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Modern Revival Of The Cornett

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The cornetto is a wooden wind instrument widely used throughout Europe from the 15th through the 17th centuries. It’s also called the cornett, which is not to be confused with the trumpet-like instrument called the cornet. A hybrid between a woodwind (like the recorder) and a brass instrument (like the trumpet), it was a long and slender tube, curved to one side, and had open finger holes. Sound was produced by blowing into a cup-shaped mouthpiece, like that of the trumpet. The combination of the mouthpiece and finger holes results in difficulties of intonation (pitch) and embouchure (mouth positions). Once mastered, it’s extremely agile and has a range of dynamics and expressions that span between brassy trumpet sounds to incredibly sweet …show more content…

According to the classification system of Hornbostel and Sachs, they are classified as ‘trumpets with finger-holes’. They flourished mainly in the sixteenth and early seventeenth centuries, but began a decline in popularity from the second half of the seventeenth; from 1700 onwards their use fell off dramatically, even though in some parts of Europe they persisted until the early 1800s. Their modern revival dates only from the second half of the twentieth century; performers such as Otto Steinkopf in Germany and Christopher Monk in England were among the first to play cornetts in public in the 1950s.
Whereas most renaissance and baroque instruments have direct descendants or analogues (for example, modern trombones and sackbuts, modern and baroque violins, etc.), this is not true for cornetts; no mainstream modern instrument combines a lip-vibrated mouthpiece with woodwind-style fingering, and this lack of any kind of continuous performing tradition necessitated a re-invention of both their playing technique and usage. Cornetts are usually considered to be difficult to play well, but performance standards have improved dramatically over the last fifty years or so.
“If ever an instrument belonged to the lower strata of society, the cornett did. They were the poor white trash among musical instruments. Not only were they cheaply made, but they were noted for their poverty of musical qualities. Constructed of wood and covered with

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