Modified Little Mermaid Au - Based On @Larksweetsong'S

He glanced up to where the princess was sitting, but only to realize she was no longer sitting there. Thoughts raced through his head; not only thoughts of fright but also hopeful wishes to find his lover behind the door. He was unsure of how this could be possible, but oh how

"I...I'm Marcie," the girl introduced herself, nervously, deciding, for now, to be happy that it wasn't what she feared.

The Little Mermaid showed multiple concepts of social psychology. Prince Eric decides he wants to find his own bride, not have one provided for him which leads to him and Ariel developing passionate love. The movie displays the ideals for males and females and what people define as physically attractive. These physical attractiveness ideals are found in Ariel, Prince Eric, and Triton. Ariel is not like the other mermaids since she dreams of being a human. Her father and Sebastian try to bring Ariel back into the merfolk community since she is resisting normative social influence. Ariel in the end of the movie had conformed to the human society, allowing the humans to tell her how she is supposed act by watching them having which in turn had an influence on her.

He could feel her next to him, holding tightly onto his hand as they trekked through the quiet city. The sheer beauty invaded every ounce of his being, filling him with a feeling that could only be described as breathtaking, overwhelming joy. Her smile, beautifully illuminated by the lights around them, refused to dull. The world around them seemed to disappear with every small kiss they stole from each

“You haven’t changed a bit. Hey everybody! Hope you’re all doing well!” The guy said. “You’re new. What’s your name?”

Hans Christian Andersen’s story “The Little Mermaid” addresses many dark ideas that Disney’s film “The Little Mermaid” avoids. The avoidance of dark topics by Disney can be attributed to Disney targeting a different audience as well as Disney wanting to keep a happily ever after on the story of Ariel. The role of suffering in Andersen’s stories is attributed to the desire of young girls for something in which they should not or cannot have. This desire propels the characters in Andersen’s stories to make decisions that lead to them losing their own identity as well as their families. In Anderson’s story “The Little Mermaid” sees a Prince on her fifteenth birthday and she ends up saving his life when his ship sinks (Andersen, 220-222). After

He explained that the ocean, “...is very, very deep; so deep, indeed, that no cable could fathom it: many church steeples, piled one upon another, would not reach from the ground beneath to the surface of the water above” (Andersen). This thought could almost be frightening to some members of the audience, especially those who already fear the ocean. Both fairytales, have set a mood before the first person has even spoke, Andersen’s having a sense of eeriness, while Disney’s demonstrates pure bliss. Throughout Disney’s version of The Little Mermaid, numerous upbeat songs are played. For example, while the little mermaid is spending time with the prince, her friend sebastian, in an attempt to make the prince kiss her, begins to sing, “Sha la la la la la, my oh my, look like the boy too shy, ain't gonna kiss the girl”

The coming of age story for a teenage mermaid fascinated with life on land won the hearts of millions when Disney released their animated motion picture in 1989; however, the story had originally been written long before then. “The Little Mermaid” by Dutch author, Hans Christian Andersen, was published 152 years before hand as part of a children’s fairy tale book and vastly differs in regard to the 1989 Disney animated adaptation. Walt Disney’s adaptation carries a naiveté that can be sold to millions of viewers world-wide and mainly appeals to young girls by telling them that even if they are worlds apart, they can find true love. Hans Christian Andersen’s story however does not convey the same message. The original story is filled with treachery,

The princess's relationship with the young man, based on trust, saved his life. They fell in love and were very happy. For example, "This royal maiden was well satisfied with her

One of the tour guides appeared and began rounding up the guests. The mystery girl sprang up to speak to the man and woman. The woman smiled, nodded and handed the girl her camera. The family arranged themselves on a bench, and Mystery Girl snapped a picture. Taking the camera, the man thanked her, and guided his family to the line of people entering the castle. Mystery Girl fell into step with them, bouncing with a child-like eagerness and chatting with the younger girl. As if she were one of the family, Mystery Girl followed them inside, just as bold as she could be.

“Oh, who’s this? Hello, what’s your name?” She addressed the boy sitting next to me as I was getting up.

Shelley grew up dreaming of mystical creatures who lived beneath the sea. Her aunt insisted on the existence of men with fishtails. But as an adult, Shelley tries to forget such nonsense, to avoid becoming another loony in a long line of perceived psychotic women. So, Shelley will choose not to believe in everything she's been taught about underwater people, destiny, and cosmic connection because it's just plain crazy. To believe that men could come with gills and fishtails is simply absurd. Until of course, Shelley is saved by one such man, a seaman, who will do everything he can to make her love him like crazy.

After Aurora there hasn’t be another disney princess for 30 years. After this long silence there came a new era of disney princesses, The Renaissance Era (1989–2000). During this Renaissance the princesses became smarter, more independent and more adventurous. The core of the stories were not just about finding love, but the adventures, self-sacrifice and self-discovery became more important. Ariel is the first

The air was filled with the aroma of white roses. Muffled cries wondered in the distance, the sun brightly shined through the green oaks that branched over the glass church. A couple standing side-by-side, one wearing a beautiful elegant white silk gown, the other, a dashing, and well-fitted black wool suit. To the right of the groom was the best man, blushing, for the woman standing next to the bride captivated him. He couldn’t keep his eyes off her for her beauty was mesmerizing. At the same time the woman couldn’t stop glancing back at him. She looked down at the bouquet blushing for she has never seen such an elegant man star at her before. It was as if the ocean where meeting the shore for the first time. They where strangers, but something about the way they looked at each other and the aura they projected triggered an unexplainable connection as if they have been together for centuries.

Her lover did not live with Serena, but she insisted he come over; they had been dating for just over five months - they did not plan it, it just rather happened and neither could place a finger on the exact moment. However, once united together they became a truly formidable couple and most of the time inseparable; they thrived off each other in many ways. As she adjusted her eyes, she tilted her head up and saw a familiar face.