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Nineteenth Century: A Literary Analysis

Decent Essays

Prior to the twelfth century, European sources discussing Jewish populations predominantly focused on “…the relationship between Christianity and Judaism...” in ways that were openly anti-Semitic. The depiction of Jews as the murderers of Jesus Christ abounded, as did texts detailing often-erroneous Judaic belief in cannibalism and blood rituals. These pre-existing conventions were altered in the twelfth century, although scholars posit multiple directions in which this change may have occurred. In “Adgar’s Gracial and Christian images of Jews in twelfth-century vernacular literature,” Jennifer Shea argues that literary discussion of Jews became increasingly negative as extant trends were extended to a moral commentary and translated into …show more content…

For example, Adgar draws parallels between “…the literary Courtois chevalier striving to make himself worthy of the noble lady/Virgin Mary… [and] the feleneuse villain who sought actively to dishonor the lady and willfully rejected her noble influence.” Gracial also changes the context of miracle stories by documenting them in French, which reflects the movement away from Latin in secular contexts popularized in the twelfth century. Gracial, Shea believes, was therefore designed to reach a wider audience. This impacted wider discourses regarding Jews due to Adgar’s moral commentary. In a chivalric context, Gracial’s Christian protagonists, such as Theophilus and Theodore, are rendered more heroic in contrast to Jewish characters, described as “…wicked…,” and “a madman… a living devil.” Shea regards this as evidence of early moral stereotypes about Jewish peoples as part of a larger warning by Adgar against Jewish intent to undermine the Church. Such claims, she asserts, characterized Christian literature increasingly during the twelfth

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