Killing Us Softly 4: Advertising’s Image of Women (Kilbourne) shows a startling reminder of how advertisement has influenced our views of women, men, and ourselves. Jean Kilbourne explains how advertisements use images, body language, fantasy, and text to entice the audience. An advertisement in New Beauty magazine for a new weight loss technique depicts a woman fearlessly looking at herself in the mirror (ZELTIQ Aesthetics, Inc. 43). American Rifleman endorses a paintball gun in one of their advertisements, using a woman dressed in a barely-there Santa dress (Dillion Prcision 98). In her documentary, Jean Kilbourne addresses how the images in advertisements have impacted women, men, girls, and boys. New Beauty: The Beauty Authority, is a …show more content…
The fantasy in the Coolsculpting advertisement is one that is used over and over again. It is the idea that women need to be thin in order to be happy. This advertisement blatantly targets anyone who has weight or self-esteem problems and forces them to imagine being thin and pretty. The woman in this advertisement gives the impression that she is finally able to look in the mirror without fear or shame. She feels confident and beautiful. She may even be able to love herself more.
The Coolsculpting advertisement claims in black text that their new, FDA cleared, non-invasive treatment uses controlled cooling to eliminate fat. Below that is the red, New Beauty, Beauty Choice, best product winner award. At the very top of the page are the words “See a Slimmer you” in teal colored letters. In the bottom right corner is the Coolsculpting logo, a snowflake, with the company slogan: “Fear no Mirror” (ZELTIQ Aesthetics,
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The woman is what is often referred to as a “blonde-bombshell”. She has long blonde hair, tan skin, and seems to embody the athletic model appearance. She is wearing black, six-inch stiletto-heels. Her dress is a red, halter top with white trim, and black belt, to resemble a Santa suit. Her dress stops at the very top of her thighs. At her feet is a brown box with a red ribbon. The woman is holding a green bow, one loop in each hand, which is attached to a shiny, blue paintball gun. The woman is smiling in a way that makes her seem docile at first but then inviting.
The fantasy that this Dillion Precision article invokes is pretty evident. If you are a man with an interest in guns and women, then what could be a better gift than an attractive woman with a new paintball gun? This advertisement also draws on love and romance; this could be somebody’s ideal relationship. The woman looks distinctly submissive and eager to please.
The company’s jingle for the holiday season is: “Have a Dillion Christmas!”, which is written is bold, yellow letters at the top of the Advertisement (Dillion Prcision). Down at the bottom in yellow and white letters, the company requests the reader to visit their website URL, to order the catalog (Dillion
Jean Kilbourne is an advocate for women and is leading a movement to change the way women are viewed in advertising. She opens up the curtains to reveal the hard truth we choose to ignore or even are too obtuse to notice. Women are objectified, materialized, and over-sexualized in order to sell clothes, products, ideas and more. As a woman, I agree with the position Kilbourne presents throughout her documentary Killing Us Softly 4: The Advertising’s Image of Women (2010) and her TEDx Talk The Dangerous Ways Ads See Women (2014.) She demonstrates time and again that these advertisements are dangerous and lead to unrealistic expectations of women.
In “The Fashion Industry: Free to be an Individual” by Hannah Berry, Hannah emphasizes how social media especially advertisements pressure females to use certain product to in order to be considered beautiful. She also acknowledges the current effort of advertisement today to more realistically depicts of women. In addition, these advertisements use the modern women look to advertise products to increase women self-esteem and to encourage women to be comfortable with one’s image.
For centuries, women have found it to be difficult to live up and be the standard “runaway model”. Women have the pressure to fit in to be considered beautiful since ads and media have distorted society in how they view and evaluate beauty. The false representation of models in the beauty commercials have made women want to replicate them even though they don’t know what’s behind the editing. Even though this is a huge matter, companies did not stand back but instead made more commercials that self-degrade women constantly, except one. The Dove Evolution Commercial- “Campaign for Real Beauty” focuses on the way they change women sending a strong message to women about beauty and what it really
In our society today a business is not a business without an advertisement. These advertisements advertise what American’s want and desire in their lives. According to Jack Solomon in his essay, “Master’s of Desire: The Culture of American Advertising,” Jack Solomon claims: “Because ours is a highly diverse, pluralistic society, various advertisements may say different things depending on their intended audiences, but in every case they say something about America, about the status of our hopes, fears, desires, and beliefs”(Solomon). Advertisers continue to promote the American dream of what a women’s body should look like. They advertise their products in hopes for consumers to buy them, so they can look like the models pictures in the ads. Behind these ads, advertisers tend to picture flawless unrealistic woman with the help of Photoshop. In our society today to look like a model is an American dream and can be the reasons why we fantasizes and buy these products being advertised. “America’s consumer economy runs on desire, and advertising stokes the engines by transforming common objects;signs of all things that Americans covet most”(Solomon).
Whether we realize it or not, we are constantly surrounded by advertisements. On average, we are exposed to approximately 3,000 ads per day, through logos, billboards, and television commercials, even our choices of brands. But in today’s society, one of the most used and influential tools of advertising are women. But the unfortunate thing is that women are not just viewed as actresses in these ads but as objects for people to look at, use, abuse, and more. In her fourth installment in a line of documentaries, “Killing Us Softly 4,” Jean Kilbourne explains the influence of advertising women and popular culture, and its relationship to gender violence, sexism and racism, and eating disorders.
Have you ever been watching television and a commercial for Hydroxycut comes on featuring a male or female who went from 250 pounds to 150 pounds and looks like a fitness model just from using Hydroxycut? Although these results may seem extreme this is what many fitness advertisements promote; portraying unrealistic body images and displaying false results. Fitness advertising can be found in print and broadcast forms. While fitness advertising can be viewed as having both positives and negatives, I believe fitness advertising is negative. This paper will discuss the negatives of fitness advertising, to include creating negative body images and promoting false results. It will, also, address the counterarguments against fitness advertising being negative.
Jean Kilbourne’s film, Killing Us Softly 4, depicts the way the females are shown in advertisements. She discusses how advertisement sell concepts of normalcy and what it means to be a “male” and a “female.” One of her main arguments focuses on how women aspire to achieve the physical perfection that is portrayed in advertisements but this perfection is actually artificially created through Photoshop and other editing tools. Women in advertisements are often objectified as weak, skinny, and beautiful while men are often portrayed as bigger and stronger. Advertisements utilize the setting, the position of the people in the advertisements, and the products to appeal to the unconscious aspect
The media group that retouches images skews the “normal” body image of people through many of its outlets, including models in advertising and magazines, and actors in TV and movie productions. “The average model portrayed in the media is approximately 5’11” and 120 pounds. By contrast, the average American woman is 5’4” and 140 pounds” (Holmstrom, 2004). This statistic shows how the media manipulates consumers into believing that because they are not what the average model looks like, they are not living up to a certain standard which implies that they need to look like that to be beautiful. Another research fact that shows a similar concept is that, “In the United States, 94% of female characters in television programs are thinner than the average American woman, with whom the media frequently associate happiness, desirability, and success in life” (Yamamiya et al., 2005). This association of female thinness and happiness, desirability and success makes consumers believe they must achieve this unrealistic thinness to achieve more ultimate goals and fulfillment in life. “The media also explicitly instruct how to attain thin bodies by dieting, exercising, and body-contouring surgery, encouraging female consumers to believe that they can and should be thin” (Yamamiya et al., 2005). This idealization of thinness in the media is seen so much, and is extremely harmful to women’s self confidence and is often associated with body image dissatisfaction, which can be a precursor to social anxiety, depression, eating disturbances, and poor self-esteem (Yamamiya et al.,
Mass media plays a great part in our lives. Television, newspapers, magazines surround us everywhere every day of our lives. All of them are stuck with different kinds of ads. But how often do we pay attention to the real sense of those ads and the ways the advertisers try to sell various products to us? We see dissoluteness and challenging behavior every day in life and we got so used to it in, at first sight, such small pieces of film, and apparently of our day routine, as advertisement, that we hardly notice the big picture. For over twenty years, Jean Kilbourne has been writing, lecturing, and making films about how advertising affects women and girls. In her essay, "The Two Ways a Woman Can Get Hurt':
Today 's society is constantly presented with misrepresentations of the ideal body image through the advertising of diet plans and supplements. Companies in the fitness industry scam people into buying useless products or services by advertising with individuals that have, what the mass media sees as, the 'perfect ' body composition. In addition to getting consumers to buy into a product or service, these companies also aid society with the spreading of this fake idea of what classifies as the perfect body. They portray a body image that is unattainable for most individuals in society, despite how many of those supplements being advertised they buy. The models used in these advertisements, are in most cases, starving themselves, enhanced via illegal substances, or are photo-shopped to the point where even they do not look like the model displayed in the ad. All this has led to many people wanting to strive for that perfect body, that in reality, is impossible to achieve. In order to show the affect these advertisements play in our society, I will be deconstructing multiple ads in the fitness industry, as well as multiple peer-reviewed scholarly journal articles centered around the impact media has on an individual 's self-image.
When you first glance at this ad, you might say to yourself “I know what women in the media are all about, its sexism and stereotypes.” What you probably don’t know is that how; these visual cues are affecting women individually and collectively, in how they view themselves in the mirror. One of the largest influences on women and adolescent girls is the media. The media pushes body image, clothes, and fast food. At the same time they push weight lose with unrealistic results. This combination that I am referring to above leads to adolescent girls, and women having eating disorders and a discomforting self-image. Young women aged 15 to 30 are a prime industry target since 80 per cent of all consumer products are purchased by women in this
Today society has never been more aware of the impact the media has on what is considered to be an attractive person. Those who are most vulnerable by what they observe as the American standard of attractiveness and beauty are young females. Their quest to imitate such artificial images of beauty has challenged their health and their lives and has become the concern of many. As a result, advertisements used in the media are featuring more realistic looking people.
Today’s advertising objectifies women, and we are faced with these images every day everywhere we go. Advertisements use women’s bodies to promote their products, and often sexualize both the woman and the product. Some advertising has the woman’s body becoming the actual product. Often, the woman’s face is not even shown in the advertisement, because this is irrelevant and they would rather focus on sexualized body parts. This could include her stomach, breasts, or even her butt. Natural beauty is devalued, as women become expected to look picture perfect all the time. With programs such as photoshop, we believe this is the standard of beauty.
One will see a white female with pouting red lips and the very petite body that resembles a thirteen-year-old girl. The extremely artificial women and the heavily photo-shopped pictures in these ad’s create a norm and make those women who look differently, feel insecure of who they are and make them feel as if they are less of a woman, for example they tend to over represent the Caucasian, blonde with bright eyes, white complexion and a petite body. This is an unattainable beauty for most women, which has caused many to develop issues such as eating disorders, depression and the very much talked about these days, anorexia.
In order to capture our attention, the company first creates an appealing visual to draw us in. In the Revlon advertisement, the face of an attractive Argentinian male dominates the page. He holds a seductive pose, staring directly at the viewer while simultaneously winking; this creates a feeling of intimacy with the viewer. A white woman’s hands are then carefully placed in his hair and his mouth; she is playfully touching him while he gently bites her finger. The use of a white female and Argentinian male conveys the idea that women find men of “color” more attractive and masculine. The woman is hidden in the image, consumed by a black background. This gives us the freedom to imagine her as anyone, including ourselves. If we buy this product and use it, we will attract the attention of men and be more flirtatious. Her nails are then strategically painted a bright pastel green and she is wearing an enormous flashy ring to highlight the nail polish as well as bring