Music In The Middle Ages

Historical and Musical events before the 1600 during the medieval and renaissance time Historical • 1487 Battle of Stoke • 1500 Pharaoh Thutmose III was born • 1509 Henry VII Dies • 1536 Anne Boylen was Executed • 1587 Mary, Queen of scots Dies Musical • 1452 Birth of Leonardo Da Vinci • 1538Various tunings were recorded by Juan Bermudo • 1598 The first Italian opera is produced: Jacopo Peris “Dafne”

“Medieval motets tended to be isorhythmic; that is, they employed repeated rhythmic patterns in all voices—not only the cantus firmus—which did not necessarily coincide with repeating melodic patterns.”2 This new isorhythmic principle, brought on mostly by the composer Machaut, was used not only in the tenor voice but also rather with much more freedom in the upper voice parts. The application of discant over a cantus firmus marked the beginnings of this new revolutionary style, the motet, in Western music. The key motet composers in the medieval period were few in number; Phillip de Vitry and Machaut were one of the earliest composers to institute the isorhythmic technique, which set the style for other medieval composers like Willelmus de Winchecumbe. Guillaume de Machaut was a more famous named late-medieval composer to institute the discant which caught on in other music styles and only helped to evolve the motet into its later stylings. These composers helped carry the motet to the new Flemish motet style.

Some well known keyboard players include Mozart, Beethoven, Chopin, Liszt, and Debussy. A popular keyboard that is still used today is the organ. The organ ranges in size from a small closet to an entire church. An organ has from two to eight manuals that can have completely different sounds. Air is pushed through pipes to make the many sounds that can be played on a pipe organ. (Raeburn 11) he most known keyboard, the piano, was improved in this era from the harpsichord. The piano has eighty-eight keys with seven octaves plus a few keys. According to “Musical”, sound is made by hammers that strike the strings to vibrate them (“Musical”). The harpsichord was the precursor to the piano. Instead of hitting the strings, the harpsichord would pluck them to make a more metallic sound. The spinet was a small upright piano that is similar to the harpsichord. Another instrument is the virginal. Like the spinet, it is also similar to the harpsichord (“Elizabethan“). Keyboards were and still are the most known class of instrument. This era gave us variations and new keyboards to use and

Another comparison that can be made to the modern era and Renaissance Europe is the field of music. Music has always been a part of the history and served as a form of entertainment for a long time. In early Renaissance Europe, wealthy merchants were able to educate their family in the arts and music. Women from rich families were also involved in music. Music in early renaissance was created in a way to sooth the listener's ears. Music with vocals was predominant and composers documented music for certain instruments. Events that led to changes from 1400 to 1600 (Arkenberg, 2002) led to the major shift in the styles making music, ways of distributing music, neo musical genres and the creation of instrument used in making music. The early Renaissance

An easy to play folk instrument is the hurdy gurdy. In the text it even says it's "foolproof". To play it, you just have to turn a crank and press some keys.

The Age of Enlightenment began to show a growing middle class and more amateur musicians arrived on the scene. Women began to become more involved and had an increased presence on a social level, which increased their presence in the growing amateur music scene. Composers such as Haydn and Mozart fell in line with Enlightenment ideals.

Music has evolved too many different forms that we recognize today. We trace this development throughout time. Beginning in the middle ages, we have seen advancement from the Gregorian chant all the way to the Jazz of the 20th century. The current events, politics, religion, technology and composers can shape musical eras during time. Here I will look at the middle ages, renaissance, baroque, classical, romantic and twentieth century periods. I hope that a better understanding can be reached to why, when, where and who are the reasons for musical evolution.

The Medieval period began in 500 A.D. and ended in 1450 A.D. During this time in particular, the Catholic Church had significant influence on how music was used and created. Sacred music, for example, was most prevalent because of this. Due to the religious nature of this period, music in the church had to adhere to very specific regulations, some of which included prayers such as plainchants or Gregorian chants. A single melody without harmony, or one musical part sung together in unison, is called a Monophonic melody, which was sung primarily by monks. Some time later, around 900 A.D., the using of two melodic lines was permitted by the church, this music was called organum. A low, continuous note called a drone, was sung at the same time as the main melody. The two melodies were often moving in contrasting motion to each other. By the Late-Medieval period, 1100 A.D., the music of the church had shifted from monophonic to more polyphonic, often two or more varying parts.

“My composer is Guillaume De Machaut. People believe that he was born around the year 1300 but yet they don’t know what day he was born on. He died on April 13, 1377. He was both born and died in Reims, France. Very little is know for Guillaume but he was employed by John of Luxembourg, who was the king of Bohemia. He was named canon (a canon is someone that can play two or more instruments of something) of Verdun in 1330, Arras in 1332, and Reims in 1337. We don’t know too much about him because he was in the 1300’s where no one wrote any information about Guillaume De Machaut.

The church during the 1500’s, was changing greatly. This was the time of the reformation where the protestants took over from the Catholics, and therefore causing the Catholics to create a counter reformation. The shift from henry VIII to Edward VI was also a shift from Catholicism to protestants. This amount of change in religion created an immense change in what music was produced and what was actually composed as these two religions had very different ideas about music.

Due to the advancement of printing technology, specifically Gutenberg 's printing press around 1450, notated music could be produced at a much higher capacity. The printing of liturgical books, however, did not commence until 1473, but it rapidly increased until Ottaviano Petrucci had printed 59 volumes of sheet music by 1523.1 Nevertheless, the process was slow and tedious. Grout and Palisca note:

The Christian religions rise to supremacy in the middle ages was the result of several factors. Christians had long been persecuted by the Roman Empire because the Romans felt that Christianity challenged and offended the Greco-Roman Gods and the Christians were prone to revolt against Roman rule. Christianity survived because it had many teachings that appealed to the downtrodden in Roman society, these teachings being that even though they were suffering they would gain equality and possibly superiority in the next life, Christianity gave them hope.

The development of the suite in French keyboard and lute music during the 17th century

3. Medieval and Renaissance culture varied in many ways, aside from the differing music. In the Medieval age (the time between the 5th and 15th century), the church controlled many things, not only music. The church was in charge of education, the church also dominated politics. People very much feared God. Whereas in the Renaissance (15th and 17th century) the state ruled over the church. People in the Renaissance believed that God wasn’t some fearsome being, instead they believed more in logical and practical thinking.

Inventors have been playing with the idea of electrically powered musical instruments since the 1800s, but "the first attempts at an amplified instrument did not come until the development of electrical amplification by the radio industry in the 1920s."