Moral Conflicts in Crime and Punishment Essay

Dostoyevsky’s Crime and Punishment is a psychologically charged novel in which the primary element that plagues the protagonist, Rodion Raskolnikov, is not a person but rather an idea; his own idea. Raskolnikov has an unhealthy obsession with rendering himself into what he perceives as the ideal, supreme human being, an übermensch. Raskolnikov forms for himself a theory in which he will live purely according to his own will and transcend the social norms and moralities that dominate society. Raskolnikov suggests that acts commonly regarded as immoral are to be reserved for a certain rank of “extraordinary” men. Raskolnikov’s faith

Between all the other characters in Dostoyevsky’s Crime and Punishment, Raskolnikov and Svidrigailov are the most similar in that Svidrigailov is depicted as Raskolnikov’s baser self and a depraved character. While Raskolnikov is seen to be a more repentant character who is afflicted with guilt after murdering the pawnbroker for his own selfish desires despite telling himself it is for the greater good, Svidrigailov is rumored to have committed several murders and feels nothing for his victims, one of them being his own wife. Throughout the story, Rask is shown as wanting to be like Svidrigailov just as Svidrigailov longs to be like Rask because each one has qualities that the other wants in their life.

First, let me introduce you to the main character himself otherwise known as the murderer in this story. Raskolnikov is the main protagonist of the novel, making the story in his point of view. He is very alienated from society due to his

It shall not be, so long as I am alive, it shall not, it shall not! I won’t accept it!” (Part 1. 4.). Raskolnikov begins to alienate himself from his ex-colleague, Razumikhin, although at points it is Razumikhin who supports Raskolnikov the most. It forces Razumikhin to replace Raskolnikov in situations that should have been left to his authority. In a situation where Raskolnikov should have reassured Dounia and Pulcheria of their safety “he waved his hand weakly to Razumikhin to cut short the flow of warm and incoherent consolations he was addressing to his mother and sister” (Part 3. 1). As Raskolnikov began to slowly move away from any form of comfortable socialization and a growing poverty situation, his stubbornness to contain his pride and dignity eventually builds up to the brutal murder of Alyona.

No matter what job you have in the criminal justice system there will always be ethical dilemmas that arise. As a person who’s job is to enforce the law there is always a way to step over the boundaries whether it be unfair treatment to citizens, inmates or agencies. There is always areas of the career to consider and in order to make everyone happy there are steps that need to be taken. From the police officer on the street to the parole board there is always something that could come up which could have consequences for either decision so which is the right one?

Being the protagonist in Crime and Punishment, Raskolnikov is subject to most ridicule and analysis for his moral ambiguity and outlandish views. After reading about his dreadful murder of Alyona and Lizaveta Ivanovna, many come to the conclusion that Raskolnikov is purely evil. His lack of guilt and belief of justification for his crime surely points readers in this direction. Raskolnikov remains convinced that he is superior and that it was his duty to kill such a worthless person. Although some may view this as evilness, others may perceive it as downright ignorant. His atypical way of thinking doesn’t necessarily make him evil, but that is how some comprehend it. At certain points in the story, we see Raskolnikov not as a deranged man, but instead as a compassionate human being. After the murder, we see him carrying out various charitable acts, perhaps as an attempt to atone for his unforgivable crime. For example, we see some good in him when he gives Sonya’s family twenty rubbles after Marmeladov passes on. We also see this when he attempts to rescue a drunk girl from a man by giving her money for a taxi. As much as Raskolnikov expresses that he was justified in his actions, through his mental and physical illnesses it is apparent that he feels some guilt about it. This guilt makes him seem at least a little bit more human. For these reasons, when all is said and done, it is difficult to determine

Dostoevsky, the author of Crime and Punishment, was extremely concerned with many of the social issues of his day. It his work, he addresses the rise of nihilism and disregard for moral responsibility that overtook Russia’s youth during the 1860s through Raskolnikov, who murders a pawnbroker.

In Crime and Punishment, Fyodor Dostoevsky discusses justice, questioning who or what determines this ideal. Primarily, he focuses on a man named Raskolnikov, who murders two women and then wrestles with his motives. As Raskolnikov’s hopeless outlook drives him to madness, his friend Sonia reveals an alternative view of justice, which allows for redemption. Through analyzing his character’s viewpoints, Dostoevsky never explicitly defines justice; instead, he exposes his audience to different interpretations to form their own conclusions. However, by depicting Raskolnikov spiraling into madness, Dostoevsky guides his reader to reject justice as determined by man in favor of it established by a higher power.

Dostoyevsky most likely modeled Crime and Punishment after his own experiences. Since the two men's lives had striking similarities, many people believed that was evidence to prove their thinking. As Raskolnikov was overcome with tremendous suffering, sent to Siberia, and fell madly in love with a beautiful woman; so did Dostoyevsky within his lifetime. "I do believe that the character (Raskolnikov) was the epitome of Dostoyevsky's life." (Timoney)

World renowned psychologist Sigmund Freud believes that people tend to bury what they are ashamed of “in masked forms such as dreams, slips of the tongue, or neurotic behavior.” (Gillespie 47). The idea that dreams can reveal a person's deepest thoughts is prevalent in Fyodor Dostoevsky’s Crime and Punishment. The main character, Raskolnikov struggles with his mental state after premeditatively murdering an old pawnbroker named Alyona and her sister, Lizaveta. Raskolnikov thinks that he is an extraordinary man that is above the rules of humanity, which is why he believes he had the right to commit murder. Despite these notions, Raskolnikov has four fully formed dreams throughout the book that illuminate his true guilt. Dostoevsky uses Raskolnikov’s unconscious state in the form of dreams to illustrate his psychological state.

The main theme of Crime and Punishment is estrangement from society. In the beginning, Raskolnikov distances himself from the people of the world. “It was not that he was a cowed or naturally timorous person, far from it; but he had been for some time in an almost morbid state of irritability and tension. He had cut himself off from everybody and withdrawn so completely into himself that he now shrank from every kind of contact.” He was poor but because of his egotistic view of his importance and his feelings of superiority to everyone else he “had ceased to concern himself with everyday

Dostoevsky engages several postmodern ideas in a much more intricate way. The main character of Crime and Punishment, Raskolnikov, seems to hold many postmodern ideals at the start of the book. He believes that ethics are based on the individual. He actually believes himself to be a kind of “super-man” who is above the regular moral standards of normal men. It is with this sense of moral ambiguity and relative truth that he commits the murders and expects to feel no guilt for them. As the novel progresses, it becomes clear to Raskolnikov and to the reader that he is not the

If I could meet Dostoevsky I would ask him what his inspiration for Crime and Punishment was. Sometimes I wonder if the novel was written to give us insight to how Dostoevsky felt about the world. Maybe he is using the character Raskolnikov to portray a part of him who feels alienated from the world, and is torn apart

In Dostoevsky's Crime and Punishment, the murder of the pawnbroker bears little significance when compared to the 'punishment' that Raskolnikov endures. The murder is the direct result of Raskolnikov's Ubermensch theory. Though it takes a while for Raskolnikov to realize the profound mistake in his theory and in his logic, his tedious yet prolific journey eventually leads him to redemption. Suffering, guilt and societal alienation prompt Raskolnikov to reject his Ubermensch theory and ultimately achieve redemption. Through Raskolnikov's character, Dostoevsky reveals that the psychological punishment inflicted by an unethical action is more effective in leading to self-realization than any physical punishment.

Raskolnikov lives an ordinary life as an ordinary man. He is a good man and has a good heart, but he soon commits a crime that will forever change his life. Raskolnikov is a good man; I believe he is kind, generous, and selfless. Now, how are all of these positive traits found in a murderer? I think was caught in a psychotic moment, his mental state was not all there, and he had a dream, he made a plan, and he committed this terrible crime. A good example of Raskolnikov being a kind hearted person, and selfless is when he sees a young girl at the end of the street, he sees by her a rough looking man staring at her. He starts to get very worried what this man might do to this young girl. He goes down the street to get this young girl, and he pays for a taxi to get her home. This was so generous, and small yet so impactful. Raskolnikov cared about what might happen to this young girl, and did something about it. This showed how selfless Raskolnikov is, and what a kind heart he has. I think this shows Raskolnikov’s true character. From here, he makes some terrible decisions, and is engulfed by guilt, but I believe he is a generous, kindhearted person. In this book, Crime And Punishment, Raskolnikov goes from being an ordinary man with an ordinary life to a murderer, tortured by guilt, haunted by the memory of his crime, and him finding himself again in society after the murders.