fire for going to the U.S, and was effectively a refugee himself. Written in 1939, Auden concentrates on the German Jews at the time, though the poem …show more content…

The subsequent line after the introductory one, “Some are living in mansions, some are living in holes” is purposefully crafted in order to highlight the stark contrast between both sides. The use of the adjective ‘holes’ in this metaphor, underlines the heinous living conditions of some in lower social stratas, whom regardless of their lower hierarchy still remain more fortunate than Jews, who have no place in this world. Mansion’s, typically used to describe the home of aristocrat-like people, juxtapose holes, and this stresses the immense disparity between both worlds. However, Auden deliberately juxtaposes the two in order to embody society;the rich and the poor. Thus, in this ‘city of ten million souls’, a hyperbole, Jews fall into neither division. This is because the rich and poor both have homes to return to, but the Jewish refugees do not. This in itself conveys the discrimination Jews suffered from society. As a result of the juxtapositioning and cleverly chosen diction the empathy of the readers towards the Jews and their plight cannot help but be accentuated. Moreover, the prevalent concept of juxtaposition runs all throughout the poem, where symbols of society, identity and freedom are all juxtaposed, noting the Jews outside …show more content…

“Saw a poodle...fastened with a pin, Saw a door open and a cat let in” W.H. Auden juxtaposes the two animals: cats and dogs. Yet, both share one commonality: they are invited into people’s homes. Furthermore both animals are shown to have received what they wanted,the poodle, who has connotations with royalty, gets a pin, and the cat, who desires freedom, can enter and leave as it pleases. On the contrary, nobody is willing to welcome refugees or offer them anything, nor are they willing to extend their love towards them. Auden intentionally uses juxtaposition as a means of communicating the situation, in order to focus on the injustice and maltreatment the Jews had ungrouped. Furthermore, this stanza additionally demonstrates another linguistic

Get Access