Shakespeare's Henry Plays - A Comparative Study of Falstaff on Film
The Character of Sir John Falstaff is an integral part of any adaptation of Shakespeare's "Henry" plays. The treatment of this character effects the way the production will be taken by the audience as the treatment of Falstaff is directly related to the understanding of the character of Prince Hal (later Henry V). Kenneth Branagh's Henry V, the BBC versions of parts one and two of Henry IV, and Orson Welles' amalgamation Chimes at Midnight all show Falstaff in different lights, producing three different takes, not only on the character himself, but also on the interpretation of Prince Hal, and the entire workings of the production.
In the case of Kenneth
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In an abbreviated sort of version of the rejection scene, Prince Hal (Branagh) shows his intense link to Falstaff by conveying his lines of rejection and banishment without spoken words, choosing instead to use his facial expressions (assisted by a voice over by Branagh) to illustrate his thoughts. Falstaff's reception of Hal's non-verbal meaning shows the fact that Hal and Falstaff are linked beyond friendship and family, while the words themselves show that despite this union Hal has no qualms about using Falstaff to achieve his ends. The humanization of Falstaff changes the way we look at the character of Henry V and the production as a whole, as with Falstaff so much more pure, Henry is seen as the Machiavel he must become in order to succeed his father.
The BBC versions of Henry IV parts one and two show Jack Falstaff (played by Anthony Quayle) as a different sort of character altogether. In these productions the lecherous, unhealthy, and alcoholic qualities instilled in Falstaff are accentuated to a nearly morbid respect. While, unlike Branagh, the screenwriter leaves the lines intact, those lines that commonly evoke humor tend to evoke pity, or disgust instead. Quayle's appearance is not that of a robust jester who promotes joviality and wins the affection of the audience, but rather is a sickly, fat man who drunkenly forces his words out of the side of his mouth. While this Falstaff accentuates
According to F. Scott Fitzgerald, "The test of a first-rate intelligence is the ability to hold two opposing ideas in mind at the same time and still retain the ability to function." Indeed, very few people have this quality, the playwright William Shakespeare being one of them. In many of his plays, "Henry IV, Part One" among them, Shakespeare juxtaposes different worldviews, ideologies, and even environments. His characters usually provide a clear example of a split among them in one of many perspectives. One of his characters in "Henry IV"Falstaffis first seen as an endearing, uproariously funny scoundrel and later reveals himself more of a lowlife with his view of honorhe seems
Henry is trying to get people to join the revolution and fight against Britain. He uses pathos because he inspires anger, trust, outrage, and fear by using the quote, "suffer yourself not to be betrayed with a kiss" (Patrick Henry).
Henry is trying to communicate to his audience that the British will betray them in terms that his audience will relate to or understand, so he uses a situation that happens in a well-known piece of
While speaking to the governor, Henry literally scares the people of Harfleur into submission and gains entry to the city without further fighting. This shows a definite similarity in what Machiavelli and Shakespeare view in their leader.
Immediately as the speech begins, Henry’s tone manifests itself and remains unwavering. Henry begins, “It is natural for a man to indulge in the illustration of hope. We are apt to shut our eyes against a painful truth” (1). This sheds insight on his message and portrays him as a well versed individual. He then strengthens his tone when he says
n Shakespeare's King Henry V, King Henry prepares his troops for battle with a passionate speech about fighting, honor, and kinship. Henry uses strong ethos and pathos to persuade his men to fight the French, though they are outnumbered in the battle. Henry notes that his troops feel unprepared and overwhelmed for battle. This speech marks the moment where the boy Hal transforms into King Henry. For the first time, Henry takes on the role of a valiant king and takes control of the situation. He seizes the moment to prepare them and inspire them. Henry hopes by making an effective speech his men will understand why they need to fight.
Tony Robbins said, “To effectively communicate, we must realize that we are all different in the way we perceive the world and use this understanding as a guide to our communication with others”. Shakespeare’s writing has had many different ways of being presented because people perceive it in different ways. Whether it is a literal representation or a spin, directors like to show viewers the way they perceive the text. In the movie version of Hamlet the director, Kenneth Branagh, wanted the viewers to find Shakespeare interesting and full of action and drama. Kenneth chose the right direction to go in to keep the audience’s attention but it
The question that Shakespeare raises throughout the series of Henry IV, Part I, Henry IV, Part II, and Henry V is that of whether Prince Hal (eventually King Henry V), is a true manifestation of an ideal ruler, and whether he is a rightful heir to his father’s ill-begotten throne. England is without a true king, being run by a ruler without the right of divine providence on his side– altogether, a very difficult situation for a young, inexperienced, and slightly delinquent Prince to take on. The task of proving himself a reliable Prince and a concerned ruler is of utmost importance to Hal, as he does not enjoy the mantle of divine right– perhaps by being an excellent ruler, Hal can make up for the
There are two scenes which Shakespeare shows Henry as ‘an excellent speaker’. First of which is in Act 3 Scene 1, where Henry and his army are attacking Harfleur.
The relationship between Hal and Falstaff, however, is perplexing. Hal is either using Falstaff to serve his ends and when he does not need him anymore he totally discards him or he truly loves the man but lost all hope in reforming him. Prince Hal used to put up with Falstaff, covering him, paying his bills and tolerating his lies, but if this is the price that
Oliver parker's Othello came out in 1995 with Laurence Fishburne as Othello this is also the first time Othello was played by a coloured actor, Kenneth Branagh as Iago and Irene Jacob as Desdemona. Parker kept the original plot and language intact, however the movie seemed to give Othello life through visual and audio aids. Parker's Othello enables the viewer to associate on a personal level and compliments to the anticipation and imagination of those who have read the play before watching the movie.
This was not a major impact on the story but it definitely added character to Sir Henry. In the movie Sir Henry was somewhat timid and in the book that scene showed he was not afraid to stand up for himself.
Throughout the entire speech, he creates emotion that affects the audience. He created emotion throughout the speech by using other rhetorical strategies, such as repetition, imagery, rhetorical questions, and allusions. By using repetition, he made the audience feel some guilt. In the repetition “Let us not, I beseech you, sir, deceive ourselves” creates the guilt-feeling towards the audience, because if Henry were right about Great Britain, then the audience would be in fault for not going to war with Great Britain. By using imagery, the images of an “insidious smile”, “delusive phantoms of hope”, and slavery and chains, creates an unpleasant image to the mind making the audience feel angry, empty, and fearful. Henry uses many rhetorical questions. The use of the rhetorical questions is a question that can only be answered with one right answer. This is because the question being asked is the truth. Sometimes the truth can be hard to hear and accept. As Henry asks these questions, “But when shall we be stronger? Will it be the next week, or the next year? Will it be when we are totally disarmed, and when a British guard shall be stationed in every house? Shall we gather strength by irresolution and inaction?” he evokes fear towards the audience and perhaps anger. He also uses biblical allusions in the speech. He does this to create some credibility but also to provoke some trust from the audience. When Henry mentions God or the biblical allusion it comforted or delighted the audience to know that God is a role in his speech. Although Henry uses repetition, imagery, rhetorical questions, and allusions, he incorporated emotion to those three other rhetorical strategies used.
In Henry IV Part 1, although Falstaff and King Henry act as father figures in Hal’s life and are both intelligent in their own right, the differences in their tone and diction showcase the major differences in their personalities and relationship with pride.
Henry V is a wise and loyal king, changing from a wild youth to a mature king. He is described to be an intelligent, thoughtful and an efficient statesman. He thinks carefully whether to invade France or not which represents his responsible character. King Henry gives a very strong speech which gave courage and confidence to his army that they could win the battle. This character describes him to be a king of great ability to fight and having good administrative skills. Throughout the play Henry’s nature is religious, merciful and compassionate.