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My Writing A Wrong Note By Giovanni Battista Viotti

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“To play a wrong note is insignificant; To play without passion is inexcusable”(Ludwig Van Beethoven). This year I have made many realizations and improvements to my musical abilities. Between practicing hard for County Orchestra, District Orchestra, and just regular orchestra, I have made many discoveries and improvements to my talents. Also, I have grown as a person from the struggles and obstacles that I have had to overcome. While at times frustrating, it taught me valuable life lessons while still being enjoyable.

This was the first year that I had tried out for District Orchestra. The piece was Concerto No. 23 in G Major, by Giovanni Battista Viotti. This was by far the most difficult piece that I have ever had to learn. One thing …show more content…

Instead, my friend instructed me that playing down at the frog gives you the most control over your bow’s movements. Once I applied this to my music, things started to come together. On audition day, I was extremely nervous. The fact that I had no idea what to expect also made my nerves frayed as well. I walked into the scales room and at first I forgot what I was supposed to play. But then for a moment, I closed my eyes and pretended that I was back at home in my room, just myself and my violin. I opened my eyes and realized I wasn’t all that nervous. I played the scales and then proceeded on to the other rooms. I performed the best that I ever had. Of course out of 123 violins they took only the top percent. I was not in that top percent, but that’s okay because for me it was more of a learning experience. That day is when I learned how to calm myself down in a stressful situation. I did that by remember why I was there. I wasn’t there to be number one, I was there because I love music.

This was my second year for county orchestra, and I was competitive. I had not made it in last year, and I really enjoyed the piece that we were playing this year. I determined that I was just as good as anyone else auditioning. This of course does not mean that I didn’t have any issues learning to play it. Introduction and Polonaise by Carl Bohm had its own set of trials that I had to learn to overcome. Introduction and Polonaise taught me the importance of bow markings. I

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