My Last Dutchess by Robert Browning
Robert Browning, one of the most influential and imaginative poets in our history, engulfs readers in a wave of dramatic language, and colorful character representation in the extremely popular poem: “My Last Duchess”, which stands as one of Browning’s most famous literary pieces. In many ways the tone Browning wishes to convey provides a dark background in which many impressions and interpretations of the Duke and his former Duchess can be assessed. “And seemed as they would ask me, if they durst, how such a glance came there; so, not the first are you to turn and ask thus” (Kennedy 16). As well, Browning has ingeniously chosen vivid and extraordinary instances through out the poem to hint at
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As this masterful dialogue continues, the reader comes to the reality that in fact the Duke is responsible for the Duchess’s early demise: “I gave commands; then all smiles stopped together. There she stands as if alive” (Kennedy 16). Having the Duke hint at the Duchesses demise with his last remarks, he intently returns to the business at hand: the arrangement of his marriage to a new young girl. In a way the Duke is nonchalantly brushing off the fate of the Duchess, as if she were just an intricate piece of artwork in his gallery. Have you note, as the Duke walks past the portrait, he is eager to point out many other valuable pieces of artwork, as if to say that solely he owns each piece of artwork, including the portrait of his last Duchess. “Together down, sir. Notice Neptune, though. Taming a sea-horse, thought a rarity, which Claus of Innsbruck cast in bronze for me” (Kennedy 17)!
By creating a dark and mysterious character, such as the Duke, Browning envelopes his audience in a picturesque landscape, masking the horrific qualities the Duke possesses. With some further research, this specific historical background was set during the Italian Renaissance, inspiring and fascinating Browning in his creation. The Italian Renaissance represented “the flowering of the aesthetic and the human”
(Watson 133). Offering this setting to imply the complications and intrigue with human sexuality and male domination during the Renaissance time period.
The poem “My Last Duchess” is a historical event that involves the Duke of Ferrara and Alfonso who lived in the 16th century. Robert Browning "My Last Duchess" presents a narrative about a recently widowed Duke who talks with an emissary had come to an arranged marriage with another lady from a powerful and wealthy family. In the perspective of Duke, power and wealth were integral in marriage and was determined to be married to a wealthy lady from a famous family. As the Duke orients the emissary through the palace, he stops and shows a portrait of the late Duchess who was a lovely and young girl. The Duke then begins by stating information about the picture and then to the Duchess. Duke claims that the Duchess flirted with everyone and did not appreciate the history of the family: “gift of a nine hundred years old name.”(33) However, when an individual continues to read the poem, it is evident that the Duke played an important role in killing the lady. Duke states that “he gave commands; / Then all smiles stopped together”(45-46) he used these words to define the death of his beloved Duchess. The aim of the essay is to analyze literary devices that emphasize the content of the poem, which includes rhetorical questions, exclamation mark, and em dash.
Browning’s use of distinct imagery further creates the picture of the Duke as an
Leighton describes Browning’s expressions as “fulsome and yet witty energy, which flirts and skirmishes with the inherited convection’s of the love sonnet” (106). The poem “Casa Guidi Windows” takes place in Italy and Leighton describes it as a “discursive poem” and addresses perfection and let downs of the Italian Risorgimento (106). The political poem shows Browning “at her most passionately cosmopolitan, and as a poet” (Leighton 106). This poem let the critics see that Browning was an accomplished poet. Along with her theme of love Browning showed in “Casa Guidi Windows” the “intractable issues of papal power, British imperialism, and nationalistic mythologizing into a strong and musical poetry” (Leighton 106).
Browning closes My Last Duchess by establishing that envy can lead a person to commit extreme acts and hinder their- or someone else’s sanity. Browning uses characterization to exploit the character development of the duke and also enhance how envy can lead
“My Last Duchess,” by Robert Browning, depicts powerful husbands attempting to control the actions of their wives as they are free to do as they please. In contrast, women are expected to be faithful and attentive only to their husbands. The power and control of the Duke is conveyed by a painting of the Duchess. It belongs to the Duke and is referred to as “my last Duchess” (1). The use of “my” demonstrates the possessive nature of the Duke and his claim of the Duchess as his own personal possession, much like the painting itself. As the Duke persists on forcing domination upon the Duchess, he is greatly displeased to find that she treats and considers him as the same value as nearly any other man.
“That’s my last Duchess, painted on the wall...Will’t please you sit and look at her? ...since none puts by the curtain I have drawn for you.” Later in the poem, the reader realizes s/he is an emissary of a potential marriage. Being a dramatic monologue, the reader gets a front row seat to Alfonso’s shift in motive and attitude. The reader initially is led to believe Alfonso adored his late wife by the way he originally describes the fresco, “I call that piece a wonder...the depth and passion of its earnest glance...how such a [flattering] glance came there.” Later in the poem, however, the reader realizes Alfonso’s true feelings toward Medici by the way he tells the emissary of her personality. Listening from the emissary’s point of view makes the poem more interactive because it’s almost like Alfonso is having a personal conversation with the reader. It also makes the poem more mysterious because the reader doesn’t know if Alfonso is a “reliable” character—the reader only knows what Alfonso has told him or her (the emissary). By putting the reader in this position, Browning suggests that the emissary would have had the same opinions on objectification (arranged marriage, obsession with status) as Alfonso did; otherwise, why would he have said, “I gave
Thus the Duchess is bound to the Duke and has become imprisoned within his art collection as nothing more than a possession. The Duke exemplifies this view when he makes reference to another piece of his art collection, as if the current and previous subjects of his monologue were completely analogous, “Notice Neptune, though/ Taming a sea horse, thought a rarity/ Which Claus of Innsbruck cast in bronze for me! (Browning 54-56), he truly appreciates both pieces with similar enthusiasm. Although the Duchess is allocated no space to give her side of the story, through the Duke’s depiction the reader can infer that she was killed for having her own free will and as such there is zero doubt that she is a victim of imprisonment of the Duke’s egocentric ideals. While he puts an adulterous spin on her actions, by declaring:
“Art is an expression of human creative skill and imagination” (google) Paintings are works of art created to express or let out a person’s creativity or feelings towards a certain subject. In Robert Browning’s dramatic monologue, “The Last Duchess”, he uses the painting as a symbolism of the Duke’s relationship with his former wife. Therefore, as the Duke tries to impress people with his wealth through the painting of Fra Pandolf, he instead unintentionally displays his true personality to others. Initially, the painting is used to reveal Duke’s jealous nature as he mistakes his wife’s friendless as flirting which later reveals his controlling nature. Ultimately, the Duke’s selfishness and greed for power is slowly revealed through abusing art to control his wife and others.
In "My Last Duchess", by Robert Browning, the character of Duke is portrayed as having controlling, jealous, and arrogant traits. These traits are not all mentioned verbally, but mainly through his actions. In the beginning of the poem the painting of the Dukes wife is introduced to us: "That's my last Duchess painted on the wall,/ looking as of she were still alive" (1-2). These lines leave us with the suspicion that the Duchess is no longer alive, but at this point were are not totally sure. In this essay I will discuss the Dukes controlling, jealous and arrogant traits he possesses through out the poem.
Written by Robert Browning, “My Last Duchess” is a poem about an egocentric Duke who has a painting of his last wife upon the wall and is trying to impress an ambassador who is negotiating his next marriage. Although it is obvious that the Duke is trying to persuade this ambassador, however, this is where the first mystery is created. It is almost as if he is trying to persuade no one more than himself.
look at but he feels as if the Duchess takes him for granted and she
The two Browning poems, ‘Porphyria’s Lover’ and ‘My Last Duchess’ were written to convey to the reader how women were treated in that era; as possession, as assets. Both of these poems can be read from different points of view and they also both are what is
The dramatic monologue “My Last Duchess” was penned down by Robert Browning. In this poem, the narrator is the Duke of Ferrara, and the listener is the count’s agent, through whom the Duke is arranging the proposed marriage to a second duchess. The poem is ironical and reveals its rhetorical sense, gradually. In the later part of the poem, the Duke claims that he does not have a skill in speech, but his monologue is a masterpiece of subtle rhetoric. While supposedly entertaining the listener by showing his wife’s portrait, he clearly reveals his character. Through his formalized tone of rhyme, he reveals his egoistic and jealous attitude.
Dramatic Monologue in Robert Browning’s My Last Duchess and The Bishop Orders His Tomb at Saint Praxed’s Church
The poet uses dramatic monologue, where the readers and the messenger are almost one person. From the description that the Duke uses to describe the Duchess, one feels as if he/she is the messenger that the Duke is addressing. The persona remarks about the innocence of the Duchess, which irks him. She finds delight in things such as riding a mule or the setting of the sun. The Duke uses symbology to connote his anger, which gets the better of him that he kills her. Her substitute is the piece of art, reflected at the beginning at the end of the poem. The use of both simple and archaic language styles creates the symbolic image that he uses to explain to the