One of the most common human characteristics is the impulse to make sense of things by asking: why are things the way they are? Whether it’s from judgement or just plain curiosity, it’s in human nature to ask why one is wearing this or doing that. The essay "My Body is My Own Business" is written by Naheed Mustafa, a Canadian Muslim woman, who discusses the stereotypes and judgements that Muslim women in the western world are subject to because of the hijab. Mustafa talks about how it is unnecessary for women to follow the beauty standards that have been predetermined for them and also how true equality could only be achieved without women displaying themselves to the public.
Mustafa describes how her decision to wear a hijab has subjected
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According to Mustafa, there is no equality among men and women because of the male standards of beauty. She states, "Feeling that one has to meet the impossible male standards of beauty is tiring and often humiliating." (Mustafa, 2013, para. 7) She fails to venture out of her ideas and recognise the fact, that there are women who care about their outer appearance not because they are meeting some "impossible male standards of beauty"(Mustafa, 2013, para. 7) Rather, it is something they do for themselves. Even though men are often condemned for looking at women, most don't have the time or the interest, to do it for every female that happens to cross their paths. Beautiful or not. Mustafa further states, "I spent my entire teenage years trying to do it. It was a borderline bulimic and spent a lot of money I didn't have on potions and lotions in hopes of becoming the next Cindy Crawford." (Mustafa, 2013, para. 7) If she feels comfortable and more in control wearing the Hijab, that’s great. But Mustafa made the generalization that the ones not wearing a hijab are not truly happy within themselves or are obliging to some of the male standards of beauty, weakens the argument. This is the same generalization as what she, herself is hoping to eradicate of, judgement. It is a weak argument for freedom in distinction to judgement; when that freedom comes from within ones’ self not from continuing to manipulate ones appearance to fit in with the
If the author wanted to learn more about Muslim women, she should have sought them out and spent time with them — those who wear hijabs as well as those who don’t. Then, instead of speaking on behalf of Muslim women’s “unheard voice” by talking about her own hijab experiment (“My hijab silenced, but simultaneously, my hijab brought unforgettable words”), she should have asked them to share their own experiences as Muslim women. Then they would have a voice.
Despite all the values that the hijab is representing in different countries of the world, the only value that is demanded is the egalitarianism and justice value, whether a woman is wearing the veil or not, they are “calling for equal access to divorce, child custody, and inheritance; equal opportunities for education and employment; and abolition of
One of the most controversial topics concerning Muslim women’s rights is the idea of the veil. It is believed by some Muslims that the veil is an Islamic obligation that all Muslim women must adhere to. But nowadays, the veil can have different meanings that are not necessarily religious. In her article “Reinventing the Veil,” Leila Ahmed addresses some of the different meanings that the veil can have. Marjane Satrapi explores one of those meanings in her animated autobiography Persepolis (2008). In Persepolis, Marjane tells the story of her rebellion against the Iranian Islamist regime that takes over Iran, oppresses women, and forces them to wear the veil. What was interesting to me was seeing Marjane wear the veil without being oppressed, although she does not believe in it, and is being forced to wear it. In Persepolis, Marjane Satrapi escapes being a subject to the Iranian Islamist ideology by establishing her individual identity through transforming the veil from a means of oppression into a means of feminist rebellion.
Abayas, shailas, burkas, and chadors: all are forms of veiling in the Middle East, and all are perceived as symbols of oppression and patriarchy by the West. The veil worn by a Middle Eastern woman is striking and beautiful in its simplicity and elegance. The hijab, the most common form of veiling, leaves only the face visible with the neck and hair completely covered. Onlookers are in awe at the mystery and symbolism associated with the many veils created out of fine, exotic silk. But such notions of oppression and patriarchy often associated with veiling are not only inherently biased and ironic – it would be interesting to explore the symbolism behind a mini-skirt or a pair of five-inch heels, no? – but they are also inaccurate. Although veiling has most definitely been used in the Middle East as a “mechanism in the service of patriarchy, a means of regulating and controlling women’s lives” (Hoodfar, 5), it has also been used as a mode for rebellion and self-expression. Marjane Satrapi, an Iranian woman who grew up during the Islamic revolution, resisted the regime and the universalizing nature of the veil in the hope that she could maintain her individual identity whilst communicating her political ideologies. By examining the way in which the veil is represented in Satrapi’s graphic memoir, Persepolis, while also considering the history of veiling in Iran, it will become evident that the veil is not just a political tool used by male chauvinists; it also presents an
Throughout history, women have been victims of oppression no matter what religion or background they come from. They have learned from a young age, that their appearance is important to fundamentally be happy in their life. The topic of oppression in woman leads to controversial discussion not only to scholars but women of all parts of the world. How a woman presents herself through appearance and clothing targets her in a society obsessed with each other’s business. In today’s society, whether we can help it or not, men are treated differently than women. There seems to be different “rules” associated with the acceptable ways they should dress as opposed to the strict rules that apply to women. Women who are westernized
Young women’s values in the society are under estimated. From the article Veiled Thread: The Guerrilla Graffiti of Princess Hijab, women are often being asked to have a perfect body shape, a tan skin and blonde hair, and the women nowadays are also wanting to look like the models in the advertisement. Women become a vase for the society; the public pays more attention on their looking instead of their abilities. “Princess Hijab asserts, her dressing up on billboards is a symbolic act of resistance meant to reassert a “physical and mental integrity” against what she called the “visual terrorism” of advertising” (Aburawa, 2010, p.30). Women are judged by both females and males, they believe that females do not have the same strength as males. However, the truth is back in the World War Two, when the men went out for the war, the women left for the country and they were not only
While wearing a metaphorical mask helps a woman hide the ugliness nobody wants to see, a literal mask conceals too much. Men want to see women, especially if they are the correct size with the correct amount of curves; if they reach the right size, arrogance or pride will take away from the physical attraction. The Middle East takes the right to flaunt their beauties away by participating in the custom that most know as veiling (the act of covering with a light gauze cloth). The practice alone seems unimaginable but even scarier, the girls seem apathetic towards the demeaning tradition. Much like India, they brainwash girls to believe in a repulsive custom. They choose to believe they help men resist the temptation of a woman’s body. In Behind the Veil by Elizabeth W. Fernea, a woman attempts to clarify the lack of self-respect: “If I wanted to take it all off (her ababbayah and veil), I would have long ago. It wouldn’t mean as much as it does to you.” (Behind the Veil, Robert Fernea). Covering up the problem does not present triumph, but among the wreckage and turmoil of this wretched tradition, hope remains. They have a stronger force on their side; America will save them from their
In her article, “The Veil in Their Minds and Our Heads: The Persistence of Colonial Images of Muslim Woman,” Homa Hoodfar explains that western society’s view of the Islamic veil is one of imprisonment of women by their male counterpart, which limits their daily lives and opportunities, such as studies and jobs. However, Hoodfar states that is a very racist stereotype of Islamic woman. Hoodfar and many other Iranian women see the veil as a religious choice that also beautifies them while keeping them modest. The veil also gives them certain powers over men, which in turn gives them independence from men (Hoodfar, 11).
Throughout Deveiling Body Stories: Muslim Girls Negotiate Visual, Spatial and Ethical Hijabs by Manal Hamzeh, she examines the lives of four young Muslim girls named Layla, Amy, Douja, and Abby, and how the hijabs affect each of them. The girl’s ages ranged from fourteen to seventeen and she met with them over a period of fourteen months. Hamzeh was able to acquire a lot of interesting information about the girls and their lives at home.
The author, Naheed Mustafa, starts out with two points of view others have of her, a “Muslim terrorist” or an oppressed woman (Mustafa 1). However, with these two points of view, Mustafa is suggesting that people only view her in these two ways because in their eyes a Muslim woman cannot be more. Then she introduces the hijab, a scarf which covers her neck, head, and throat, but explains that young Muslim women like her are “reinterpreting” the purpose of the hijab: give women absolute control over their bodies. According to Mustafa, the hijab does not only give women absolute control but freedom. Yet, others do not understand this concept or why a young woman who was born in a land that is free and full of opportunities like North America
One of the main disputes in the battle of Islamic women’s rights is the conflict over dress. According to a popular Islamic leader and Egyptian television personality, the sight of women is so alluring that it can be “intolerably distracting to men” and can “even
The wearing of a hijab or also known as a veil has lately become a problematic issue in numerous locations around the world, in particularly the Western part of the world. Hijab or veil is a headscarf that is regularly worn by Muslim women. Muslim women will wear a veil as a sign of favor to their faith. On the opposite side, others will wear it because they have no other choice from the pressure of their family members and religion. Individuals will even argue that the wearing of a hijab is a spiritual liberation. Other individuals will have a difference in opinion by saying that by wearing a hijab is an unjust to women, they believe that the wearing of a hijab is part of a Muslim system that brings women under command and control.
Main issue today is that Islam is viewed as a religion that teaches violence and terrorism, however, it is not so. Ignorance and lack of knowledge allow people to fall into the trap of allowing the press and social media to manipulate the information any way desired. During the Spring of 2011, when a terrorist in Norway shot and killed many children during a camping activity, the issue of his religion was not brought up during court - however, when Bin Laden was being accused and tried, he was always referred to as Muslim terrorist. So, what symbolizes terrorism in today’s society? Is it social behavior or physical appearance? The main focus of this essay is to elaborate on the issue of why women’s Islamic attire - hijab - is viewed as a prohibited religious practice in Europe and portrayed as a social threat to non-Islamic community.
Among other studies done on young Muslim women who hijab, one women said “"I lived in a co-ed dorm and it was really the first time I had to deal with unwanted attention from guys. I guess that was the first time I really understood why it was necessary to wear a scarf, because as soon as I did, all the idiots left me alone” (Ali, 2005). Another woman’s view was “because I began to realize that what people think is nowhere compared to Allah, and so, how could I blatantly disobey an order because of 'standing out?” (Ali, 2005). It would also surprise many that in some of these women’s cases, their choice to hijab was not only not forced, but also not even supported by family members. Some of these women’s parents had hard times coping with their daughters taking up this wardrobe.
An individual’s identity can differ depending on several different physical and biological factors including sexuality, gender, age and class. Throughout Ruby Tabassum’s article entitled Listening to the Voices of Hijab, identity is related to gender in a number of ways. I have decided to discuss this specific article because the idea of how femininity is portrayed is a significant aspect of Canadian culture nowadays. I am also interested in focusing on how the identities of Muslim women are recognized in society and how individuals interpret the meaning behind wearing the hijab. Throughout this article, I have distinguished several different reasons for wearing