Notes On Maori Tours Logo Essay

In Australia and around the world, social justice, civil rights and freedom have constantly been a point of debate and struggle. With government and higher powers attempting to make everything work with each other and get rid of discord, they subsequently affect another person’s freedom. Advocates for rights and freedom vouch for many different things, from racial equality to homosexual civil rights, every case brings with it political opposition. Over many years of trial and tribulation the modern activist has almost overcome the struggles of previous generations. That is not to say there is no longer any struggle at all.

the rights they deserve. It also gave them rights they never thought they could achieve. This Court case of Scott

The twenty-first century has seen its share of civil rights actions. The movements and groups harmed in the United States has been shown support from countries in the Middle East, the UK, and even as far as Asia that are uninvolved but sympathetic and have given support back. When looking back on the nineteenth and twentieth century there was the same connection between countries even transatlantic from Britain to the United States. In a time with revolutions for social and political change and eventually war society was ripe for petitions for minority groups wanting emancipation including Women, Slaves, and Jews. The different groups supported and worked off each other to achieve their goals. The groups helped the others because they understood what it felt like to be marginalized from key aspects of a free and involved life.

The Grassy Narrows (Asubpeeschoseewagong) First Nation is an Ojibwa First Nation located north of Kenora, ON. The community has been fighting against environmental injustices imposed on them from various actors over the last 40 years (Rodgers, 2009, para. 10), involving issues with mercury poisoned fish (para. 1) clear cutting of their lands (para. 27) and subsequent degradation of their land, water and food sources. This essay will detail the environmental justice struggles of the Grassy Narrows First Nation, point out the unfair treatment and environmental racism they have been subject to and will also question the role that authority, power and litigation have played within the community.

‘Outline the significance of key developments in Aboriginal and Torres Strait Islander peoples’ struggles for rights and freedoms’.

Prior to looking at this section, if anyone were to ask me about my opinion on using a Native American logo or nickname for a sports team I would be indifferent. I wouldn’t feel right about having my own opinion because I have not been a part of a race or culture that has or is looked down upon. After reading Tim Wise’s article and going through the notes, I still feel like I do not have much say in whether or not these teams should be able to keep their logos and nicknames because I am not directly affected and it is hard to put myself into the position of the Native American people; although, I do understand where they are coming from. With that being said, teams should not have names and mascots that are going to offend other cultures.

“The use of the Redskins nickname was conducted among a random sample of 504 Native American adults. Ninety percent of respondents said they are not bothered by the Redskins name, and 73 percent of respondents said they do not find the name disrespectful” (Eitzen and Zinn). Native American logos are a very controversial topic but, what most people do not know is how the Native American population feels about these logos. Sports teams should not get rid of Native American logos because they represent Native Americans, the logos represent freedom of speech, and most Native Americans support the logos. “An agreement with local Native American tribes features a hockey arena, the Ralph Engelstad Arena, and the attached Betty Engelstad Sioux Center,

The rich society and convention of the Hawaiians are likewise communicated in their works of art. The greater part of the fine arts of the antiquated Hawaiians are made both for tasteful and practical purposes. The kapa, for occasion is an illustration of the Hawaiians' recognized art. This is a fine material delivered from the paper mulberry plant. The completed item is utilized as swaddles for children furthermore formed to be worn as a skirt by the locals. Kapa is additionally used to make appealing covers. Other privately created works of art are produced using Lauhala or hala takes off. The completed results of Lauhala incorporate bowls, caps, and floor

Aboriginal groups are losing what they need to survive. Fish is a primary food source for the Kamayura tribe of the Amazon, and has been for many, many years. It is part of their culture and has been the root of tradition. But now that fish are becoming scarce due to climate change, their way of life is changing as well. This specific nation is losing something

Water has always had significance to the Native Americans through family gatherings, spiritual practices, and everyday life. In “Song of the Sky Loom” by the Tewa Indians, it states, “May the fringes be the falling rain,” as they’re praying to their Mother, the Earth, and

Aboriginal people had been organising and lobbying for some years to amend their conditions and rights, yet with minimal substantial

Media representations are the ways in which the media portrays particular groups, communities, experience, ideas, or topics from a particular ideological or value perspective. They shape our perceptions of experience and can influence our beliefs. The Media representations of the Maori Culture shape a perception and give New Zealand Maori a negative perception of who they are and how they act. These representations also transfer to the rest of the world giving them a perception of what the Maori Culture is supposedly like. The "Bloody legend" advertisements, New Zealand show "Police Ten 7" and the NZ filmed and directed movie "BOY". All present a varied negative representation of the Maori Culture in New Zealand.

A Key conflict that endures as one of the most noteworthy events in New Zealand’s early history is the Waikato war of 1863-1864. The significance of the battles lies in the definition of the status of Maori and Pakeha in New Zealand. Particular historic debate surrounds whether the Waikato war was caused more primarily over the dispute of land or sovereignty. Maori were rising against British control and domination over them exhibited by establishment of the Kingitanga movement and the resistance to land sales. Responding in a way they saw that they had the right British invaded the Waikato. The outcomes of these events still hold debate and controversy in the regions of occurrence even today. With large loss of lives on both sides directly from the clashes, as Maori retained their pride refused to surrender to the British’s superior technology. New laws were passed as a result of the resistance involving shameless policy’s which marginalised Maori and there rights further. The consequences of this war were drawn out until the late 20th, when finally reparations were made in full.

Douglas, G. (2010) Social and Cultural Meanings of Tolerance: Immigration, Incorporation and Identity in Aotearoa, New Zealand. Journal of Ethnic and Migration Studies, Vol. 36, No. 1, pp. 125-148.

“From the 1970s, a major cultural shift known as the ‘Maori Renaissance’ created a context for the emergence of a Maori perspective in New Zealand filmmaking.” The New Zealand feature film, Ngati is considered to be a product of the ‘Maori Renaissance’ and it remains a noteworthy film today for being the first film directed a Maori, namely Barry Barclay. This essay seeks to examine the racial representations of Maori and Pakeha, the historical context of the late 1940s and the Maori identity in Ngati. Barclay’s film is unlike previous films such as The Romance of Hinemoa, The Te Kooti Trial and Rewi’s Last Stand which was based on a dominating Pakeha perspective. The release of Ngati signalled a turn of tables in favour of Maori as they were able to present Maori and Pakeha representations, the historical context of the late 1940s and Maori identity from their perspective.