Metropolitan Museum Of Art Essay

One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.

Lorraine O’Gradys’ unintentionally historic performances, seemingly elevate everyday life to the status of art. In her ‘exhibit’ at the Studio Museum, her work is represented through photographs, in ‘Art is…’. Thirty years ago, O’Grady presented ‘Art is’ in the form of a float in the African American Day Parade right here in Harlem. Performers pranced with empty frames, metaphorically capturing fleeting pictures of the people and places that surrounded the route of the parade. By doing so, the trappings of high art were brought out of the museum, into the street, which promotes a new way people might begin to recognize this new art form in the celebrations of every day life. The

Positioned alongside Central Park in the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museum, especially one as influential as the Met, inherently predisposes its visitors to a certain set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within the museum. Brent Plate in Religion, Art, and Visual Culture argues that “objects obtain different meanings in different locations and historical settings.”An object placed on display behind a glass case inside a museum would hold a vastly different meaning if it was put on sale by a street vendor, like the ones who set up their tables in close proximity to the Met. The different meanings that objects are able to obtain is attributed to the relationships that are established between the object itself and the environment that surrounds it. These relationships often involve the kind of audience that a museum attracts, where the work is exhibited, and how the exhibits within a museum is planned out. Museums subsequently have the ability to control how these relationships are established which influences the way a viewer is able to construct meaning. When a visitor observes an object on display at the Met, they instinctively construct a certain set of

The building at 111 South Michigan Avenue, home of the Art Institute of Chicago, was opened in 1893 as the World’s Congress Auxiliary Building for the World’s Columbian Exposition. The building was passed on to the Art Institute after the end of the exposition. Designed in the Beax-Arts style by Boston firm Shepley, Rutan, and Coolidge, building has become an icon for chicagoans an tourists alike. The Modern Wing, the Art Institute’s latest and largest addition to date, opened on May 16, 2009, and was designed by Pritzker Prize-winning architect Renzo Piano. The 264,000 square foot addition now houses the museum’s collections of modern European painting and sculpture, contemporary art, architecture and design, and photography. The new

When I attend the Oklahoma Art Museum this morning, I was completely blown away by the different styles, technique, and artistic abilities that artist have. Art can come in many forms and can involve many different things. From paintings, sculptures, and abstract pieces of the modern world. Along with my visit, I got to experience a new collection of blown glass that was absolute remarkable. As I walked though the museum, it was as I walked though time and got to see how each period’s art changed throughout time. From the different shades of color to the different types of technique that filled the halls of the Oklahoma City Art Museum, each piece was genuine in its own way. I was starstruck as I witnessed Lowell Nesbitt’s Parrot Tulip, Richard Diebenkorn’s Albuquerque, and Dale Chihuly’s blown glass.

The exhibit that I viewed at the Philadelphia Museum of Art was one about European Art between the years 1100-1500. This was a series of paintings, sculptures, architecture, and tapestry of the Medieval and Early Renaissance as well as objects from the Middle East. This exhibit was an important part of the history of the Philadelphia Museum of Art because for the first time, Italian, Spanish, and Northern European paintings from the John G. Johnson collection were shown. It gave me a good idea of what the paintings were like in these four centuries and reflected ideas of both the east and the west.

The Whitney Museum of American Art has often been referred to a citadel of American Art, partially due to the museums façade, a striking granite building (Figure 1), designed by Bauhaus trained architect Marcel Breuer. The museum perpetuates this reference through its biennial review of contemporary American Art, which the Whitney has become most famous for. The biennial has become since its inception a measure of the state of contemporary art in America today.

statues display their own set of artistic conventions in their strict symmetry, basic forms, and

The Ackland Art Museum’s new exhibition takes visitors through an experience that simulates the chaos, fear and disorientation of war.

NYC has many great things. For example, Times square, The Met, and Central park, etc. Many tourists come to New York. tourists want to see great places and things, so many tourists stay one week at least. New York has beautiful things and places. As far as I am concerned, New York has great museums and galleries.

Jan van Eyck was active since 1422 and died in 1441. He was the most celebrated painter of the fifteen-century in Europe. One of his famous works is “The Last Judgment”. At first sight this work immediately attracted my attention. The painting’s stunning colors and the fact that it reminded me of a previous similar work I have seen, triggered in my mind. The material that is used is oil on canvas, transferred from wood. The size of this work is 22 1/4 *7 2/3 in. (56.5 * 19.7cm).

From the forehead to the mouth, wrinkles are clearly displayed horizontally and vertically, in all different shapes. On the forehead lays a v-shaped wrinkles right above the eyes. On top of that, depicts horizontal wrinkles as life someone carved it out with a knife. Below the eyes mark a semi circle wrinkles almost showing dark circles. However, the most dynamic part are the indented wrinkles on the left side of the sculpture’s face. From deep hold to slightly pushed in wrinkles, display the ancient era this man lived in. The just and robust look along with powerful wrinkles gave the realism to the sculpture. Among the whole piece of the sculpture, the distinct facial structure emphasized much realism which helped with my clear imagination of thinking about a masculine ancestor in Rome. As a matter of fact, I observed the sculpture with much respect, as I felt the heavy and severe realism in the authoritative

This paper will focus on gender differentiation in Egyptian sculptures of the Old Kingdom Period and how this related to society’s view on gender and the different roles played by each. This will focus solely on the role of royals within the Old Kingdom. I would like to do this using the sculpture of Menkaure and His Queen. My thesis is that men are can be determined through the clothing, posture, body positions, and line details in Egyptian sculpture. The females will appear to be wearing a form fitting dress that is almost translucent on the sculpture as to show all the curves and female features on the body. The males will also be portrayed in front of female figures when the two reside in the same sculpture and will also be seen as larger

Over the course of history, human statues have taken on different forms and function. The change in form and function was necessitated by the development of sculptural skill and change of sociopolitical circumstance. The style of sculpture varies from region to region, so I think it is worthwhile to look into the development of sculpture in Mediterranean region. In this paper, I am going to compare and contrast three sculptures: Khafre enthroned from Egypt, statue of Poseidon from Athens and statue of Augustus from Rome. Each work is separated from one another at least several centuries, so these statue would give general idea how sculptures developed during these In the following paragraphs, I am going to compare and contrast these sculptures

Many collections and interesting presentation sometimes cannot attract visitors, sometimes it can fatigue (tiredness) to the visitors in a museum. Melton (1935) defined museum fatigue as a situation happened after some time in a museum and caused by the lacking of attention on the collection. Research by Gilman (1916), Robinson (1928), Melton (1931) and Neal (1976) show that museum fatigue is caused by: