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Of Amory's Self-Identity In This Side Of Paradise By F. Scott Fitzgerald

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In his semi-autobiographical quest novel, This Side of Paradise, F. Scott Fitzgerald creates a self-portrait through Amory Blaine, a male protagonist who struggles to discover his self-identity. Throughout the story, Amory changes from a self-absorbed, selfish adolescent to a determined and independent man who strives to attain one thing most of us crave in life: a true understanding of oneself. At an early age, Amory, selfish and immature, desires to conform with the rest of society. Amory gives a brief description of his mother, Beatrice, who was a wealthy and pretty girl from Lake Geneva, Wisconsin, educated with all the advantages of her family's wealth, including stints in Europe. She is a refined and charming woman who loves her only …show more content…

Almost completely unawares he takes upon himself many of her key feminine traits which become the basis of his character” (Stavola 77). Therefore, we can conclude that Amory‟s effeminacy is shaped and formed from his childhood due to much influence of his mother figure and lack of father‟s role. Due to “the intense affections of a neurotic mother and the unattractiveness of a passive father” (Stavola 79), Amory strives to fulfill his stable identity through the romantic relationship with a various girls in his later life as a means to “to achieve a firm identity and survive in a world not controlled by a strong mother figure” (Stavola 77). Linda C. Pelzer suggests that “Amory’s dream of greatness is linked to an ideal of beauty embodied in the women he loves [and] each of them also represents an aspect of Amory’s own self, and thus, his pursuit of each underscores the nature of his quest” (Stavola 43). However, Amory can never escape from the fantasy world that Beatrice creates for him and falls into the sexual illusions through his life. His first childlike relationship is with Myra St. Claire when Amory is only thirteen, and this romance can be regarded as a “clearly sexual side of this unresolved Oedipal conflict in Amory” (Stavola 81). Amory tries to attract Myra by his wealth and charm and quickly wants to create the romantic moment with …show more content…

He had never kissed a girl before, and he tasted his lips curiously, as if he had munched some new fruit” (Fitzgerald 21). The scene is somewhat ridiculous and exhibits Amory‟s desire to grasp the romantic moment as quickly as he can. However, once he achieves it, he wants to ruin it right after his first kiss “sudden revulsion seized Amory, disgust, loathing for the whole incident” (Fitzgerald 21) and “he [Amory] desired frantically to be away, never to see Myra again, never to kiss anyone” (Fitzgerald 21). As Stavola points out that “the psychoanalytic source of Amory‟s sexual disgust after kissing Myra is an Oedipal failure [as] his abnormal closeness and identification with his mother compels Amory to treat every female he gets close to as his mother” (Stavola 83). That is the reason why Amory seems to be very egotistic of the ideal romantic moment and shows how he wants to achieve it and then quickly to destroy it. In fact, it is the time Amory begins to escape his childhood by distracting the influence of his mother and gaining the power in romantic affair. Moreover, he wants to cast the world around him and tries to jump and fit in the new world he is creating. However, it is evident that Amory can not achieve what he wants since he cannot escape himself from his childhood

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