Misogyny in Shakespeare’s Othello The tragedy of Othello is one of the great literary works from the late playwright William Shakespeare. The play, written in 1603 during Shakespeare’s tragic period, consists of five acts. The backdrop of the tragedy centers around the cities of Venice and Cyprus when the Venetians are at war with the Turks. The play follows the story of the Moorish general Othello (who is black) and his scandalous marriage to a white Venetian woman, Desdemona. Othello’s ensign,
Racism and Misogyny in Othello Race and gender heavily influence the course of peoples’ lives. Shakespeare’s “Othello” depicts a society in which racist and misogynist behaviour informs and affects how characters are perceived and treated. Women in the play are viewed by men as objects, available for their possession and use. The constant subtle and overt racism that Othello encounters throughout the play contribute to his downfall. The unjust treatment of women and people of colour in “Othello” is proof
time, William Shakespeare, was a misogynist and a racist or if he simply wrote about misogyny and racism is a hotly debated question. Sexism in Shakespeare’s part it is too frequently treated as a byproduct of the era he lived in, and not as an active force in his work. An excellent example is in the tragedy Othello. Too often, the final tragedy in the play is blamed on jealousy alone, without including misogyny. On the surface, it is true that jealousy is the direct cause of Desdemona’s death, but
Throughout Othello and Shakespeare’s Sonnets, there are a plethora of misogynistic themes and language. However, it is not fair to assume that these are misogynistic works. The misogyny observed in the texts is conscience on the part of the author and is not meant to be emulated. Shakespeare is making artistic and social statements in every instance of misogyny. The dominant attitude of the men observed in Othello is that women are fickle, disloyal, and flawed in character. Ironically, the only individuals
Shakespeare’s tragedy Othello, the antagonistic attitude towards those who ignore their role in society is a depiction of jealousy that results from the female agency. Gender disparities still exist today; this has been a consistent pattern, dating even before Othello’s setting. The atrocious treatment of women is intrinsic to human experience; hence, they remain pertinent to audiences today. This theme is explored in “Women in Othello” and a Student writing “A feminist perspective into Othello”. Shakespeare
Othello, the Shakespearean tragedy of great éclat, the work that has captured the recognition of many spectators, readers, and observers. Fascinated by the popular analysis, and multiplex of themes, ranging from jealousy and love, or perhaps honor and betrayal, Othello has become intrinsic to the way one lucubrates the literary and theatrical arts, and has become indispensible in understanding Shakespearean literature. However, taking the analysis further than the ostentatious front put on by Shakespeare
as men in many aspects of life, but traces of misogyny still remain despite the progress that has been made. During Shakespeare's time, the mocking and lack of respect for women was much more prevalent than it is in the twenty-first century. This paper focuses to answer a few questions raised about misogyny which is visible in the work of William Shakespeare through his characters. I have taken into consideration Hamlet, Taming of the Shrew and Othello as the main examples to try and point out at
villain in one of William Shakespeare’s greatest tragedies, Othello. In this play Iago sets out to destroy Othello for multiple reasons, most of which are
‘Othello’ was a tragedy of incomprehension at the deepest level of human dealings as no one in the play came to an understanding of himself or any of the surrounding characters. The play ‘Othello’ by William Shakespeare focused on tragedy through the anguish of the main character ‘Othello’ which lead to the suffering and death of numerous characters including himself. Appearance Vs. Reality challenged human dealings within the play ‘Othello’ as no-one came to see anyone’s true self and no-one sees
him, or to rob him of everything he loves? To imprison him, or strip him of all sense, morals and honor? J.H. Picard’s production of Othello explored these questions and more in a tale of love, deception, and hatred. Written by the king of theater himself, William Shakespeare, Othello unfolds in an Italy overrun by misogyny and racism. When the Moorish general Othello denies his aide, Iago, a promotion and marries a girl who has blatantly betrayed her father, Iago becomes determined to seek his revenge