How often do people really comment on the impact of emotions? We all know how important they are, but more often that not emotions seem to control us as oppose to the other way around. They drive us to the absolute edge and from there we can either topple off or strive, unfortunately some people just cannot stand high in the midst of such a vast edge, so they topple. In both “Anne Sexton’s Music Swims Back To Me” and William Shakespeare’s Hamlet there contains two woman who exactly that. Ophelia and the woman from the poem both topple off the edge. These two women show us just how easy feeling too much can lead us to absolute insanity. Both of these women face unspeakable tragedies that lead to their lives in upheaval. Something of equal …show more content…
Additionally, she is told what to do by these elderly ladies, this proceeds in only confusing her further for the reason that she can’t comprehend why these ladies who are so much older than her have gained the authority to restrict her actions. Overall she is terrified, but her domineering emotions are lost along with confused. “The night they left me in this private institution on a hill.” (First Stanza Line 8-9) In this line we learn that the woman from the poem is cast aside and left in a Mental Institution presumably from the tragedy she faces, although it is not explicitly told to us, she is in the institution as a result of a tragedy we can infer this information from line 2 in the first stanza. “They turned out the light.” What we can take from this line is that she is talking about a group of people who ‘turned out the light’ we can postulate that this a tragedy she is describing. With the use of imagery in this line, she takes us back to the day she was brought to the Mental Institution, making this line a very effective method of disclosing her pain. From this line, we finally understand that there is a group of people who are the cause of a tragedy. When she finds out about said tragedy, she becomes so distraught she is driven to the brink of madness ‘they’ decide it fit that she is driven to a Mental Institution where she is left. Comparatively, In Ophelia’s case, we find out that her father has died and that she hasn’t
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
The character of Ophelia is an excellent element of drama used to develop interpretations of Shakespeare’s text. At the beginning of the play, she is happy and in love with Hamlet, who first notices her beauty and then falls in love with her. The development of Ophelia’s madness and the many factors that contributed to her suicide are significant parts of the plot. “Her madness was attributed to the extremity of her emotions, which in such a frail person led to melancholy and eventual breakdown” (Teker, par. 3). The character of Ophelia in Zieffirelli’s version is the personification of a young innocent girl. “Her innocence is mixed with intelligence, keen perception, and erotic awareness” (Teker, par. 13). This Ophelia is a victim
People have mostly seen women inferior to men because women have been thought of as simple-minded and could not take care of themselves. Shakespeare’s Hamlet shows how men treated and thought of women during the 1500s. There was an order most did not interfere with; however, some did. In the 1500s, women were supposed to conform to men’s wishes. Throughout the play, Ophelia first obeyed her father and brother’s wishes, ignored the social norms later, and then went mad, which caused her to never gain her own identity.
Denmark is in a state of chaos shown by the opening death of the true
His reason, however, is to end the threat of his own life. Once the king and queen realize this remedy they quickly act to use it by persuading Ophelia to talk to Hamlet. In this Scene, true madness comes into play. Once Ophelia meets Hamlet and speaks with him Hamlet realizes that his mother and stepfather are aware of this love and might use this to end his threat. Hamlet must end their thoughts of using Ophelia to rid him of his condition. To do this he must destroy all the current feelings Ophelia has for him and he does so very well, perhaps too well.
In Shakespeare's tragedy, Hamlet, the audience finds a docile, manipulated, scolded, victimized young lady named Ophelia. Ophelia is a foil to Hamlet. Plays have foils to help the audience better understand the more important characters in the play. The character of Ophelia is necessary so that the audience will give Hamlet a chance to get over his madness and follow his heart.
Ophelia was such an innocent character. She was young and naïve. Ophelia was faced with many dilemmas. She was in a relationship with Prince Hamlet, who was very distracted and eventually went mad himself. Ophelia’s madness started with an overbearing, over protective father. He controlled Ophelia and used her with out thinking of her feelings, “I must tell you, you do not understand yourself so clearly…What is
Have you ever heard of the song “What is Love?” by Haddaway? The one that’s then followed by the line “Baby don’t hurt me! Don’t hurt me!” Well, in the movie Reviving Ophelia, Elizabeth has just gotten into her first “serious” relationship. The way she describes her new relationship with a boy from school, Mark, is as if she was discovering for the first time in her life what it means to truly have love. However, this quickly turned for her an illusion of an amazing relationship into one of an abusive relationship.
It is widely believed that “Living life without honor is a tragedy bigger than death itself” and this holds true for Hamlet’s Ophelia. Ophelia’s death symbolizes a life spent passively tolerating Hamlet’s manipulations and the restrictions imposed by those around her, while struggling to maintain the last shred of her dignity. Ophelia’s apathetic reaction to her drowning suggests that she never had control of her own life, as she was expected to comply with the expectations of others. Allowing the water to consume her without a fight alludes to Hamlet’s treatment of Ophelia as merely a device in his personal agenda. Her apparent suicide denotes a desire to take control of her life for once. Ophelia’s death is, arguably, an honorable one,
Poor Ophelia, she lost her lover, her father, her mind, and, posthumously, her brother. Ophelia is the only truly innocent victim in Hamlet. This essay will examine Ophelia's downward spiral from a chaste maiden to nervous wreck.
Mary Pipher, author of the book Reviving Ophelia, has made many observations concerning young adolescent girls in our society. She wrote this book in 1994, roughly eleven years ago. Although some of her observations made in the past are not still accurate in today’s world, there are many that are still present in 2005. The primary focus of Pipher’s comments is to explain how young girls are no longer being protected within our society.
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
In Hamlet, we are introduced to the complexities of a man who is struggling to murder his uncle while trying to understand his mother's motives. His inner turmoil has left him emotionally unavailable and completely disenchanted with humanity in general.
of a terrible waste of young life. As a result of the way in which
A person cannot truly exist without those people around him, just as a play may not be successful without its supporting characters. Horatio and Ophelia are often disregarded as "supporting actors" within the play. They spend very little time onstage, and when they are their roles seem trivial; however, their true purpose is much greater. The characters of Horatio and Ophelia have two very different functions in the play. Horatio is used as a foil for Hamlet, the person to whom Hamlet can discuss his course of action and act like his true self. Ophelia, however, has a major role that is not initially evident. She is the embodiment of how Hamlet's opinion of women changes throughout the play. These two characters have drastically