Othello: Tragedy at Its Finest
Tragedy in the modern impression of the word is categorized as an event causing great suffering or distress, it can come in many forms and effect people in different ways, but what constitutes a play as falling under the genre of tragedy? In the Shakespearean sense of the word, most tragic plays follow the pattern of having a hero whose fatal flaw causes his inevitable downfall ending in an untimely moment of clarity with a moral take-away. However, death is always the outcome in addition to the redemption. In the case of the play, Othello, those same factors hold true but the edition of a particularly sinister character, the observation of an unjust death, the first induction of a minority main character and a moral take-away that is less than conventional lead to the realization that this play is not your ordinary tragedy.
Surprisingly, one might say that Iago is one of the evilest antagonist of any Shakespearean tragedy. In the first scene Iago instructs his pawn Roderigo, “…Make after him, poison his delight, / proclaim him in the streets; incense her kinsmen…” (1.1.74-80). Right from the start we see Iago’s intentions are dreadful. His want to expose Desdemona to her father and corrupt the perfect image he has of his daughter are unclear and have no motive as to why Iago decides to mettle in business that is not his and be cruel. The manipulative characteristics he displays here by capitalizing on Brabantio’s negative attitude toward
Set in 16th century Venice, Othello, by William Shakespeare, explores the idea of an outsider from the very beginning of the play. Shakespeare uses Othello, a black army general, to explore the relationship of an outsider in high Venetian society using a variety of approaches. The reader sees characters consistently referring to Othello in derogatory and demeaning terms, as well as frequent implications that Othello is scarcely human. Further exploration of an outsider in society comes from Othello himself, as he outlines a few of the major differences that set him and the community apart.
There are many opposing views to the way that Othello is defined within Shakespeare's The Tragedy of Othello. Some suggest that Othello is a savage "Moor," and at no point is he the noble "Venetian" he attempts to portray himself as. Others suggest that Othello is the noble "Venetian" he portrays himself as, and his ultimate demise stems directly from Iago being a savage. Yet some agree that Othello is both the noble "Venetian" and the savage "Moor," unable to fully interpolate himself into the "Venetian" paradigm, but becoming, rather, a "noble savage."
The Bible points to proof that Jesus was fully human. Throughout scripture we see evidence of him sharing the same characteristics of other humans. For example, although his conception was rather miraculous (Matthew 1:18 ESV) he was born into the world the same way as any other human has been (Luke 2:4-7 ESV). Once he was born Jesus was physically the same as any other human, he grew as others, he suffered pain (1 Peter 4:1 ESV), hunger (Matthew 4:2 ESV) and sorrow as others (Mark 3:5 ESV). Jesus was tempted by sin just as any other human (Luke 4:2 ESV). Jesus even died in the same way that others would die if they were crucified (Luke 23:44-46 ESV). He was even seen through the eyes of most people as fully human, being referred to as Jesus of Nazareth indicating that he was raised from that town (John 18:5 ESV).
The American public seems to be aware of the issue in general, but is short of the details. There has certainly been a healthy amount of media coverage of immigration reform, but as the coverage itself is unclear as to how best to frame the problems, it mostly informs about the existence of the issue rather than informing about the issue itself. As such, there is conflicting public opinion about the issue. This mirrors the views of politicians. This could be the result of the fact that immigration reform is often framed as a singular issue when it is not. Immigration reform is an omnibus issue – a series of issues that are all loosely related to one another. There is little real connection between the H-1B visa issue and the undocumented immigrant issue. If the public and the politicians are slightly confused about immigration reform, the framing of multiple issues as a single one is part of the problem.
Inside each of us, there is a seed of good and evil since it is a constant struggle for us to
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s
In William Shakespeare’s Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by the characters. Othello is first shown as a hero of war and a man of great pride and courage. As the play continues, his character begins to deteriorate and become less noble. Chronologically through the play, Othello’s character
The play “Othello” by William Shakespeare was written in 1604 during the Elizabeth era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success in the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that causes his downfall is jealousy. This was brought on by a simple persuasion of Iago, the evil character in the play. Even though Iago used extreme manipulation to get Othello to be jealous, Iago did not really have to try very hard to get Othello in a jealous state of mind. Othello was blinded by his jealousy which
Shakespeare has been known to create terrific tales of love and tragedy. Even James Van Der Beek, a well known actor from Dawson's Creek, once commented that, “like all great romantics, Shakespeare realized love was a lot more likely to end with a bunch of dead Danish people than with a kiss”("Americans on the Bard"). This emphasizes how easily people can relate Shakespeare to tragic love. Although he did write many poems and plays with happy endings, his tragedies stand out the most. In these tragedies, people are often led through use of misconception, trickery, or both. An example of misconception can be shown by another of Shakespeare's plays, “Antony and Cleopatra,” as he wrote for Antony's part, “this foul Egyptian hath betrayed
In Shakespeare?s play Othello, Othello himself is the tragic hero. He is an individual of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single person, but is rather the consequence of a wide range of feelings, judgments, misjudgments, and attempts for personal justification revealed by the characters.
Shakespeare's play, “Othello, the Moor of Venice,” is a powerful example of a tragedy and it’s main character, Othello, is an excellent illustration of what Aristotle constitutes as a tragic hero. The play imitates life through basic human emotions such as jealousy and rage. In addition, Othello is far from being a perfect character - another quality that meets Aristotle's requirements. Othello also matches Aristotle's ideas of tragic hero because our Othello realizes the error of his ways, causing us to feel sympathy for him. If we carefully examine the third scene in the third act, we can see how Othello fits into Aristotle's definition of tragic hero. This passage reveals how much Othello has deteriorated as far as his ability to reason
Tragedy is a common genre in many plays especially in Shakespeare works. A tragedy is a play that has a catastrophic event that ends with an unhappy ending or the main
In the play Othello, jealousy is shown to be very evident through the actions of the characters. Jealousy is an emotion that everyone shares, and it is ultimately responsible for the tragic ending of the play. Everyone feels jealous at certain times of their lives, and this feeling can cause people to do irrational things. This human emotion also shows people to be weak in the sense that they are never happy with what they have. Shakespeare shows through Othello, Iago, Roderigo, and Brabantio that jealousy is the most corrupt and destructive emotion.
Othello is a tragic hero because of his greatnesses and his weaknesses. He is a noble man who possesses all the qualities of a military leader, which he is. He has control over himself and shows courage as well as dignity. Just as Othello is a virtuous man there are some flaws within him, these flaws complete him ff as a tragic hero. Othello is often blinded by trust and can not see a person for who they really are. He trusts the people around him even when they mean to afflict harm upon him. Through this, it can be seen why Othello is one of the most tragic hero out of all the characters from Shakespeare’s many plays.
Othello, a play that was written in 1604 by William Shakespeare, is an example of a type of story called a “tragedy.” Throughout the course of the work, Othello proves himself to be very easily misled, despite his heroic status. This causes him to lose his ability to make good judgments and decisions. Even though Othello had a reputation as a hero, he ends up being one of the most gullible characters in the play when he completely falls into the evil trap that Iago set for him. As the story unfolds Othello’s character evolves in an extremely tragic way as Iago manipulates him and leaves him to rot in his misery. Eventually, this leads to Othello’s suicide.