No Longer At Ease By Obi Okonkbe

The novel Things Fall Apart by Chinua Achebe discusses the rise of an Igbo chieftain who came from great poverty to power and the eventual loss of Igbo traditions, rites, and the influence of his clan through his eyes due to western imperialism and colonialism. The intended audience for this novel is very broad, but if we tried to define it would primarily be people who have not experienced the Igbo culture and westerners or people who speak English. In this essay I will be focusing on the last six chapters: chapters 20 to 25. These chapters highlight the loss of power and customs of the Igbo people who have succumb to colonial rule. I fell Achebe is rhetorically effective and

Miles, William. Hausaland Divide: Colonialism and Independence in Nigeria and Niger. Ithaca: Cornell University Press, 1994Obi, Cyril. The Changing Forms of Identity Politics in Nigeria under Economic Adjustment: The Case of the Oi

Chinua Achebe’s, Things Fall Apart, is a story of a traditional village in Nigeria from inside Umuofia around the late 1800s. This novel depicts late African history and shows how the British administrative structure, in the form of the European Anglican Church, imposed its religion and trappings on the cultures of Africa, which they believed was uncivilized. This missionary zeal subjugated large native populations. Consequently, the native traditions gradually disappeared and in time the whole local social structure within which the indigenous people had lived successfully for centuries was destroyed. Achebe spends the first half of the novel depicting the Ibo culture, by

In the novel Things Fall Apart it states, “The world has no end, and what is good among one people is an abomination with others.” (Achebe 153). This quote conveys a negative tone in the word, “abomination” portraying the colonization and destruction of native people. This story focuses on the era of colonization/imperialism and in this quote the clash of cultures and its consequences is evident. The focus of the story is the head chief, Okonkwo, of an Igbo village tribe in Nigeria. It follows this “strong man,” Okonkwo, and his many heroic exploits and triumphs. In addition, it elaborates on his subsequent fall and expulsion from his tribal land. However, throughout this tale it is clearly evident that women were seen as

Women have always been partly equal to men in pre colonial Nigeria, having equal but separate roles politically and shared authority in the home. Colonialism changed this form of life of the Igbo culture by imposing Christianity and the idea of the man being the head of the village and the women inferior. Women were also stripped of their rights to have or not have children and forced to be in abusive arranged marriages. Colonialism then ended because the natives felt that self-determination had to replace colonialism and the colonizing nations were bankrupt from World War I resulting in small investment to the colonies. Decolonization was not an effortless trouble, but rather arduous and extensive, especially to women’s rights. Women’s roles in the Igbo culture changed drastically from equal, to less than men and to struggling to get by in each stage of colonialism within the work force, family and rights.

This novel is the definitive tragic model about the dissolution of the African Ibo culture by Nigerian author, Chinua Achebe. Okonkwo, a great and heroic leader, is doomed by his inflexibility and hubris. He is driven by fear of failure.

African society, influenced by its traditional economy, held strict gender roles, and Ekwefi stayed in the home and focused on traditional female tasks. Although African American society in the twentieth century prized women and elevated females to powerful matriarchal positions in the family, pre-colonial Nigeria in no way tolerated women outside the bounds of the home. Ekwefi lives “in perpetual fear of [Okonkwo’s] fiery temper,” and pours herself into raising her daughter, Ezinma (Achebe 13). Because Okonkwo fails to respect the religious customs and “beat” his wife “very heavily” during the “Week of Peace,” others in clan lose respect for him and his family, and Ekwefi can do very little to change this (Achebe 29) . To deal with her husband’s inadequacies, Ekwefi pours herself into Ezinma and raises her to exhibit strength and bravery. Because Okonkwo and traditional Nigerian society hailed masculinity as supreme and despised femininity, Ekwefi knew that in order to appease Okonkwo’s anger, she must raise her child to exhibit these characteristics, despite her gender. Her strategy proved successful, as “Okonkwo was specially fond of Ezinma,” but only showed his “fondness on very rare occasions” (Achebe 44). Furthermore, Okonkwo repeatedly states that Ezinma “should have been a boy,” (Acehbe 64) because he loves her, but continually

The days of prosperity and peace are long gone; Each day is a struggle. She tried to stay positive, even though she couldn’t understand why it had to be her. Why did she have to suffer? Why did she have to put her life on the line, venturing through enemy territory to retrieve food and other supplies? All of this hard work to try to resolve the war, but it was no use. She was fed up. She clenched her fists, and her veins popped from her forehead. The woman who was once upbeat and lively was dead. The faint wrinkles under her eyes turned into bags; and her cuts never went away. Nigeria was now in shambles. There was no more that could be done. She thought about all of the fun

Igbo land, the land that’s known as Nigeria now. Okonkwo struggles with his masculinity and his strong ties to his culture that’s been destroyed by the british and their goal to convert everyone into christians. The missionaries make things hard for Okonkwo as he tries desperately to hold on to his traditions as his whole town that he once knew, is changing. In this analysis you will know the themes and the literary devices that contributed to the perfecting of the book.

Chinua Achebe was a Nigerian novelist, poet, professor and critic. He is mainly known for his trilogy that investigates, using fiction, the history of Nigeria. The trilogy begins with Things Fall Apart, followed by No Longer at Ease and ended with Arrow of God. Furthermore, in this critically analytical essay, through a feminist perspective, a chapter of his second novel, No Longer at Ease, published in 1960, will be discussed. The setting of the novel is Lagos, Nigeria and Umuofia, Nigeria during the 1950s, before Nigeria attained independence from Great Britain. The novel, No Longer at Ease begins with Obi Okonkwo on trial, charged for accepting a bribe. However, using flashback, the author takes us back to the point before Obi’s departure

In 19th century, british men had begun to adventure into Africa and imperialize. In Chinua Achebe’s novel, Things Fall Apart, it follows the story of Okonkwo; a clan leader in Umuofia, Nigeria. His world begins to collapse as the british start to change the clan's traditions and religion. The invasion of the missionaries struck terror into the clans. With the building of hospitals and trading centers, the people of Umuofia struggle to understand the forced entrance of the white men. The effects the white men leave change the clans way of life.

Achebe’s image of the African people is depicted extensively in his novel. Achebe gives us a look at life in an African village and what it was like during African colonialism. Tribal life in Nigeria is told from an inside perspective through the life story of a man, Okonkwo.

This paper reflects the novel “Things Fall Apart” written by Chinua Achebe in 1958. Achebe gives an overview of pre-colonialism and post-colonialism on Igbo, detailing how local traditions and cultural practices can “fall apart” in some scenarios through some introduced, externally created hassles elevated because of colonization. The protagonist named Okonkwo mentioned in the story is a proof showing the lifestyle of the tribe. My main objective and focus is to lay emphasis on Africa specifically the Igbo society, before and after the arrival of the Europeans in Umuofia community; the results of their arrival concerning Igbo culture, thus leading to the clash of cultures between the two categories. I will also draw on post-colonialism with respect to globalization.

More than those of any other African writer, Chinua Achebe’s writings have helped to develop what is known as African literature today. And the single book which has helped him to launch his "revolution" is the classic, Things Fall Apart.  The focus of this essay includes: 1) Achebe's portraiture of women in his fictional universe, the existing sociocultural situation of the period he is depicting, and the factors in it that condition male attitudes towards women; 2) the consequences of the absence of a moderating female principle in his fictions; 3) Achebe's progressively changing attitude towards women s roles; and 4) feminist prospects for African women. In the context of this study, the Igbo people whom Achebe describes will

Chimamanda Adichie’s Purple Hibiscus and Chinua Achebe’s Things Fall Apart both emphasize the complexities of progenitor-son relationships. The adult composition of devoted contention is improved throughout the manner of both texts and attend to illustrious the impact of Western imperialism on Igbo culture. While Adichie publicly profess that she was inhaled by Achebe, a finisher look at the nuanced variance between the two novels illumine Adichie’s own vote. Okonkwo, the misogynistic individuality with a masculineness complicated, is a omi still cicatrice by his father’s shameful value in Things Fall Apart. His sire’s unwell fame and deficiency of entitle tern Okonkwo to chase a more biography in an effort to disunite himself from his father.