Miami Art Review: The Mona Lisa By Leonardo Da Vinci

The Mona Lisa, painted by Leonardo da Vinci around 1503-6, is oil on panel. It is a three quarter portrait of a young, Florentine woman. She is sitting in a chair with her torso twisting around to face the viewer. Her hands are resting on the arm of the chair. Behind the woman in the background is a landscape very characteristic of many Leonardo paintings. The Mona Lisa was painted toward the end of Leonardo’s career. In contrast, the David created by Michelangelo around 1501-4, is a marble sculpture of the biblical hero David. The seventeen foot tall statue depicts a young man standing in contrapposto. Most of his weight is supported with is right leg, while his left leg is relaxed. He holds

One way the Renaissance signaled the start of the the modern era is through Art. In the Renaissance picture of Mona Lisa, it’s focus is shifting away from religion (Document A). Before the Renaissance, all of the pictures were based off the Catholic religion. In the Middle Ages it was a religious picture presented, but when the Renaissance rolled around, it started to look more like a modern day picture. The picture was a lady with a nature background. There was no religion in the picture. The Mona Lisa contained more natural movements and interests than the painting by Duccio di Buoninsegna.

Italy can be looked at as the home of the renaissance and consequently the immergence of great art. Artists such as Michelangelo, Botticelli, Da Vinci, and Raphael are some of the greats and are looked at for standards. But what about the artists whose lives are mysteries, and their works that were influenced by the greats? These artists hold just as much importance in the history of art as do the artist’s whose names can be recalled off the top of an average person’s head. During the sixteenth century things began to change in the art world, and that change was the Baroque. This new style of art brought a revolution to how subject matter was painted, it brought upon “… a radical reconsideration of art and its purposes…” (249) and how artists of all ranks could learn to paint the up and coming style of Baroque.

The Mona Lisa has been one of the most debated paintings of all time. The look on the face of the women in this painting leaves a person’s mind wondering. No one really seems to know what this mysterious woman is thinking or feeling. The questions that cannot seem to be answered are what make this painting so famous. The reason for that is because it is raveled in mystery and secrets. All of the small details make the painting stand out by being different from others and the details also make it far more remarkable as well. And surely, the smirk on the face of the Mona Lisa is the major key factor to the painting being so interesting. “Leonardo da Vinci was one of the

The rectangular pattern of the tiles in back of the Italian Renaissance painting underlines the geometric arrangement of the figures in the foreground and the background. All of the images of the people look carefully 'placed' by the artist. Not only was interest in classical era sculpture and architecture revived during the Renaissance in Italy, but also interest in math and science, and the near-mathematical precision of the painting reflects this fact.

On behalf of the Brisbane Museum, I welcome you to the exhibition of Renaissance Change Maker Leonardo da Vinci’s renowned painting, the Mona Lisa. Today, I will prove that Leonardo da Vinci significantly influenced the Italian Renaissance through his world famous painting the Mona Lisa. Created around 1503, he changed the art world through his new techniques, attention to detail and the appreciation for beauty portrayed through his works.

Lastly, we have the Portrait of Simonetta Vespucci by Piero di Cosimo, which again tells a different point of view than the other paintings I have previously analyzed. Cosimo made this work with tempura paint on canvas in 1480 and it is now located in the Musée Condé in Chantilly,

Whether pride, fear, or peace, art is intended to make the viewer feel an emotion. The visit to the St. Louis Art Museum had me excited to discover a new revelation. Being the second time that I had visited in two semesters, I was looking forward to a new angle to take, writing about some of my favorite pieces I was unable to include in my last paper. This semester we have been focusing on the Renaissance era (1300-1700), also known as the Rebirth. During this time, scholars and artists looked back towards the classical learning. Purposefully looking past the middle-ages, they focused on the classical past of Rome and Greece. During this time period many works of art were created, however, throughout this semester every major artist we studied

It is possible, that Ginevra was not happy with the engagement, thus not trying to hide her melancholy. What she thinks is a mystery for the viewer. The painting becomes a reflection of the inner world of the woman, giving the viewer a ghostly feeling of

Without the guidance and support of Lorenzo Medici, a patron of the arts who lived in Florence (1449-1492), the art and architecture of the fifteenth century and its influence on later art would not be as great as it is today. Guided by the way he was raised, those he had around him, and what he did for the art community, even as a young patron, de’ Medici changed the time period itself. Earning the title Lorenzo de’ Magnifico for his success promoting and supporting artists, and not because of his political leadership, Lorenzo Medici made an important contribution to the world of art and architecture as one of the time’s major patrons. Throughout this research paper, I will write about several different aspects of de’ Medici’s life. First

The Isabella Stewart Gardner Museum’s art collection blends history and culture to aesthetically define a single individual: Isabella Stewart Gardner. From the “Mosaic Floor: Medusa” of the inner courtyard, to “The Coronation of Hebe” (Paolo Veronese) on the ceiling of the third-floor Veronese Room, Gardner determined every inch of both the interior and exterior of the structure housing her personal collection of masterpieces. This museum was specifically designed to resemble a 15th-century Venetian palazzo, inspired from the city that captured Gardner’s heart and ultimate vision of her legacy (Isabella Stewart Gardner Museum). Assisted by Renaissance-revival architect, Willard T. Sears, the palazzo-like structure was realized in its full glory, albeit Renaissance ornamentation had no logical place in early 20th-century Boston, Massachusetts. However, Isabella Stewart Gardner’s fascination with the Renaissance was not solely because the works and buildings were visually pleasing. A palazzo, for a wealthy family, was a lasting symbol of status. Gardner’s choice to create a museum inspired by this Renaissance structure demonstrates how this Renaissance mindset can be translated into her modern context when crafting her own legacy.

Many of us today have things in our culture that we appreciate without thinking about where they have come from. The things we enjoy so much could be from another culture, and even another place in time. This document will explore the influence of Italian Renaissance art on today's civilization, which has greatly changed the art of today.

Please allow me to introduce myself. I am a former high school student of the Art Institute of Treviso, and a former college student of Nullo Pirazzoli and Manfredo Tafuri-- professors at the Institute of Architecture of Venice, valuable historians, and your estimable colleagues in books such as The Renaissance Portrait: From Donatello to Bellini, and Heresy, Culture, and Religion in Early Modern Italy: Contexts and Contestations. Those books along with your books Il Sogno della Pittura and L ’Italia delle Meraviglie are priceless treasures of our Italian culture. I thank you for writing those inestimable treasures—valuable books for college students and for art teachers. Even now that I live and

The Mona Lisa has to be one of my favorite paintings of all time and has lead me to use this specific painting as a topic for this paper. Not to mention the love I have for Leonardo da Vinci. I, myself have always been drawn to da Vinci’s paintings and all of his other achievements that he has given us during his life. I, like Leonardo da Vinci love art and science just as much as it seems he did. He shares a love of art and a fondness for science. It also seems that he loves a good mystery, and the Mona Lisa just happens to be one clouded in mystery. And I too love a good mystery.

Leonardo Da vinci painted the “Mona Lisa” in 1503. The artist portrays a young woman, which acquires the concept of feminine youth and more essentially the concept of elegance. In relation to Agnolo firenzuola’s novel “On The Beauty Of Women” , the portrait attributes to major physical characteristics in which is considered to be genuine beauty by the modern man. Seeing the female portraiture of the italian renaissance, Firenzuola implies a specific interpretation by analyzing the modern woman. Through the famous paintings illustrated by Leonardo da Vinci, the Mona Lisa specifically supports the arguments and claims made by the poet’s correspondence to the beauty of women. Along with Da Vinci’s sticking features, the artist paints Firenzuola’s ideal beauty in comparability to the appearance of definitive grace. With his analyzations being extremely aesthetic, Firenzuolo activates criticizing aspects of the proportions of the figure, the placement of the figure’s position and the importance of the half length portrait of the feminine nature in relation to the portraiture of Mona Lisa.