Jane Austen’s Northanger Abbey is frequently described as a novel about reading—reading novels and reading people—while Pride and Prejudice is said to be a story about love, about two people overcoming their own pride and prejudices to realize their feelings for each other. If Pride and Prejudice is indeed about how two stubborn youth have misjudged each other, then why is it that this novel is so infrequently viewed to be connected to Austen’s original novel about misjudgment and reading one’s fellows, Northanger Abbey? As one of Austen’s first novels, Northanger Abbey is often viewed as a “prototype” to her later novels, but it is most often compared to Persuasion (Brown 50). However, if read discerningly, one can see in Pride and …show more content…
Fitting with the common theme between the two novels of the judgment of others, each heroine falls victim to a horrible misjudgment of the character of another. After discovering that the engagement between her brother and her friend Isabella has been broken, Catherine finds she has grossly misjudged her friend’s character, and thinks, “She was ashamed of Isabella, ashamed of ever having loved her” (Northanger 150). Elizabeth, on the other hand, finds her attachment the Wickham wholly inappropriate after receiving her letter from Mr. Darcy. After digesting the shocking contents of the letter, Elizabeth “grew absolutely ashamed of herself.—Of neither Darcy nor Wickham could she think, without feeling that she had been blind, partial, prejudiced, absurd” (Pride 156). And indeed, as suggested by Elizabeth’s mention of Darcy, this misjudgment goes on to affect each girl’s attachment to her future husband. The involvement of a family member with the previously misjudged character directly causes each heroine’s fallout of sorts with her future husband, who will henceforth be referred to as the hero. Catherine’s brother James becomes involved with Isabella before she is known to be such a determined flirt, but when she all but abandons him for Captain Tilney, it becomes known to General Tilney that Catherine’s family is not as rich as formerly supposed, and this results in
This narrative perspective defines Catherine’s naiveté and provides an inner soliloquy, which effectively allows readers to perceive for themselves each character’s personality and agenda. Written from the third person limited omniscient point of view, predominantly filtered through Catherine, the unknown narrator slips effortlessly into free indirect disclosure, which effectively adopts the tone and inflection of the individual character’s voice. This narrative viewpoint allows the narrator to intrude into the narrative to offer advice, or to foreshadow the characters. ‘Catherine’s swelling heart needed relief. In Eleanor’s presence, friendship and pride had equally restrained her tears, but no sooner was she gone they burst forth in torrents.’(Austen, 2008, pp.164–167) Direct speech is depicted through dialogue ‘My dear Eleanor, cried Catherine’. (Austen, 2008, pp.164–167) and ‘It will not be in my power Catherine’ (Austen, 2008,
or other, and we can never expect her to do it with so little expense
Henry’s shocked, “dearest Miss Moreland, what ideas have you been admitting?” not only crushes Catherine’s “visions of romance” and humiliates her of all the gothic tendencies she had entertained throughout the novel, but it also serves to humble the reader; who presumably acted as eagerly as Catherine did in seeing the superficial and assuming that General Tilney was a terrible villain. However this overt satire of gothic literature and its heroines, who “plain as any” Catherine openly defies, also acts as a platform where Austen can criticise her society and how they value texts that openly objectify and demean women to superficial creatures. When Austen says, “gentlemen read better books,” in Miss Austen Regrets, the intertextual link in her words and the use of lighting and shadow elongates her face and emphasise the bitterness of her words. Allowing the responder to understand Austen’s own awareness of the confines that she as a female author experienced in the patriarchal and classist society of 19th Century England. This translates to Northanger Abbey when the mockable Catherine says, “if I could not be persuaded into doing what I thought wrong, I never will be tricked into it.” Revealing a deep level of integrity and honesty that the more socially accepted Isabella seems to lack. Austen mocks Catherine as a means of openly addressing the contemptuous nature of gothic literature, however she imbues Catherine with qualities integral to a wholesome human being to showcase to the responder, especially in the context of 19th Century England, that society’s gender roles not only shapes female relationships negatively but also shapes the characterisation of women in literature which contributes to the misogynistic mindset of the time and the
The progress between Elizabeth’s and Darcy’s relationship, in Jane Austen’s novel Pride and Prejudice (1813) illustrates and explores several the key themes in the novel. Their relationship highlights class expectations, pride and prejudice, and marriage, and how they play a major role in determining the course of their association. These are outlined through their first prejudiced dislike of each other when they first meet, the stronger feelings for Elizabeth that develop on Darcy’s side, her rejection in Darcy’s first proposal, then her change of opinion and lastly the mutual love they form for one another. Pride and Prejudice is set up as a satire, commenting on human idiocy, and Jane Austen
Soon after her own arrival in Bath, Catherine is followed by her brother James and Isabella’s brother John Thorpe. At the initial meeting with the boys, Catherine is mistaken on two different points, still being ignorant in her perceptions of other people. Although slightly thrown off by John’s manners, Catherine is unable to formulate her own negative opinion of him, too affected by the opinions of Isabella and James, and “her judgment was further brought off by Isabella’s assuring her…that John thought her the most charming girl in the world” (Austen 48). For Catherine, it is easier and more natural to accept the opinions of someone like Isabella, a mentor figure. Also, in the same scene, Catherine makes the assumption that her brother James has journeyed “so far on purpose to see me” (49). Catherine hastily jumps to this false conclusion, not having the experience to detect James’ continuous questions and compliments of Isabella as a sign of his true motives for coming to town: to visit the “prettiest girl in Bath” (49).
In any literary work the title and introduction make at least some allusion to the important events of the novel. With Pride and Prejudice, Austen takes this convention to the extreme, designing all of the first and some of the second half of the novel after the title and the first sentence. The concepts of pride, prejudice, and "universally acknowledged truth" (51), as well as the interpretation of those concepts, are the central focus of the novel. They dictate the actions of almost all the major characters (not just Darcy and Elizabeth), and foreshadow all of the major events in the novel, especially in the first few chapters, involving the first ball at Netherfield. While Darcy
Elizabeth thinks of Darcy as being “the proudest, most disagreeable man in the world” (15). After Darcy discomfits Elizabeth, “She is tolerable, but not handsome enough to tempt me” (13), she herself becomes prideful and prejudiced against him. Prejudice also is an issue for Darcy because he dislikes Elizabeth in the beginning for her low social status, for being impecunious and socially inept family: “Their struggle is as much as against each other as it is against the pressure of society or family. The novel presents a balance of power not only between two characters but between two conflicting modes of judgment” (Bloom 50), but Darcy is forced to deal with his pride and prejudice when he falls in love with Elizabeth. Elizabeth rejects Darcy’s first proposal based mostly on his pride and condescension.
As the book progresses, both characters manage to overcome these character flaws and various other obstacles and eventually realise their love for one another as their compatibility and understanding is increasingly revealed to the reader, ‘It was a union that must have been to the advantage of both.’ Darcy and Elizabeth’s similarities lie in their levels of intelligence, dedication to friends and their stance on expressing their opinions openly. Regardless of what anybody said about their relationship, including Mrs. Bennet and the superior Lady Catherine, they ignored these various warnings. Lady Catherine mainly commented on Elizabeth’s social inferiority to hers and her nephews.
Elizabeth's prejudice against Darcy is fuelled when she hears from Wickham that Darcy has treated him wrongly. Elizabeth accepts Wickham's story without exploring it fully because she believes that he is a gentleman and so is trustworthy. This is another example of how first impressions can be wrong, as Wickham is not a gentleman as Elizabeth first thought and has not told Elizabeth the whole truth about why Darcy treated him wrongly. When Elizabeth finds out the vital information that Wickham has not mentioned her opinion of both Wickham and Darcy changes dramatically. This is a crucial point in the novel as this is when Elizabeth realises how easily she has formed prejudices and opinions about people that are wrong.
Catherine is so wrapped up in her fictional world of reading that she becomes ignorant of her real life issues with Henry Tilney, for whom she has been love-struck since their introduction. She entertains herself with wild imaginings about his life and family. Catherine's imaginings foreshadow her eager desire for mischief as Austen's story develops. Catherine is endowed with a vivid imagination, but she has not yet learned to use it in concert with her perception, especially in understanding the interactions between people.
Austen, Jane, Claudia L. Johnson, Susan J. Wolfson. Pride and Prejudice, A Longman Cultural Edition. New York: Longman, 2003.
First Impressions First impressions are very important. In the Victorian age, people based their whole opinion of someone on first impressions. Most times the first impression of someone is not the way they truly are. Sometimes a first impression can cause you to think negative of someone but later you find out that they are very nice and a very positive person. One example is when Mr. Darcy meets Elizabeth in the book ,Pride and Prejudice.
Also, Elizabeth's perception of Mr. Wickham is incorrect (Molar 25). She thinks he is, and he does appear to be, a perfect gentleman on the outside because of the way he portrays himself, but really, he is one of the most flawed characters in the novel. Elizabeth is "completely taken in by the almost transparent duplicity" (Moler 25) of Mr. Wickham, especially when he speaks. "A thorough, determined dislike of me, a dislike which I cannot but attribute in some measure to jealousy. Had the late Mr. Darcy liked me less, his son might have borne with me better; but his fatherÕs uncommon attachment to me, irritated him I believe very early in life. He had not a temper to bear the sort of competition in which we stood, the son of preference which was often given me" (Austen 72), Mr. Wickham speaks with eloquence and Elizabeth takes it for face value, and believes everything he says. If what he says is true, problems do not arise, but what he says is false and is in fact hurtful to another man, Mr. Darcy. Austen shows it is important to see all sides of the story before making a judgement, otherwise it is called being prejudice. She also portrays the fact that there is probably a lot more to people than what they show to the world. This
Darcy’s conception of Elizabeth was established on the fact that her family is embarrassing and discourteous, making her promptly inferior to him. However, Elizabeth’s strong-willed and independent character attracted Darcy’s difficult attention, proving to him her true and unique reeling personality. Particular plot twists throughout the novel have occurred that helped Darcy and Elizabeth reveal their true identities. Darcy’s boastful attitude backfires when he first proposed to Elizabeth, who immediately refuses his offer due to his unintentional insults concerning her class and familial relations. However, Elizabeth’s reason for rejecting Darcy was not only for his abusive remarks, but also because of his interference with Jane’s happiness owing to the fact of his belief that her social class and emotional status were not good enough for his dear companion. After the incident, Darcy and Elizabeth did coincidentally meet when Elizabeth and the Gardiners were visiting Darcy’s estate thinking he would be out of town. Darcy got to see the other half of Elizabeth’s family, who were well mannered and delightful. While Darcy and Elizabeth explored other sides of each other, Wickham was taking advantage of Lydia’s ignorance and ran away with her. When Darcy receives the news about what Lydia and Wickham have done, instead of just mocking how reckless the Bennet’s are he decides to help them. Having a
Pride and Prejudice is one of the most popular novels written by Jane Austen. This romantic novel, the story of which revolves around relationships and the difficulties of being in love, was not much of a success in Austen's own time. However, it has grown in its importance to literary critics and readerships over the last hundred years. There are many facets to the story that make reading it not only amusing but also highly interesting. The reader can learn much about the upper-class society of this age, and also gets an insight to the author's opinion about this society. Austen presents the high-society of her time from an observational point of view, ironically describing human behavior. She describes what she sees and adds her own