Set in 16th century Venice, Othello, by William Shakespeare, explores the idea of an outsider from the very beginning of the play. Shakespeare uses Othello, a black army general, to explore the relationship of an outsider in high Venetian society using a variety of approaches. The reader sees characters consistently referring to Othello in derogatory and demeaning terms, as well as frequent implications that Othello is scarcely human. Further exploration of an outsider in society comes from Othello himself, as he outlines a few of the major differences that set him and the community apart.
Throughout the first act, a host of disparaging and select terms are used to describe Othello by a number of different characters. Referred to as
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Another suggestion that Othello is not a normal being comes when Brabantio accuses him of bewitching his daughter: (to Othello) ‘That thou hast practised on her with foul charms/ Abused her delicate youth with drugs and minerals.” Indicating that Othello dabbles in supernatural forces, the implication appears again that he belongs to a very different race to which he lives among.
The relationship of an outsider to society is also explored through Othello himself, as he recognises the differences between him and those around him. While describing his and Desdemona’s love, Othello tells (about himself): “Rude am I in speech/ And little blessed with the soft phrase of peace.” In these words, Othello is able convey that he is a little awkward in speech, and not a smooth talker, with the unspoken understanding that others in the room are. Othello goes on, “For since these arms of mine had seven years pith/ Till now some nine moons wasted/ …in the tented field/ … little of this great world can I speak.” Here the reader learns that Othello, unlike the assortment of senators and the Duke, has spent most of his life in battle, and therefore has not had a lot of life
Othello is a loyal, honest, brave hero, and he won Desdemona’s love with his own performance and the legendary hero life; however, his low self-esteem causes his doubt for himself about his black skin, age, and manhood, his rudeness, reckless, paranoid personality seized him and
The play begins with the introduction of the confident and well-respected general of the Venetian army, Othello. This version of Othello is calm, brave, and fairly unaffected by any racial prejudices against him. He speaks with great sophistication and respect to others, which indicates both his intelligence and rationality. When he elopes with Desdemona, the
Desdemona believes that Othello is, in fact, a noble for the heroic acts that Othello has performed. As Bell suggests: "It is the heroic character Othello has made for himself that achieves his success in his wooing. He makes Desdemona put aside the prerequisites of class and race assumed for her appropriate suitor" (4). Iago,
In the beginning of the play Othello exhibits behaviors leading one to believe that he
Othello or The Moor of Venice by William Shakespeare is a tragedy of race. Shakespeare creates a hero who does not fall under a racist stereotype, Othello is a nobleman, a decorated soldier, very well respected by his men (with the exception of Iago). One of the few characteristics that harms, rather than helps him, is that he is dark-skinned in a society utterly dominated by men prejudiced against those with dark skin. At the start of the play, he appears confident that, "My parts, my title, and my perfect soul / Shall manifest me rightly." (Shakespeare, 1, 2, 36-37) But Iago makes sure to use Othello's race against him as much as possible. As a brave soldier from Africa and recently instated supreme commander of the Venetian army, Shakespeare still allows Othello to succumb to the subtle racism that surrounds him. Most of it comes forward through the dialog, and is directed toward Othello. Shakespeare makes no effort to hide this colorful language, nearly every character uses a racial slur to insult Othello at some point in the play. Even Emilia, who doesn’t trust her own husband, sinks to the level of insulting Othello based on the color of his skin. Though the main character to make racist remarks in Othello is Iago, making him a representation of white supremacy. The effect of racism on Othello is quite evident and is one of the main causes of his insecurity about his marriage. These black stereotypes show up in the play and lead to the problem with trying to produce
In William Shakespeare’s Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by the characters. Othello is first shown as a hero of war and a man of great pride and courage. As the play continues, his character begins to deteriorate and become less noble. Chronologically through the play, Othello’s character
Another term frequently used to describe Othello,“Moor,” (or “the Moor,” “his Moorship,” etc.) derived from the race of the general, is a label that clearly sets Othello apart from the white Venetians he keeps company with. Although some use it and mean no harm, when said by the likes of Iago and Brabantio, “the Moor,” turns into a racist slur, deliberately used to undermine and ostracize Othello from society. Likewise, depictions such a
Othello by William Shakespeare raises the issue of how rampant beliefs and attitudes in a society can cause a person to question their sense of self. In a society where racial equality is near non-existent, Othello, a black skinned foreigner in the Venetian society, is constantly reminded of his status as an outsider. Othello, however, is not depicted in a stereotypical manner and despite occupying a highly respected position he is often confronted with blatant racism throughout the play. The prevailing attitudes and beliefs of Venetian society towards Othello are exploited by Iago in order to manipulate Othello’s self confidence and emotional state.
“Othello” is a tragic play of jealousy, racism and struggle for power. Right from the beginning, Shakespeare has created vigorous dialogue and conflicting situations. There is a direct contrast between black and white in this play, with black meaning something negative and evil and white meaning pure and fairness. The clash between these two colours leads to severe hatred and enmity between a few people.
In late sixteenth century Europe, the vast majority of people were white. The belief that they were racially “superior” to black people was widespread. This influenced the views of Venetians in Shakespeare’s Othello, which takes place in the same era in Venice, Italy. Othello, a black man from Africa, was called upon to lead the Venetian army in a
Othello is the Cultural Other in Venetian society, and while he is very learned, it is probable that
The settings establish the mood and tone of the act. The play's opening setting of Venice symbolizes the sophisticated, wealthy, and civilized world. This is later juxtaposed by Cyprus, an isolated military outpost composed of uncivilized, uncultured people. In Venice, Othello's diction is calm, intellectual, and respectful as displayed when he addresses the Senate in Act I, scene 2: "'Most potent, grave, and reverend signiors, / My very noble, and approved good masters.'" He displays his faith in Desdemona: "'If you do find me foul in her report, / The trust, the office, I do hold of you / Not only take away, but let your sentence / Even fall upon my life.'" However, once in Cyprus he becomes angered and short tempered and strikes Desdemona. Lodovico, a relative of Brabantio, then remarks "'My lord, this would not be believed in Venice,'" signifying the contrast between Othello of Cyprus and Othello of Venice.
Othello’s speech to Brabantio and the Duke in Act 1, Scene 3 is of major importance in describing Othello’s personality. This long speech, found in lines 149 to 196, shows Othello for the first time as a person with depth and less as a soldier. This speech is important to the book as a whole because it is a testimony to the strength of the love between Othello and Desdemona, which will later play a major role in the plot. It is also one of the first times that we see Othello trying to influence his audience with his words. The speech given by Othello is intended to convince Brabantio that Desdemona is with him willfully, and not by “spells and medicines bought of montebanks” (line 74).
In Othello, Shakespeare first presents a titular character who is the very picture of masculinity, confidence, and nobility. Othello’s appearances in the play through Act 3 show a character firmly in control of his life and world. A warrior from a distant land, Othello secretly marries the daughter of one of Venice’s leading citizens, but calmly defuses the anger this elopement produces. Though Othello is an essential military leader for Venice, he addresses his bride’s father and other critics with gentle respect, calling them “potent, grave, and reverend” (1.3.76) instead of responding defensively. Othello gently calms a difficult and troubled situation with his words. By the end of the play the sands
Now, you may wonder about Othello and how he may not fit into his world. Othello is a Black man with power from back in the sixteenth century. What kind of power? Othello is General for the Venetian Army. Thus, granting Othello power but with such power and high status, he still finds himself wanting to fit in. However, Desi is the woman he fell in love for she has accepted him for who he is and what he’s done. Othello uses this as an outlet to be accepted by all so he can use Desi as a key to unlock a new world in which he can fit in. Although, there is a man named Iago who plots a plan against him because of his dislikes Othello for not choosing him to be lieutenant of the army. Because of this Iago plots and uses Othello’s skin against him