Not Waving but Drowning Analysis Essay

Essentially a monologue set within a frame, this poem creates two personae. The anonymous author gives a brief introduction and conclusion. The Wanderer, an aging warrior, who roams the world seeking shelter and aid. The Wanderer’s monologue divides into two distinct parts, the first being a lament for his exile and the loss of kin, friends, home, and the generosity of his king. In nature, he finds absolutely no comfort, for he has set sail on the winter stricken sea. Poignantly, the speaker dreams that he is among his companions, and embracing his king, only to awaken facing the gray, winter sea, and snowfall mingled with hail.

     “The fact that I am writing to you in English already falsifies what I wanted to tell you.”(Diaz)

The third and fourth stanzas offer the poems greatest paradoxes. The author speaks of the lovers being "At this unique distance from isolation" which is to say they are in the one place where they can truly be themselves, in their natural habitat, doing that which is only natural to human instinct. Despite these circumstances, however, the two are at a loss: "It becomes still more difficult to find / Words at once true and kind, / Or not untrue and not unkind." It is through this final stanza that the author conveys the ultimate paradox of human relationships: Relationships are not built upon true love for one another; rather they are built upon the absence of hatred.

In literature, themes shape and characterize an author’s writing making each work unique as different points of view are expressed within a writing’s words and sentences. This is the case, for example, of Edgar Allan Poe’s poem “Annabel Lee” and Emily Dickinson’s poem “Because I could not stop for Death.” Both poems focus on the same theme of death, but while Poe’s poem reflects that death is an atrocious event because of the suffering and struggle that it provokes, Dickinson’s poem reflects that death is humane and that it should not be feared as it is inevitable. The two poems have both similarities and differences, and the themes and characteristics of each poem can be explained by the author’s influences and lives.

Furthermore, poetry, and the personification of poetry, conversations with old friends and family, should not need a special occasion, rather it should “ride the bus” with patience for the stops before your own and the understanding of other’s needs before your own (line 13). You can also say the bus can represent the speed at which life passes you by and how easy it is to miss something if you are not paying attention, or even, that these missed moments have a poem to help you along your long journey home. With the use of

The poem suddenly becomes much darker in the last stanza and a Billy Collins explains how teachers, students or general readers of poetry ‘torture’ a poem by being what he believes is cruelly analytical. He says, “all they want to do is tie the poem to a chair with rope and torture a confession out of it”. Here, the poem is being personified yet again and this brings about an almost human connection between the reader and the poem. This use of personification is effective as it makes the

Each part was broken up after a noticeable shift and atmospheric changes in the poem. The first part of the poem is during “Sad is the man...with one”(Ln 1-2), and repeats again at “In a room...on his father”(Ln 6-9). These lines create a shift into a narrative stage. It puts a pause on the poem to introduce or explain the scene in the poem. The narrative is important because it shows the point of view of the poem. The second shift is created with “Already the man...should never disappoint”(Ln 10-18). This shift is when the father is thinking about his fears and desires, to be more blunt, the father’s fantasies. It creates an unrealistic tone to the poem an shows the father’s dismay when he cannot remember a story for his son. The last shift begins with “His five-year-old...scratches his ear”(Ln 3-5), and ends with “But the boy...up to silence”(Ln 19-23). This shift bring the poem into reality. In fact the poem states that the “emotional rather than logical equation”(Ln 20) is where most people get confused and frustrated at the world. The poem also states the conflict of fantasy and reality. This conflict is what creates the the multiple shifts and the complicated relationship between the father and the

2. Why does the narrator talk about himself in the Because he considers the body he’s in

Furthermore, we have the use of first person, where the almost universal effect is to have an in-depth look into the character and their immediate response to a problem or dilemma. This poem no different, where in the first stanza we are ushered in with the use of anaphora in lines 2, 3 and 4 with the repetition of the word ‘’and’’. This specific use of anaphora is used to create the mindset and intelligible deduction of the traveller to the events and dilemma prescribed to him. Insofar as his immediate reaction be being presented with a choice. It shows his reaction of regret in that he is ‘’sorry he could not travel both’’ and explains what he wish he could do ‘’be two travellers’’ but also how he initiates his decision making process ‘’looked down one as far as I could’’. Also, the use of first person is used to connect with the reader, enforcing the affore-used notion that the reader substitutes their own personal truth into a positive

The humor and seemingly-comedic personification used in the poem are very different than the theme, and serve as a distraction from the speaker’s pain.

A deeper level is achieved in the mind of the narrator when she acknowledges her own mental state and that she is eager to leave her sad mood. While the man is described as animal-like and savage, she stands “In moody sadness, on the giddy brink” (9) full of contemplation and reflection on her own worldview. The poet is quite self-aware while the lunatic is not, and through her intelligent banter, the reader can see the extreme difference in personality. The poet’s own self-conception, however, is ironic in that she is wishing for ignorance that can only be achieved by lack of a self-concept. The catch-22 she experiences is perplexing, both to her and the reader.

In Thomas Gunn’s “Memory Unsettled”, the main speaker visits a dying friend in a hospital bed. The poem is delivered in second person which indicates the reader will be pushed to feel personally involved with the poet’s characters. By stating “Your” (76. 1) the poet allows the reader to vividly imagine the pain such character may be feeling. As the visitor intends to comfort his dying friend the reader acknowledges a bittersweet moment, by inferring the “pain” has not “ended” (76. 1-4). By depicting positive characteristics of a legitimate friend through word choice and phrases, as well as using rhyme scheme to show the symbolic meaning of sticking together, the poet establishes a sorrowful yet optimistic mood about dying.

her far from herself. In one line in the poem she brings us starkly into the world of a

The poem talks about a man- an anonymous “he”- a perfectionist whose poetry was understandable and who, himself, understood “human folly” and the human psyche like “the back of his hand”. He was

Childhood drowning is the leading cause of death from unintentional injury. It has also been reported that in US, childhood drowning is the second leading cause of death among 1-19 years of children and adolescents (Brenner et.al, 2001).