Motivations are an important aspect of human lives as they determine why we commit certain actions. In fact, motivations are so essential to the human psyche that they can determine the success of those actions. Edgar Allan Poe, the author of “The Cask of Amontillado,” understood that motivations were important and wrote the short story such that the main character’s, Montresor’s, motivations were a plot device that develops the story revolving around the success of Montresor’s nefarious plans. In Poe’s “The Cask of Amontillado,” the analysis of the Montresor Family coat of arms indicates the deeper meaning of blindness from passionate vengeance that Poe derives from the ironic double in the emblem.
In the short story, Montresor, the villain, commits the murder of Fortunato, the victim, through an elaborate plan that ensures that Montresor will not be caught because being caught would make his revenge null and void. This plan of Montresor’s is revealed to the reader as he describes the situation he concocted to invite Fortunato into his home which Montresor made sure was empty of attendants: “He had a weak point – this Fortunato – although in other regards he was a man to be respected and even feared” (179). This “weak point” that Montresor uses is Fortunato’s love of wine. Montresor uses this love to challenge Fortunato to a taste-testing of a rare wine called Amontillado. Instead of the tasting the wine, however, Fortunato tastes death. This is not to say that Montresor
Edgar Allen Poe's brings us a twisted tale of vengeance and horror in "The Cask of Amontillado." Poe's character, Montresor, acts as our guide and narrator through this story. He grabs a hold of the reader as he tells the story from his own apathetic and deceptive mind to gain vengeance from the weak and dismal Fortunato. Montresor's mentality is disturbing as he uses his clever, humor, ironic symbolism, and darkness to accomplish this.
In “The Cask of Amontillado”, Montresor is guilty of the cold-blooded murder of Fortunato and should go to jail for his crime. Montresor speaks of the “thousand injuries” Fortunato caused him and, more recently, the “insult” that Montresor cannot forgive. Vowing to seek retribution, Montresor comments on the importance of ensuring his own innocence throughout the process of revenge. He goes out of his way to be friendly to Fortunato. Other evidence that supports the crime as being preconceived includes Montresor preying on Fortunato’s weakness, his love of wine and his conceited nature. He praises Fortunato on his knowledge of wine and taunts him with the full barrel that he just purchased asking him for his expert opinion. In preparation
The cast of Amontillado was written by Allan Poe at a time when he felt he was being unjustly attacked. Most critics believe that the cask of Amontillado was written by Poe against his critics in the Mirror. I believe the cask of Amontillado is a story of Revenge and Hatred against some friends whom be believed had wrongfully accused him. A review of Allan Poe as a person and his experiences in life is essential a clear understanding of "The Cask of Amontillado". Hence, I will apply a cultural method of interpretation.
It is Edgar Allan Poe's intense use of symbolism and irony throughout the Cask of Amontillado that establishes the short story as an indeed interesting candidate worthy of thorough analysis. The skillful use of these devices are utilized by the author to create this horrific and suspenseful masterpiece.
Montresor does this by flattering and acting concerned about the health of Fortunato when really his only concern is killing Fortunato. While in the wine cellar, Montresor says to Fortunato, “Come, we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill, and I cannot be responsible. Besides, there is Luchesi-.” Montresor does an excellent job of being Fortunatos’ friend and at the same time convinces him to continue drinking and telling him, “A draught of this Medoc will defend us from the damps.” Montresor was not trying to defend either one of them, his only purpose was to place Fortunato into a higher state of drunkenness. Montresor causes Fortunato to become so drunk that while he was being chained to the wall by Montresor, “He was too much astounded to resist.” “The Cask of Amontillado” is filled with many ironies and also life lessons; such as know who your real friends are. Fortunato thought his real friend was Montresor when, in reality, Montresor was anything but his friend. Not only did Montresor fake his sincerity towards Fortunato, he was also vengeful and very intelligent in his actions to kill Fortunato.
Is there really a perfect crime? This is the main point in Edgar Allen Poe’s “The Cask of Amontillado.” The story is a dark tale of a presumably insane man who suffers from, according to him, “the thousand injuries of Fortunato I had borne as I best could” (Poe 75). One of the major factors in telling this story is the setting. The story is set primarily in the Montresor family catacombs, which provides the dark setting, filled with human remains, and this reflects where Montresor commits his crime, where no one will expect. Furthermore, the narration also helps in telling the story. It is first person point of view, so the story is heard entirely from him. Readers will go into Montresor’s
Edgar Allan Poe is an American author whose writing style, full of mysteries and macabre, has fascinated generations. However, his works are more than just thrillers and morbidities. The writings of this author often contain other themes such as companionship, family bonds, longing passion, and perhaps the strongest of these is revenge. “The Cask of Amontillado” and “Hop-Frog; or, The Eight Chained Ourang-Outangs” are two short stories that certainly demonstrate a recurring theme of revenge. Poe not only presents his signature pattern of cold fate in both works but also displays the struggle of a lower social class against the higher social class to the extent that it almost hints at a call for revolution.
I know you've thought about killing someone, but you're too worried about the consequences. In the short story "Cask of Amontillado" The protagonist, Montresor feels hatred toward this man Fortunato and is determined to get revenge with impunity. In "Lamb to the slaughter" a wife unsure of her feelings murders her husband. The stories are similar because the authors both create a effect of suspense while they use different types of irony and conflicts.
Human nature can be driven by many things such as hate, pain, and even happiness. Humans can be very sensitive to many things. That's why when someone runs through the middle of the road, people get mad, and when someone crashes their car into their neighbor's house, their neighbor yells at them and makes them pay for it. Some components of human nature are; revenge, greed, and the will to survive.
Pride is a dangerous emotion that can cause ruin to all those that encounter it. In the short story written by Edgar Allan Poe, "The Cask of Amontillado," Montresor's pride is offended by Fortunato, a man he has forgiven for various offences time and time again. Montresor formulates a deadly plan to exact revenge upon Fortunato for speaking ill of him. "The Cask of Amontillado" examines pride and how it can be very dangerous when it is a guiding force behind people's decisions and other emotions (Poe 221).
“The Cask of Amontillado” by Edgar Allan Poe is a story full of irony. Irony is defined as a literary technique in which what appears differs radically from what is actually the case. In addition, irony can be divided into three groups: dramatic, verbal, and situational. Dramatic irony is when the readers notice something before the characters do. Verbal irony is when the characters say something that differs significantly from what they really mean. Situational irony is when the actual result is different from what was initially expected. In “The Cask of Amontillado,” Poe combines all of these ironies to tell the story and to construct the personalities of the characters in an entertaining way.
Revenge can be sweet, but in this case it is just down right grotesque! In Edgar Allen Poe’s “The Cask of Amontillado” it talks about a gentlemen named Montressor and how he is angry at Fortunato for insulting him in the past. Montressor will not let this go unpunished, so he thinks up a clever scheme to get back at him. This plan is in a way, ingenious but most definitely insane and crazy.
Edgar Allen Poe is known for the various literary devices he uses in his works. One of the most famous devices he uses is symbolism. In many of his stories, including “The Masque of the Red Death,” “The Fall of the House of Usher,” “The Tell-Tale Heart,” and “The Cask of Amontillado,” Poe uses symbolism to further develop each story by the messages he writes between the lines. Symbolism is an important aspect of Poe’s many works, seeing as how it allows the readers to make connections within the stories. In “The Cask of Amontillado,” Poe represents symbolism through the title of the short story, the outfit Fortunato wears, and the Montresor family motto and coat of arms.
As the story progresses, Montresor devises a careful plan to lure Fortunato to his death trap, but he is careful enough not to place himself at risk. He approaches him at a carnival, and plays on his victim’s weakness for wine by offering to show him a brand of wine akin to the light Spanish sherry, Amontillado (8). The narrator presents an interesting description of his encounter with Fortunato at the carnival; at first expressing dislike for his friend’s behavior by claiming that he approached him with too much warmth since he was drunk, but then he adds that he was extremely delighted to see Fortunato at that particular moment. This illustrates the depth of Montresor’s desire to exert revenge on his friend, since the sole reason of his pleasure at seeing Fortunato is that he knew his plans had taken off, and he anticipated the satisfaction of the act of brutal revenge.
Psychoanalysis is the search for evidence for unresolved emotions, psychological conflicts, and whatever else may be hidden in perplexing literary works. Psychoanalytic criticism showcases what has been suppressed by the author’s conscious mind. The author’s sexual conflicts, family life, childhood traumas will be camouflaged in symbolism. One story that lends itself particularly well to this form of criticism is The Cask of Amontillado and throughout the story there are various literary elements that play a major role.