Mythical Archetype: the Trickster and Pirates of the Caribbean

In the work of literature “The Siren Song,” we notice a variety of archetypes, despite the lack of characters. An archetype is a recurrent symbol or motif in literature, art, or mythology.

The trickster character appears in many cultural mythologies across the world and across the span of time. Despite the individual personalities of a trickster being unique across time and cultures there are unchanging characteristics belonging only to tricksters, which still appear in our modern day media. A wonderful example of a modern day trickster, who has lived within our society for the past 85 years, would be Bugs Bunny. Bugs has undergone a few minor changes within his personality and outward appearance throughout his life, yet he is recognizable to the current three generations living within our society today. Bugs is a fearless, creative, and sassy individual who is able to break barriers, not only between generations but also

Kind and selfish, deep and shallow, male and female, and foolish and wise aren’t always words that are associated with each other, quite the opposite in fact. However, when it comes to the trickster tales of Native Americans, each word is associated with the other and describes more or less the same person or animal. To Native American people a trickster affects the world for an infinite number of reasons, including instruction and enjoyment. A trickster, like the name implies, is a cunning deception. A trickster can be a hero. However, at the same time he could introduce death. How is that heroic? Why would a group of people want to remember a person that brings punishments such as death? The function the trickster tales have/ had on

In Homers epic poem “The Odyssey” there are many archetypes, many of which were the origin of the archetype. An archetype is a character type, place, or symbol, every culture shares. In “The Odyssey” Homer uses archetypes to evoke meaning to the story. Some examples of archetypes in “The Odyssey” are the temptress, and the father-son conflict.

Biblical myth probably covers the greatest range of human situations, encompassing all ages of life including the next life, all relationships whether personal or governmental, and all phases of the individual’s experience, physical, sexual, psychological, spiritual (p.

With every corner we turn in today’s culture, we become more and more aware of the archetypes that surround us. Archetypes are the works of a typical character, situation, setting, or symbol that can be found in fantasy and reality. An example would be the renowned medieval story Sir Gawain and the Green Knight by Pearl Poet. The author permeates the story with situational, symbolic, and character archetypes that illustrate the profound life of Sir Gawain. Sir Gawain was apprehensive of his journey at first, but as time passes, he began to make choices that unveils to the audience the true flawed knight that he was.

An archetype is defined as an image, story-pattern, character, setting, symbol, or situation that recurs frequently in literature and in life. It demonstrates universal human experiences and associates strongly with readers through a subconscious understanding. In the Epic of Gilgamesh the main character, Gilgamesh, is an example of a superheroic archetypal hero. He took on an epic quest for everlasting life by following the archetypal steps of a hero’s journey. Through suffering due to tragedy, realizing the nature of his quest, seeking help from a mentor, experiencing failure, and returning home with a companion, Gilgamesh’s story followed the situational archetype of a hero’s journey.

One of the greatest Greek mythological stories portrayed in a movie would be Hercules. Hercules is a well-known hero; he displays a supernatural individual who has to overcome the villain and his bad monsters. In “Creating the Myth” by Linda Seger, she argues that the hero myth as many obstacles (the death experience, the road back, the reborn) that he or she need to overcome to be transformed into a hero. However, these obstacles play a very important role in the hero’s stage of initiation. The movie “Hercules” by Walt Disney and the creator Alan Menken, we encounter the characters of the movie which are Hercules of course, Philoctetes the trainer, Pegasus the horse, loyal companion, Megera the love of Hercules and Hades the

An archetypal hero must have specific characteristics before embarking on a quest. For example many heroes, experience some sort of traumatic event during childhood. In the movie Star Wars IV: A New Hope the archetypal hero Luke Skywalker experiences the

Archetype refers to a generic version of a personality. Archetypes are continually present in folklore and literature for thousands of years, including prehistoric artwork. The identification of archetypes in literature is to primarily find the behaviors and characteristics of the main protagonist, it is important to discover the ambiguity of how the traits change and develop throughout the rising

What is a trickster? A trickster typically breaks the creeds of the divine or nature, most of the time this is doomed maliciously, but sometimes with positive results. More frequently than not, the rule-breaking will capture the pattern of tricks, or thievery. Tricksters are generally cunning, foolish, or perhaps both. They are usually very funny even when they are scared. In diverse cultures the trickster and humanizing hero are often merged in one. Tricksters are particular to their own cultures. However, tricksters are naturally bound by undeniable attributes no matter what their religion is or what culture they have come from. It is thought that all of us have some type of trickster within us, whether it may be conscious or

The myths and folklore that we encounter in many cultures appear to have at least one Trickster in the midst. The specific skills of each Trickster varies from cultures, but evidently are important in the creation and development of each culture, “In some... trickster myths, the side effect of its lawlessness is the creation of social order” (Giddens, 31). The Coyote of Native American traditions is often shown as aiding the “Great Spirit” in the world. In opposition to the culture, Greek mythology Hermes is a devious child who captures a tortoise with his lies and creates the first lyre from its shell, but eventually transitions to as the messenger of the gods that relates to Coyote and the “Great Spirit” as he aids the gods by relaying messages. Both Hermes and Coyote have many similarities and differences that make them unique to the culture that believe in them as they depict the theme of duty, the theme of morality as well as gender roles.

Leading themes in “The Odyssey” include humility, perseverance, and deceit. Deceit guides some of the characters’ actions, and it also moves the story forward. The poem showcases deception as a common tool among both the antagonists and the protagonists. Each group utilizes their wits with various intentions ranging from maintaining fidelity, self-preservation, and murder. Their lies and illusions usually solve their problems and allow them to help others. For example, Odysseus’s deceptions help him defeat adversaries and also help him return home. He and other characters deploy duplicity to achieve better ends, and that shows that duplicity in the poem is not always negative. Furthermore, the deceiving actions of the characters also reveal that skills in deceit are valuable and critical to the tale, and that the original storytellers respected those skills. The Ancient Greeks valued the ability to deceive as evidenced by “The Odyssey” through the depiction of certain characters such as Penelope, Odysseus, Athena, and Hermes.

the coyote relies on his own wits. The coyote is always looking for the short

The Native American Trickster is usually described as a character that “is a wandering, bawdy, gluttonous, and obscene” (72). The Trickster is “usually male but able to alter his sex at will,” he “may copulate with his daughter or daughter–in-law or send his penis swimming across rivers in search of sexual adventure” (72). He is often characterized as being “selfish, amoral, foolish, destructive, and as his name indicates, given to duping others in his own interest” (72). However, the trickster “is also a culture hero, someone often with godlike power who long, long ago helped to establish the order of the world that we know today” (72). Though, his folly caused him to forget his purpose of ridding the earth of evil entities, he is still a staple in Native American tales. Every tribe has their own version of the trickster!