In order to explore the relation between the Occident and the Orient, Edward Said publishes his book Orientalism in 1978. Borrowing from Foucauldian discourse analysis, Orientalism, as Bill Ashcroft and Pal Ahluwalia stress, “pivots on a demonstration of the link between knowledge and power, for the discourse of Orientalism constructs and dominates Orientals in the process of ‘knowing’ them” (54). The conception of Foucault’s discourse has established an important foundation for Said to discover how Europe defines the Oriental knowledge by possessing power. John McLeod highlights in his book Beginning Postcolonialism that “[Edward Said’s] Orientalism is one particular theorisation and manifestation of how colonial discourses might operate, …show more content…
In general, the definition of representation is “using language to say something meaningful about, or to present, the world meaningfully, to other people” (Hall, “Representation: Cultural Representations and Signifying Practices” 15). Representation, therefore, is to create a meaning. In Representation: Cultural Representations and Signifying Practices, Stuart Hall additionally points out in the first chapter The World of Representation(一樣是要用斜體還是quotation?) that “[r]epresentation is an essential part of the process by which meaning is produced and exchanged between members of a culture. It does involve the use of language, of signs and images which stand for or represent things” (15). When it comes to Orientalism, it demonstrates that the meaning of the Orient is articulated by the Occident through language and visuals. Meanwhile, by representing the East, it indicates that the Occidentals believe that “[the Orientals] cannot represent themselves; they must be represented” (335), as Said cites from Karl Marx’s The Eighteenth Brumaire of Louis Bonaparte. Since the Orientals have difficulties to speak for themselves, the Occidentals are taking this responsibility to help the Orient to be seen. In other words, the voiceless East requires the Western …show more content…
In this way, Orientalism written by Orientalists seems having troubles in faithfully representing the Orient. Said insists that “exteriority of the representation is always governed by some version of the truism” (21). The problem is this truism does not amount to the truth especially as it involves “evaluative interpretation[s]” (Said 227). In this way, it loses objectivity by including personal viewpoints. Nevertheless, the Occident takes advantage of the Orient by insisting the Orient is not capable of presenting itself. Thus, the West has to take this responsibility to represent the pathetic Orient in order to make the Orient be known. By making this statement, the Occident justifies the action of representation to the Orient and at the same time, gains the power over the Orient. As the Orient has to be represented, even though the representation is entirely wrong, it has no voice to correct any mistakes. Thus, the West has absolute power to construct its fascinating Orient. Edward Said, therefore, concludes that Orient is “almost a European invention”
Moreover, this construction as the foreign eastern country as feminine is the typical western view of the orient. This view of the Orient is connected to Edward Said's concept of
In order to better understand the criticism against these Chinese writers, we must first understand what is meant by orientalist thinking or orientalism for that matter. One of the authorities on the subject, Edward Said explains the term "Orientalism" and tackles the question of East and
I must confess that I am guilty of harboring unconscious stereotypes of Asian women. Kathleen Uno’s article “Unlearning Orientalism: Locating Asian and Asian American Women in Family History” brought this to light. She makes a very strong argument that Orientalism has exaggerated Asian patriarchy and the subordination of women; therefore, influencing research to highlight only the oppressive aspects of the Asian family. Uno states that once we can free ourselves from the “Orientalist blinders”, it will allow us to shed the stereotypes by revaluating the role of Asian and Asian American women and acknowledging their contributions. (Uno, 2003)
“Representation is an essential part of the process by which meaning is produced and exchanged between members of a culture. It does involve the use of language, of signs and images which stand for or represent things “(Hall 2013). Moscovici, one of the founders of the social representations theory explained that, “Our reactions to
Orientalism has led to a false representation of Asia and the people who come from and live there. Due to these false assumptions of how Asians are portrayed as, many Asian-Americans have struggled with their lives. These struggles ranged from some being persecuted for being a certain race and others for finding it hard to see themselves being represented fairly in media. Asian-Americans have been largely misrepresented and are seen as the “Others”. However, many Asian-American artist, all with different backgrounds, have found ways to bring Orientalist views into questioning and tried to better represent themselves and the Asian-American community. Dumbfounded, Mary Im, and the trio Iijima, Miyamoto, and Chin have all challenged Orientalist
Imperialism is a policy used by political leaders to extend their authority over foreign entities as a means of acquiring and maintaining empires. The extension of authority would create an opportunity for the imperialists to exercise political and economic control on other countries. George Orwell argues against the taste of imperialism and its abuse of power in his narrative “Shooting an Elephant”. It is essential to show concern in resolving racial discrimination because of the integrity and viability of individuals. Imperialism involves exploitation of the natives, the oppressed and squeezing them to from different angles for example restricting the freedom of the oppressed. George Orwell expresses anger and disgust against any kind of oppression and tyranny to the less advantaged individuals (Alam and Sarwar, 55). The imperialists burdened the poor natives by inflicting on them hatred and torment. The imperialists considered the Asians as culturally inferior as they humiliate and subjugate them as racially inferior individuals. George Orwell desired to rescue the poor natives from the exploitations by the imperialists (Doyle and James, 15). The Orwell’s narrative “Shooting an elephant” is a demonstration of George Orwell’s argument against the taste of empire-building and its abuse on the poor natives.
He frames the sketch of this imagined community of ‘civilization’ through Orientalism concept, where the superior ‘civilized world’ is being threatened by ‘enemies’. As he puts it, this ‘Civilization’ will be defended by ‘We’ who are waging a war to save it. Therefore, the two actors are the traditional components of ‘us’ and ‘them’, as can be deduced from the following statements by him:
The quote that stuck out most to me from the preface is actually a question on page xxi, “Twenty-five years after its publication, Orientalism once again raises the question of whether modern imperialism
Ricci was born in 1552 and has written accounts of his immersion during his mission in Ming dynasty China. Historian Nigel Cameron, had documented thirteen centuries of European travels to China, which included Matteo Ricci’s travels as well. According to Cameron, Matteo Ricci was “the only one to whom the Chinese accorded unreservedly their respect as a scholar in their own language and literature.” So It seems that there is a more effective way of grasping a full if not some understanding of the cultural dynamics of China. Now especially with regards to the comprehension of different cultures it may be hard to do so through the Euro-lense or through a European methodological way of interpretation. Explaining and comprehending the Chinese culture through the English language may result in failure. Even Matteo Ricci, admitted that the Chinese language “is totally different from Greek or German.” Western historians have misinterpreted non-West histories, in fact it is common. But, to what extent does this misinterpretation lie? It lies with the teleological
Imperialism, the expansion of one country into other inhabited lands, has a long and winding history across the globe. Like all institutions, it has drawn the eye of thinkers and authors, notably Mark Twain, George Orwell, and Rudyard Kipling, each having written on the topic in one form or another. By viewing a selection of their works, the reader can begin to see that, despite it being ethically reprehensible, imperialism became widespread due to social nationalism (Elephant), strong religious views (Prayer), and economic need for growing industrial nations (Burden).
One of the things that also affect the development of literary work is Orientalism. Orientalism is one of colonial ideologies which can be found in literary work which can show author’s colonial
Stuart Hall’s work introduces readers to the discourse of “the West and the Rest”, and outlines how the “system of representation” it provides serves to validate the power of the Western world (186). He highlights how the dissemination of discourse about Western superiority and the comparative “otherness” of the non-Western world work to maintain power hierarchies. Hall pinpoints several historical events, from the Crusades to colonisation, as instrumental in forming a Western identity through opposition to “the
The ground breaking text Orientalism written by Edward Said widened the arena for the post-colonial thinkers to consider the text with a new mechanism in Third World context. Orientalism has developed a purported approach of binary opposition to dismantling the East/West dualism in relation to Eurocentric edifice. The focal point of Said’s study is the ‘West’ and its observation of the ‘East’. The former having all positive traits: white, brave, dynamic, civilized, cultured, educated, rich of the ‘Empire’ identifies the ‘Eastern countries’ as the ‘Other’ with all the negative attributes: black, coward, static, barbaric, natural, uneducated poor people of the ‘Colony’-subjected to their contempt. The post –colonial
In his Introduction to Orientalism, Edward Said asserts that the “Orient has helped to define Europe as its contrasting image, idea, personality, experience,” (71). Therefore, in Season of Migration to the
“...Orientalism is not so innocent a form of knowledge as this. Instead, he redefines Orientalism as the ubiquity of a sense of the division of the world into two spheres in aesthetic production, popular culture, and scholarly, sociological, and historical texts. In other words, he is suggesting that the concept of difference between east and west is a geopolitical difference which is written up throughout the texts of western culture whether through travel writing, political texts, paintings, or in academic discussions” (Sharp 2009, 31).