Naturalism in Miss Julie Essay

John Steinbeck 's novel Of Mice and Men is a famous Naturalist work in American literature. Various elements of Naturalism is exhibited in this novel through its character types and story plot. Charles Darwin, an English Naturalist proposed a theory called natural selection, meaning that nature selects the best adapted varieties to survive and reproduce. Darwin also identified this theory as survival of the fittest. Steinbeck incorporated this belief of natural selection in many instances throughout Of Mice and Men using characters and their circumstances. One character named Candy has an injury and is old in age. They were leading factors in his fear of being unemployed. His dog’s old age and uselessness also resulted in its death.

When her husband is killed in a train accident Mrs. Mallard cries, but for different reasons than would be expected. She is sad for her husband’s death, but, moreover, she is overcome with joy. For now she is free. No one recognizes her true emotions because women fall apart when their spouse dies; it’s required. Marriage is portrayed as a life sentence. "She said it over and over again under her breath: ‘free, free, free!' Her pulse beat fast, and the coursing blood warmed and relaxed every inch of her body"(1). Mrs. Mallard was relieved that her husband died for she thought her sentence was over. When she realized that he was still alive, and therefore she was still committed to the marriage, she died from the shock and horror of being trapped.

When Jack London wrote "To Build a Fire" he embraced the idea of naturalism because it mirrored the events of daily life. Naturalism showed how humans had to be wary at every corner because at anytime death could be there, waiting for them to make a mistake and forfeit their lives. He used naturalism, the most realistic literary movement, to show how violent and uncaring nature really is and how no matter what you do nature will always be there. London also presented the basic idea of Darwinism and the survival of the fittest, basically if you are dumb you will die. Collectively, London used naturalism to show how in life, humans can depend on nothing

Bernard Malamud was brought up in the mid 1900s, a time period when baseball played a huge role in the lives of many Americans. Americans loved baseball because it gave them a chance to stop working and simply relax while they cheered on their favorite team. It was a time when people played baseball solely for the love of the game and the thrill of hearing the fans cheer for them. Today, however, baseball is much more corrupt, and many athletes are only in it due to their own greed and selfishness. This strong desire for money stems from some important players in the past, such as Babe Ruth and Joe DiMaggio, who were outstanding athletes and grew very overconfident in their abilities. They became so confident that they began to demand

“Maggie: A Girl of the Streets,” is a novella written by Stephen Crane and published in the year 1893. This work was published during the time of the Industrial Revolution, when factories were appearing everywhere. Their workers were often not paid enough to lead a decent life, and suffered from their situation. They were not very civilized and sometimes aggressive in their behavior. Perhaps because of this radical change from a more agricultural lifestyle to one of industry and factories, some pieces of literature were starting to transition from the classification of Realistic writings to works that are now categorized as works of Naturalism. While the two categories are

Naturalist writing is also characterized by the apathetic tone that writers use to describe their characters with. Naturalist writers treat their characters as subjects of a scientific project, and therefore write with a strictly observational voice. For example, Crane describes

Naturalism is a literary movement that encapsulates the struggles of the common population. Hamlin Garland presents an excellent example of Naturalist literature in his short story “Under the Lion’s Paw”, published in 1889. In this short story, many of Dr. Stephen doCarmo’s characteristics of Naturalism are visible. Dr. doCarmo describes three broad characteristics of Naturalism: individuals are subjected to larger uncontainable forces, political undertones are prevalent within the work, and the subject matter of the work appeals to the middle-class. “Under the Lion’s Paw” possesses all three of these characteristics and radiates naturalism.

    Challenging the strict deterministic confines of literary naturalism, which hold that "the human being is merely one phenomenon in a universe of material phenomena" (Gerard 418), Edith Wharton creates in The House of Mirth a novel which irrefutably presents the human creature as being subject to a naturalistic fate but which conveys a looming sense of hope that one may triumph over environment and circumstance if one possesses a certain strength of will or a simple faith in human possibility.

Naturalism is a very intense style of literature that an author can use. With naturalism, the author is trying to convey knowledge acquired through the senses and experiences they them selves have been through. In the novel of Mice and Men, by John Steinbeck, he portrays elements of naturalism through his very own sights and experiences. During the depression John Steinbeck got a first hand dose of what it meant to deal with sordid aspects of life. Just like his book, he portrays his accounts using highly realistic settings, and brutal characters with foul mouths that deal with depressing issues of life. In the real world things happen, but in the world of Mice and Men, nothing ever seems to happen the way the characters hope.

Cities are generators of economic life and source of changes in the world. Thereby, Jane Jacobs in her book The Death and Life of Great American Cities puts into relief the role of cities on the social and economic levels, while denouncing the disastrous consequences of urban renewal programs. To that extent, in chapters 2 and 3, she discusses "The Uses of Sidewalks”, arguing that over all people need safety and trust in their city. Therefore, first she claims the necessity of keeping streets and sidewalks safe because they are the “vital organs” of cities (29). Secondly, she argues that the functioning of cities should be organized in order to foster human interaction in which “casual public

“The Open Boat” is a short story written by Steven Crane about four men stranded on a dinghy after their boat had sunk over night. The men were struggling to stay alive because it seemed as if they had no hope for survival. The four stranded shipmen were a correspondent, an oiler, a cook, and a captain. The theme of the story is that man has no control over his destinies and that nature controls everything. Naturalist themes prevail in Stephen Crane's “The Open Boat” as it demonstrates naturalist literature through the struggle that nature throws at the men. Naturalism arises throughout the men’s constant battle between their surrounding environment and keeping

When creating the dystopian, post-apocalyptic universe of Panem, Suzanne Collins may not have realized how closely the plot of her novel portrays naturalistic characters. Plot, defined as a “literary term used to describe the events that make up a story, or the main part of a story,” (Literary Devices) is essential to the introduction of the characters, conflict, and events of the story. In this novel, the plot of young Katniss Everdeen’s fight for survival in a cruel and indifferent world shows the prominent Naturalist perspective that an individual's life is determined by forces outside of their control. Throughout the duration of the plot, Collins shows Naturalism in her work by the way things such as fate, class, heredity, and environment work to dictate the lives of those in the world of Panem. The first instance of Naturalism in the novel appears in the form of fate.

Beginning in the late 19th century, two separate movements spread across America know as realism and naturalism. While the two were very similar in their beliefs and ideals there were still many apparent distinctions to differentiate the two. Realism and naturalism showed themselves in many aspects of life, from art and sciences to new math techniques and even religion. However, above all else these movements may have been most evident in the literature of this time. Reading through American literature of the late 19th and early 20th centuries, it becomes perceptible which short stories portray realism and which represent nationalism.

Naturalism is a philosophy which emphasizes “the effect of heredity and environment on human nature and action” (Zhang) and incorporates realism to “suggest that social conditions… and environment [have] inescapable force in shaping human character” (Zhang). Furthermore, the Stanford Encyclopedia of Natural Philosophy explains that to Naturalists, “reality is exhausted by nature, containing nothing ‘supernatural’, and that the scientific method should be used to investigate all areas of reality” (Papineau). Naturalism (in literature) is an idea that suggests everything about humanity is measurable, detectable, manipulatable, and traceable to a cause, and therefore the characters of Naturalist literature would be illustrated as simply the products of their environments; vessels devoid of spiritual guidance or fate that are subject only to their environments. An example of a Naturalistic novel is The House of Mirth by Edith Wharton; a novel set in late 19th century New York that follows Lily Bart: a young woman who was born rich but is slowly losing both her societal status and her money whilst she repeatedly avoids marriage, her only option to escape her fate: a life of poverty. With this in mind, The House of Mirth is an exemplary example of a Naturalistic novel because of its portrayal of characters as the product of their environments.

In terms of writing and dramatic style, naturalism is a heightened form of realism. Naturalistic dramas generally follow guidelines created by Aristotle, the Greek philosopher. These rules are known as “the three unities”: action, place and time. The general rule is that the events of the play should take place in the same location over a single day. Naturalism was made popular by the French writer Émile Zola, and his principles were modified by the French for the stage in the late nineteenth-century. Zola’s rules, known as “the three principles of naturalism” formed the basis for the naturalist movement in theatre. The first principle, faire vrai, was that the play had to be realistic and be as close a study of the human condition as possible. The second principle, faire grand, was that the play had to be meaningful and each theme or event had to be of some significance. And lastly, the third principle, faire simple, was that the play had to be simple and the writer should not to clutter the play with unnecessary sub-plots or dialogue. Naturalism spread through Europe in the twentieth-century until it reached the USSR. Stanislavski, a Russian theatre producer, thought that melodrama was unrealistic and unbelievable. Therefore, he set up the Moscow Art Theatre, in which he created new rules for theatre which all of his actors had to follow. In naturalistic acting, characters had to be realistic and believable, and the costumes needed to reflect the different character’s