Native Cultures Have Been Studied And Depicted In Many

Art is a very realistic aspect among the Native Americans. In fact, what we call primitive art is actually symbolic objects from the process of a sacred ceremony. This concept is one not easily understood. Furthermore, this concept by Sam Gill is explained in Native American Religions. Sam Gill shows that Native American Art is different in meaning because of its contents then what modern societies consider art. Nonliterate people produce objects of beauty through ceremonial performances and rituals that keeps the cosmos in order, while modern societies over look these factors.

Throughout the course of history there have been numerous accounts regarding Native American and European interaction. From first contact to Indian removal, the interaction was somewhat of a roller coaster ride, leading from times of peace to mini wars and rebellions staged by the Native American tribes. The first part of this essay will briefly discuss the pre-Columbian Indian civilizations in North America and provide simple awareness of their cultures, while the second part of this essay will explore all major Native American contact leading up to, and through, the American Revolution while emphasizing the impact of Spanish, French, and English explorers and colonies on Native American culture and vice versa. The third, and final, part of this essay will explore Native American interaction after the American Revolution with emphasis on westward expansion and the Jacksonian Era leading into Indian removal. Furthermore, this essay will attempt to provide insight into aspects of Native American/European interaction that are often ignored such as: gender relations between European men and Native American women, slavery and captivity of native peoples, trade between Native Americans and European colonists, and the effects of religion on Native American tribes.

Native American art is a profoundly expressive culture that has been a way of life for so many Native Americans. Native American art history has advanced over thousands of years and is composed of several idiosyncratic styles from the differentiating cultures of diverse Indian tribes. From Navajo to Hopi, each tribe has a particular history, which consists of many types of Native American arts including beadwork, jewelry, weaving, pottery, carvings, kachinas, masks, totem poles, and more. To truly understand Native American art, we will explore Native American art history, its subjects, and if Native American art has a spiritual connection to it.

During the end of the nineteenth century, the United States had formed policies which reduced land allotted to Native Americans. By enforcing these laws as well as Anglo-American ideals, the United States compromised indigenous people’s culture and ability to thrive in its society.

Archaeologists can’t just possess any Native American material on their own for research purposes without the consultation of the Native American tribes. To the Native Americans, the past is connected to present. Rebecca Tsosie, a law professor from the Arizona State University mentioned that “The past is very real to contemporary Indian people ans is preserved in oral histories and ongoing ceremonial practices and beliefs.”(66). The native people feel that they’re obligated to take care of their past, they have to honor their ancestors no matter how long ago they have passed away. They believe that they should have the right to stop any behaviors that might desecrate their ancestors. It is very understandable that one might not appreciate someone digging up their grandparents and perform research without permission. Especially to people who practices a religion, this action may be interpreted as the archaeologists trying to disturb the spirits of their ancestors. Not only the remains and objects are important to the Natives, but also their land. Land was considered to be a gift given from the Creator. Just like the ancestral remains the descendants are responsible for their sacred land. It is believed that “The land is complete with sacred teachings, marked by tribal history, and places of interrelations to the powerful beings of the nature-spirit world.” (Champagne). The Native Americans do not have the need to know the truth, all they care is to ensure spiritual peace to their ancestors and to pass on the legacy of their own

There are different approaches used when discussing the survival of indigenous visual cultures. Each essay provided for analysis interprets the conquest of the Americas differently and connects it to Colonial Mexico artistic production at various degrees. Each essay also advocates for its own term that can be used to represent the process of Spanish and Indigenous art forms coming together in a complex cultural context. Kubler advocates for the term, folk art to describe colonial art because it is art production that is devoid of its past meaning. His views on conquest explicitly claim that the Spanish conquest was successful due to Spanish superiority over Indigenous cultures. However problematic his claims are, he is able to dissect the forms used by the Spanish conquest to gain control over artistic production. Mestizo, is the term used by Neumeyer to describe the mixing of two art forms that can only be apparent when Indigenous people reached a high aesthetic culture during the conquest. He also promotes the idea that Colonial art was continuously developing. However, his views of Indigenous art is that it is unable to compete with European modes of art. Finally, Dean and Leibsohn use to the term hybrid as a production and enactment that challenges norms. “Hybridity and Its Discontents” is the most liberal of the three readings. It uses the term hybrid as a way to critique the cultural context in which it was able to be produced; Spanish conquest. It also, critiques

These issues with museums and other institutions has led many tribes to not only protest these collections and demand the most sacred items back, but to also develop their own institution that not only tell the real story of their people from a non scientific point of view, but also show the proper resect for the sacred and religious artifacts. Religious sights and objects are a piece of many different groups culture, many of which require a certain level of respect. Within the United States Native American groups are reclaiming these objects for their own

     Although the Chicago World’s fair of 1893 only lasted 6 months, it had an enormous impact on the city of Chicago, its people, and indeed the entire country. Up until that point in its history, the US had done nothing on the scale of the world’s fair, and was regarded as a country of barbarians and cowboys by

This paper tries to explain Jack Weatherford's Indian Givers by examining the history of the Native American connection to many agricultural products would not have been produced without the knowledge that Indians gave. Weatherford further stipulates that it is through these advances in agriculture that the United States has remained a strong contender in the global market, that without the influences of the Native Americans on the early settlers those early immigrants to America would not have survived. Through his work, "Indian Givers: How Indians of the Americas Transformed the World", Weatherford brings an insight to a people that most

Quoted by Handler and Gable, critic Ada Louise Huxtable declares the newly constructed reproduction of Colonial Williamsburg as “too clean,” arguing that it “does not include the filth and stench that would have been commonplace.” (Source E) This sanitation of the truth completely misrepresents history, and the educational value greatly suffers. Conversely, the National Museum of the American Indian hopes to avoid this lack of judgment by dedicating itself to the “preservation, study, and exhibition of the life, languages, literature, history, and Arts of Native Americans.” (Source C) The main goal of the museum is to “span all major cultural areas” (C) and educate the public about and preserve the rich history of such a vast culture. The authenticity and significance of artifacts are important to representing culture and history, and the ability of these artifacts to educate should be a key factor of the selection process.

To start off, a Natural History Museum is usually a place where the public can visit to obtain knowledge on the history of the earth and its inhabitants. Much about people’s culture and customs is found in a Natural History museum, especially people that have made a difference or played a role in history that we learn today. Therefore, the Indigenous peoples are represented in these precise museums. The indigenous people have various amount of customs that are even used today, however, the fact that many of their descriptions are led by the word “histor” or “ancient” almost makes the guests at museums believe that these indigenous people are no longer alive, and that is incorrect. The key objective for a Natural History museum is to simply help connect the understanding of human beings, connections based on culture, communities, to the earth and to each other. Precisely, The Natural History Museum of Los Angeles does not fully represent in depth the qualities that made the indigenous people so innovative, intelligent, and powerful; Therefore, the importance of the indigenous people is almost overshadowed by everything else that is presented at the museum. Overall, the indigenous people are represented here because of their

The long history between Native American and Europeans are a strained and bloody one. For the time of Columbus’s subsequent visits to the new world, native culture has

Talking Back to Civilization , edited by Frederick E. Hoxie, is a compilation of excerpts from speeches, articles, and texts written by various American Indian authors and scholars from the 1890s to the 1920s. As a whole, the pieces provide a rough testimony of the American Indian during a period when conflict over land and resources, cultural stereotypes, and national policies caused tensions between Native American Indians and Euro-American reformers. This paper will attempt to sum up the plight of the American Indian during this period in American history.

When the first colonists landed in the territories of the new world, they encountered a people and a culture that no European before them had ever seen. As the first of the settlers attempted to survive in a truly foreign part of the world, their written accounts would soon become popular with those curious of this “new” world, and those who already lived and survived in this seemingly inhospitable environment, Native American Indian. Through these personal accounts, the Native Indian soon became cemented in the American narrative, playing an important role in much of the literature of the era. As one would expect though, the representation of the Native Americans and their relationship with European Americans varies in the written works of the people of the time, with the defining difference in these works being the motives behind the writing. These differences and similarities can be seen in two similar works from two rather different authors, John Smith, and Mary Rowlandson.

It was the first world fair ever to be open at night, because of Edison and his electrical inventions that illuminated everything. Whole heavens seemed to be in a state of recrystallisation. The Gallery of machines showcased machines for food processing , woodworking, pumps, transformers, engines etc. The Edison exhibit with thousands of incandescent bulbs, and telephones allowed people a glimpse at the future, phonographs playing ‘ Vive la France,’ were opened to the public for the first time who could not get enough of it. But the greatest technological marvel that loomed over, and astonished the fair goers was the Eiffel Tower, a triumph of engineering and architecture. EXOTIC( not native ) - The South American nations were represented in an extraordinary manner, the Argentine Republic was a glittering mass of incrusted gold and flashing crystals with colour upon colour. The Egyptian section had genuine donkey boys, the East Indian soldiers and Chinese were dressed in native costume. This section of the fair displayed France’s imperial mission through conquest of Indochina. Exotic music wafted out from the Arab cafes featuring female Egyptian dancers, accompanied by smells of oriental spices, sounds of Senagalese tom toms, Annamite and Polynesian flutes. In a sense the Indians with the Wild West cowboys were also exotic. The whole town