Othello : Tragedy At Its Finest Essay

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Othello: Tragedy at Its Finest
Tragedy in the modern impression of the word is categorized as an event causing great suffering or distress, it can come in many forms and effect people in different ways, but what constitutes a play as falling under the genre of tragedy? In the Shakespearean sense of the word, most tragic plays follow the pattern of having a hero whose fatal flaw causes his inevitable downfall ending in an untimely moment of clarity with a moral take-away. However, death is always the outcome in addition to the redemption. In the case of the play, Othello, those same factors hold true but the edition of a particularly sinister character, the observation of an unjust death, the first induction of a minority main character and a moral take-away that is less than conventional lead to the realization that this play is not your ordinary tragedy.
Surprisingly, one might say that Iago is one of the evilest antagonist of any Shakespearean tragedy. In the first scene Iago instructs his pawn Roderigo, “…Make after him, poison his delight, / proclaim him in the streets; incense her kinsmen…” (1.1.74-80). Right from the start we see Iago’s intentions are dreadful. His want to expose Desdemona to her father and corrupt the perfect image he has of his daughter are unclear and have no motive as to why Iago decides to mettle in business that is not his and be cruel. The manipulative characteristics he displays here by capitalizing on Brabantio’s negative attitude toward

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