This report is presented by archaeologist Annabelle Green who excavated an Oriental amphora in Corinth, Greece in 2012. The amphora demonstrates life in Ancient Greece such as trading arrangements between other empires influencing Ancient Grecian artists and objects. The amphora represents the Oriental period, occurring in 700-620 BCE. This is evident as illustrations of mythological animals and cartoon figures decorate all Oriental amphorae. The amphora is separated into three partitions, with three mythological animals in two segments and the bottom segment having figures offering food up to the mythological animals. The animals are decorated in patterns, coloured in darker tones. Patterns decorate the handles and the base of the amphora,
The Beaker with Ibex Motifs is a prehistoric pottery art work, found in near-perfect condition during a 1906-1908 excavation of a Susian necropolis in Susa, Iran. The Beaker with Ibex Motifs is a large vessel with dimensions at 28.90 x 16.40 cm. Used by the first inhabitants of Susa, this beaker is a the first example of a funerary item. The identity of artist is unknown, however, it is thought the beaker was created sometime between 4200 and 3500 B.C.E.
The Greek Storage Jar (Amphora) depicting man and boy was created around 550-540 BCE. It was found in Ancient Greece. The amphora storage jar is made out of terracotta and it is eleven inches in height. Then it was painted on with black and brown paint. This jars colors are used to create contrast, the lines are used to unify it, the shapes on the object are the most important part of the image and patterns are used on the jar to help fill the space on the jar. Therefore colors are used to create contrast.
The Eagle-headed Apkallu Guardian Figure is a low relief sculpture from 883-859 B.C. Assyria. Made from gypsum, this sculpture measures approximately 42 1/8 inches tall, 26 inches wide and 1 ½ inches thick. The sculpture is mounted on the wall of the dark, navy-blue painted Antiquities section of the Museum of Fine Arts Houston, dimly lit by the luminance of showcase lights. The guardian figure watches over the room as visitors pass through the archway between two exhibits of the Museum of Fine Arts Houston. In The Eagle-headed Apkallu Guardian Figure, the artist uses compositional choices, stylistic
Lastly, in 440BC, Myron created the ‘Athena and Marsyas’ sculpture. This shows great development of sculpture as an art form through how, while the change from The Kritios Boy to the Doryphorus shows more realistic changes,
When you hear of an Advanced Ancient civilization in North America, you usually think of either Mayans, Aztecs, or sometimes the Olmec. But in this paper I won’t be talking about any of those civilizations, we’ll be talking about the Native Americans that lived in the Mississippi Valley, by the Mississippi River. That have their capital not 6 miles outside of St.Louis.
The painting appeared only on front and back side. It is also red-figure, but it has a subtle yellow undertone. There is only two color on this vase black and brown. It looks much smoother and shinier than the krater. The amphora looks elongated and elegant.
Their were multiple different art works that caught my attention at the museum although through the semester it was the Roman chapter that captivated my attention the most hence forth I chose this artwork. Each piece of art present in the museum deserved their own acknowledgment respectively from the gold and marble jewelry present to the large sculptures rich in detail non stood out more to myself than The Indian Triumph of Dionysus.I found this piece of art to be appealing because there are many different people and beings within this piece of work that are well known in ancient Greek and Roman mythology. The entire piece is centered on Dionysus, yet everyone plays an important role in the overall story of the piece. Also, I found it very interesting that someone took a great interest in building a monumental sarcophagus for a man who was known for introducing wine. As Dionysus and his followers journeyed to the East to introduce wine and culture they were sometimes
In the text Black Athena by Martin Bernal, Bernal provides a contemporary and interesting perspective in relation to the discussion and examination of Ancient Greece’s development as a society as well as a culture. Throughout Black Athena, Bernal discusses the Ancient Model and Aryan Model, which are the two models that have been constructed and utilized to assist historians in understanding the reality and truth of how Ancient Greece developed to the society and culture it has become (Bernal, 1). Bernal specifies the clear distinctions when he discussing how both models have influence modern historians’ and their perceptions towards Ancient Greece; furthermore, he discusses how Ancient Greece has been examined and interpreted through the utilization of the Aryan model, which is viewing Ancient Greece as being influenced by Europeans (Bernal, 1). However, Bernal holds a completely different viewpoint on how Ancient Greece grew into the civilization it is. Through the examination of the linguistic and cultural similarities, Bernal argues the invasions by the Egyptians and the Phoenicians laid out the foundation for the development of Ancient Greek civilization and culture (Bernal, 2). In other words, he emphasizes how Ancient Greece’s development should be examine through what he calls the “Revised Ancient Model” (Bernal, 2), as he makes it evident that this model effectively shows the true and “complex reality” (Bernal, 3) of Ancient Greece.
The artworks of Mesopotamia, Ancient Egypt, the Aegean cultures, and Ancient Greece have similarities that not only reflect objects and images, but also the media, style and representation. These countries were not always wealthy, clever, creative and powerful enough to gain supplies, but they all find a way to create art with what they had. They have all influenced on each other’s cultures and belief through their artistic values and ways, ranging from the materials and tools they use, position and representation of their monuments and their religious intent.
The piece is a red-figured, wine bowl that is attributed to the Niobid Painter. It was made in Athens, Greece around 460-450 BC, and found in Altamura. Puglia, Italy (British Museum). There are two scenes on top of one another that occur in the piece. The top scene is the creation of Pandora. She is standing rigid while five of the gods are standing around her. Athena is about to put a wreath on her head. The scene below displays a frieze of dancing and playing satyrs. Because the vase is round it isn’t possible to see all the figures in the piece. But looking at the piece from the front, six gods are portrayed in the top scene. The gods in the scene from left to right are: Zeus, Poseidon, Athena, Pandora, Ares, and Hermes. The gods in the piece are identifiable because of distinguishable traits that certain characters
Brown, Peter. The World of Late Antiquity. London: Thames & Hudson, 1971 (rpt. New York: Norton, 1989).
Implications of Heracles on the Amphora In the Greek period, there was a unique cultural art. Moreover, the skills of artists and splendor of creating are literally unbelievable without any exaggeration. The art perfectly shows the detail of Greek art such as what Greek people thought about and what culture belonged to Greek people. One of the specific example is Attic Red Figure Stamnos.
I went to the Cantor Center for Visual Arts on Stanford Campus on 2/28/13. I saw a lot of sculptures and vases there. They are very beautiful and interested. The most interested one I think was Kleophon Painter, “Volute Krater”, ca. 430 BCE, Greece, red-figure terra cotta vase, size 26’ ¾” * 19’ *19’. Hazel D. Hansen Fund, 12, 1972 Cantor Arts Center at Stanford University. This vase is located in the Iris & B Gerald Cantor Center from the classical period between 479-323 BCE in Greece. The Kleophon Painter is an anonymous Athenian vase painter in red figure style. The name he is named because of a youth named “Kleophon”. He is also good at Achilles Painter; a number of “black figure” works in the mid-to-late 5th
The Constitution is a living document and should be allowed to be changed with the societies needs as long as the government follows the laws in making the changes. Our society has changed dramatically throughout the years. If we were to keep to the original Constitution, there would be slavery still today. Also, only white older men could vote. With the amendments made to the constitution now all citizen's can vote.
The understanding of the literacy for the reader is important so they become aware of the relationship between language and power. The reader must be able to evaluate what they had read and reflect on what they’ve learned from it. As for the awareness of the rhetorical situation for the the composer of the writing is important as well so they are able to to write in a manner that is unique to them and is also an effective way of conveying their message to their audience.