Since the beginning of time, in most love stories, a man chases a woman after love. Society tells us that it’s a man’s job to go after a woman he loves and woo her. In Ovid’s story of “Phoebus and Daphne” the lustful Phoebus (Apollo) chases after the nymph Daphne who rejects love due to Cupid’s arrow. Centuries later, author William Shakespeare wrote A midsummer Night’s Dream where it is a woman who chases after a man. Helena is a woman in love with Demetrius yet he is in love with a woman called Hermia. In Shakespeare’s story, the typical love chase is reversed, he turned Ovid’s story around but still keeping most of the key elements, just in reversed gender roles. In Ovid’s “Phoebus and Daphne”, Phoebus was shot with an arrow …show more content…
It doesn’t matter how bad his master treats him, a dog will always be loyal and love his master. Helena also refers to Ovid’s story by saying “Run when you will. The story shall be changed: Apollo flies and Daphne holds the chase; the dove pursues the griffin; the mild hind makes speed to catch the tiger. Bootless speed when cowardice pursues and valor flies” and “We cannot fight for love as men may do, we should be wooed and were not made to woo”, this means she knows it is not modest of her to try woo Demetrius. She knows that it is a man who chases the woman, not the other way around. Ovid’s “Phoebus and Daphne” A Midsummer Night’s Dream do keep some elements alike, such as, the chase of love, and that some people would do anything for love, or like Daphne, to escape love. Even though the stories are kind of similar, they do have some different factors. Some obvious factors like the reversed gender roles, the different metaphors and how the characters pursuit love. Other factors are not so obvious like the fact that in Ovid’s story Daphne escapes love by turning into a tree which is a fantasy element, and in Shakespeare’s story, Demetrius flees Helena love by leaving her alone in the woods, which doesn't include any fantasy elements. Both stories are classical stories, and have the same main idea, the pursuit of love. How the characters pursuit love, why they do it, and the outcome of it change with the stories. We do know one thing, A Midsummer
True love’s path is paved with every step. Through the assistance of fanciful elements as well as characters Puck and Oberon, the true message of love in William Shakespeare’s A Midsummer Night’s Dream is revealed. The four lovers know the direction in which their hearts are inclined to turn, but when the love potion is administered, the bounds of their rectangle are thrashed without knowledge or consent. The rapid shifts in affection between the play’s “four lovers” is representative of the idea that love isn’t a conscious choice, but a cruel game in which we are the figurines, being controlled by whomever the player may be, relating the characters’ karmic fates.
A Midsummer Night’s Dream by Shakespeare detailed the story between warring characters. From couple conflicts to love quadrilaterals and the interference of outsiders, the story played out as a comedy, with Helena on the receiving end of a running joke. Introduced in Act One as the jealous friend of Hermia, as she was in love with Demetrius, who decided to marry Hermia despite Hermia’s love for Lysander. Hermia appears rather guilty as she confirms her distaste to Demetrius to her friend. However, her father disapproves of her relationship with Lysander. Despite her co-dependent aspirations, Helena exemplifies progressive ideals that counter the societal norms of Midsummer’s era.
Ovid's story of Pyramus and Thisbe came out a little before Shakespeare's Romeo and Juliet. Many believe because of the similarities in plot, Shakespeare's sources or influences for his story could have came from 'Pyramus and Thisbe'. In the stories, there are many similarities as there are differences.
Michael Hoffman’s 1999 film version of Shakespeare's midsummer night’s dream was able to modify the audience experience of the play. Michael Hoffman had successfully turned the play into a film and was able to show a visible expression of the characters to the audience. He had also made some changes, like the settings and made his version modernized. Though the film was based on the Shakespeare’s play, the audience’s experience is still different.
Fairies, mortals, magic, love, and hate all intertwine to make A Midsummer Night’s Dream by William Shakespeare a very enchanting tale, that takes the reader on a truly dream-like adventure. The action takes place in Athens, Greece in ancient times, but has the atmosphere of a land of fantasy and illusion which could be anywhere. The mischievousness and the emotions exhibited by characters in the play, along with their attempts to double-cross destiny, not only make the tale entertaining, but also help solidify one of the play’s major themes; that true love and it’s cleverly disguised counterparts can drive beings to do seemingly irrational things.
In A Midsummer Night’s Dream, as in many of Shakespeare's plays the main theme is love. Shakespeare presents many different aspects of love in the play. He shows how love can affect your vision of reality and make you behave in irrational ways. He presents many ways in which your behavior is affected by the different types and aspects of love. The main types of love he presents are; true love, unrequited love, sisterly love, jealous love, forced love, and parental love. Shakespeare tries to show what kinds of trouble, problems and confusion, love can get you into.
Pyramus and Thisbe and Romeo and Juliet are two tragic romance stories that are comparable in many ways. The similar concepts and elements reflected in the two works portray themes of love and tragedy, while also expressing the same types of characters and events. The works of the two writers, Ovid and Shakespeare, were written in completely different time periods, but are remarkably comparable in the senses of character purpose, elements, theme, and events.
Romeo and Juliet by William Shakespeare & Cyrano de Bergerac by Edmond Rostand are both great classic novels. They have some differences in the story, but both Romeo and Cyrano showed the readers what true love is all about. The love story of Cyrano de Bergerac is similar to the classic novel Romeo and Juliet. Both characters, Romeo and Cyrano has some similar characteristics. Both novels have a balcony scene that helped Romeo and Cyrano reveals their true feelings for their love "your name in my heart's a little bell, and as I tremble, Roxane, all the time, so all the time the bell rings your name's its echo!" (act III). Both classic novels have a tragic and sad ending too. One of the last words Cyrano said before he dies was "my panache" (act V).
Comparing a play to its movie adaptation is something that is hard to do since there is no tangible way a person can capture the original then change it to make the movie version of it up to par to the original. From the original play of A Midsummer’s Night Dream that was created by Shakespeare in the movie version of it created by Michael Hoffman, there are many similarities and differences that are in the movie some are very stark while others are very subtle differences.
At one time, Demetrius loved Helena, and then he fell in love with someone else. Initially, Demetrius had given his love to Helena: “He hailed down oaths that he was only mine, / And when this hail some heat from Hermia felt, / So he dissolved, and showers of oaths did melt” (MND 1.1.243-245). Helena loved Demetrius, and he promised to be with her forever. However once he met her friend, Hermia, Demetrius left Helena to chase after her friend. Helena’s jealousy of Demetrius’ love drives her to think about what he really wants. Helena believes that Hermia’s beauty is why Demetrius desires her. She tells Hermia, “Demetrius loves your fair”, and she goes further to say, “Were the world mine, Demetrius being bated, / The rest I’d give to be to you translated” (MND 1.1.182, 190-191). Her jealousy of Demetrius’ love has turned into jealousy of Hermia’s beauty. Helena obsesses over having Demetrius back to the point that she continuously follows him around. Demetrius is tired of Helena chasing him: “Do I entice you? Do I speak you fair?” (MND 2.1.199). Demetrius does not understand why she tries so hard to be with him when he does not even compliment her. Demetrius threatens Helena to leave him alone: “I’ll run from thee, and hide me in the brakes, / And leave thee to the mercy of wild beasts” (MND 2.1.227-228). At this point, he is beyond exhausted with Helena, and he will do anything to get away from her.
In Athens, women had very little rights. Womens fathers were the ones who got to choose whom they married, and that caused trouble for the lovers. Hermia’s father, Egeus, strongly believed in this rule. At the beginning, Egeus decides that he wants Hermia to marry Demetrius, which is good for Demetrius but bad for Hermia. Hermia, daringly refuses her father’s wishes, so they seek the help of Theseus, the Duke of Athens. Theseus listens to their situation, and being the authority in the situation, tells Hermia: “Either to die the death, or to abjure for the society of men. Therefore, fair Hermia,... if you yield not to your father’s choice, you can endure the livery of a nun...”(24). This shows how authority, in this case the law, gets in the way of “the course of true love…”(28). Egeus’s decision to have Hermia marry Demetrius does not only affect Hermia but also affects Helena. When Hermia’s father chooses Demetris to be her
Shakespeare’s usage of metaphor and simile in A Midsummer Night’s Dream is best understood as an attempt to provide some useful context for relationships and emotions, most often love and friendship, or the lack thereof. One example of such a usage is in Act 3, Scene 2 of the play. Here, the two Athenian couples wake up in the forest and fall under the effects of the flower, thus confusing the romantic relationships between them. Hermia comes to find her Lysander has fallen for Helena. Hermia suspects that the two have both conspired against her in some cruel joke, and begins lashing out against Helena. She says “We, Hermia, like two artificial gods, / Have with our needles created both one flower, / Both one sampler sitting on one cushion, / Both warbling of one song, both in one key; / As if our hands, our sides, voices, and minds, / Had been incorporate. So we grew together, / Like a double cherry, seeming parted; / But yet a union in partition / Two lovely berries moulded on one stem: / So, with two seeming bodies, but one heart; / Two of the first, like coats in heraldry, / Due but to one, and crowned with one crest.” (Shakespeare 2.3.206-13). Shakespeare writes this list of vibrant metaphors to establish the prior relationship between these two characters and to make it evident how affected Helena is by this unexpected turn of events, as well as to add a greater range of emotion to the comedy, thereby lending it more literary and popular appeal.
Despite their creation being centuries apart, these stories have a lot in common. The main point that is shared between the three is that children bring home a boyfriend or girlfriend that their parents do not approve of. In A Midsummer Night’s Dream, Hermia is in love with Lysander, but her father, Egeus, disapproves of this and wants her to marry Demetrius because in those times the parents had the legal final say in their children's
The supernatural world is rather distinct to that of the human world entrenched in societal standards and boundaries. Shakespeare’s play, ‘A Midsummer Night’s Dream’, explores this concept, particularly through the use of Puck. In agreement to Harold Bloom’s statement, the following essay will analyse how Puck is significant because, by being so disparate, he is able to show the limitations of the human. This will be done through, first, exploring a definition of the human in relation to the supernatural. Subsequently, the essay will use a Freudian lense to analyse the morality of Puck and, lastly, the essay will focus on Puck’s physical characteristics as well as his ability to span across boundaries in the play and the metatheatrical realm.
Throughout history literature has changed into many different forms and styles, it has also stayed the same in many different ways, literary techniques and elements are key to a good piece of writing, a perfect example that shows us just this is in, A Midsummer Nights Dream, where we will further explore the different literary elements that were used most notably the plot. The plot of a story lays out the foundation and the background for the entire play to come, we'll compare and contrast this element and look at the different sub elements which are produced. We will define similarities and difference in these elements form both the play o the film. Taking a look at things such as climax, play incidents, and the conflict will all give us