Pablo Picasso Research Paper

Pablo Picasso’s Les Demoiselles D’Avignon is considered by many to be a revolutionary breakthrough in the history of modern art. Demoiselles is a “great manifesto of modernist painting” as Picasso had abandoned all known form of traditional art, a radical break from the Western tradition that very much led to the Cubism movement (Bishop, 2002). What made Demoiselles revolutionary was that "in it Picasso broke away from the two central characteristics of European painting since the Renaissance: the classical norm for the human figure, and the spatial illusionism of one-point perspective" (Fry, 1966). Cubism had “destroyed […] the realist conventions for three-dimensional perspective which had been dominant in art since the Renaissance” (Butler, 2010). While generally credited as the first Cubist painting, art historians such as John Golding have argued that it was only a “starting point for the history of Cubism” (1958). Indeed, the picture predicates key characteristics of Cubism like the distortion and break down of objects and figures into distinct shapes, rather than being itself a Cubist painting. This analysis will concentrate on the elements of Cubism in Demoiselles and how it led to the movement.

Pablo Picasso arrived in Paris in the year 1900 at the age of just 19, and within a few years he became a well-known artist and a dominating figure in the world of modern art movement. The one piece of art that he produced in 1906 through 1907 was the Les Demoiselles d’Avignon and would change the word of art forever. This became the piece art that helped launch Cubism and a whole new artistic expression. Because of this art and many other, Pablo Picasso has become one of the most important figure of 20th century, in terms of art, and art movements that occurred over this period. This Spanish born artist had a distinct style and eye for artistic creation. There had been no other artists, prior to Picasso, who had such an impact on the art world. Although his art career spanned over a 7 decade period, Pablo Picasso

Picasso's innovations expanded our minds and actually went to the art. His work has influenced many art and research not only in the art world, but also influenced the sculpture, architecture and music. The CUBIST movement revolutionized many of the world's features. This has provoked a new thinking process, which leads to a new style and deep in the sense. It changed the way to see the world. Picasso's Cubism is trusted as the greatest break in the art history since the Renaissance revolution. The Picasso artist's "rules" gave to the people. His analytical cubism transformed the paintings from a single perspective to many perspectives and broke geometric shapes. His later cubism, Synthetic Cubism it’s developed by use of daily

“In Cubism paintings, objects are broken apart and reassembled in an abstracted form, highlighting their composite geometric shapes and depicting them from multiple, simultaneous viewpoints in order to create physics defying, collage- like effects” (Biography.com Editors). This innovative art form was very diverse from any other and he was able to create an unseen theme resulting in the new style, Cubism. As said in this article, “Pablo Picasso is most known for instruction of cubism, and modern approach to painting. Which set forth the movements to follow in the twentieth century” (Pablo Picasso and His Paintings). They were two different forms of cubism that were created, analytical and collage, by Picasso and Baroque. Each type focused on the composition of different ideas combined into one piece of artwork. Analytical, the first form of cubism, was the breaking down but put together form of Pablo’s new art style (Pablo Picasso). An example of this division of art would be “Break and Fruit Dish on a Table”, which shows the new perspective being shown with the fruit dish. The simplicity of the geometrical shapes coming together to form a complex image was repeatedly the case for analytical

Claude Monet was the leader of impressionist painting movement. Manet, Cezanne, Degas, Morisot, Pissarro, Renoir, and Alfred Sisley, gave art the ability to

Pablo Picasso is one of the most famous and well-documented artists of the twentieth century. Picasso, unlike most painters, is even more special because he did not confine himself to canvas, but also produced sculpture, poetry, and ceramics in profusion. Although much is known about this genius, there is still a lust after more knowledge concerning Picasso, his life and the creative forces that motivated him. This information can be obtained only through a careful study of the events that played out during his lifetime and the ways in which they manifested themselves in his

In 1853 Vincent Van Gogh was born into a loving family. He got everything he wanted from his parents, since he was an only child. His dad worked for an oil company. He was a manager and wasn’t around very much. His mom on the other hand didn’t work and was with Vincent all the time. By the time he was 10 years old, his dad moved his family to France so they could have a better life.

Vincent Willem van Gogh is considered as one of the most renowned artist/painter in history, but like many others, his legacy and talent was brought to light after his death. While suffering from mental illness and poverty throughout his life, he was still able to capture the essence of beauty and color through his expressionistic, abstract technique as well as influence in Japanese art. His works accumulate to 2,100, consisting of 860 oil paintings, and more than 1,300 watercolor, drawings, and sketches. Van Gogh, being a post-impressionist artist, is stated to be the greatest Dutch painter after Rembrandt. Van Gogh’s work is now recognized by many; from his art being sold for little to nothing, is now sold for millions.

Pablo Picasso is a legacy, known for his works of paintings, sculptures, collages, drawings, etchings, and ceramics. He is a Spanish born artist who eventually moved to France in 1900 where he the rest of his life. Picasso is one of the most known artists in the world of modern art with the most distinct and recognizable style.

Vincent Van Gogh did not become famous until after his death at the age of 37 in July of 1890. He was born in March of 1853. Van Gogh would be known as a troublesome boy who kept to himself and went on long walks through the country side. His mother Anna Cornelia Carbentus and Father Theodorus (Dorus) Van Gogh struggled to understand their eldest son, this constant struggle would shape their relationship and Van Gogh’s life for years to come.

The painting shows five women naked with flat figures, disintegrated planes and faces, inspired by African masks. The compacted space the figures occupy appears to project forward in jagged shards; a fiercely pointed slice of melon in the still life of fruit at the bottom of the composition teeters on an impossibly upturned table top. In this painting, Picasso makes a radical departure from traditional European painting by adaptation of Primitivism and abandonment of perspective in goodwill of a level two-dimensional picture of a plane.

Picasso’s Guernica will be perceived as “violent, dynamic, vital, disturbing” (Walton 1970, 347). But perceived as belonging to the category of “guernicas”—where guernicas are works with “surfaces with the colors and shapes of Picasso’s Guernica, but the surfaces are molded to protrude from the wall like relief maps of different kinds of terrain”. Picasso’s Guernica will be perceived not as violent and dynamic, but as “cold, stark, lifeless, or serene and restful, or perhaps bland, dull, boring”. (Walton 1970, 347). That Picasso’s Guernica can be perceived both as violent and dynamic and as not violent and not dynamic might be thought to imply that there is no fact of the matter whether it is violent and dynamic. But this implication holds

Les Demoiselles d’Avignon was painted in 1907 and translates to The Young Ladies of Avignon, a brothel. He returned to Cézanne's color palette with browns and blues to tone down the joy that is in Matisse's painting. And he made the women the main focus by closing them in by the world around them. While Matisse used open space, Picasso made the background come to the foreground with no perspective being used at all, this makes the painting look flat and the ladies become the focus. The figures are also very angular and do not show off a sensual human body like Matisse does.

Oil on wood panel, “Honey is Sweeter than Blood” was one of the first studies and attempts by Salvador Dali to move from Cubism to Surrealism. (Pixtot, A. “Presentation of the latest”, 1). The painting has a disturbing meaning of portraying the female body in a state of decay, connected to the present prostitution in Paris at the time. The symmetrical perspective is simple but effective, by using the naked female body as a center of focus. Color is on a high hue rich in blues and limited to a high contrast chiaroscuro skin tones over the background washed out skies. Psychological obsessions and struggle with preoccupations of decadence, death, sexual obscenities and immoralities were present in his works.

(“Pablo Picasso and His Paintings”) Many people, such as ourtextbook author Sayre, have indicated this work was notorious, and “an assault on the idea ofpainting as it had always been understood.” (454) But it’s for this exact reason that I, personally,don’t care much for the work.To me, the beauty of art is in how an artist captures the subject and highlights aperspective. When the subject is symbolized and represented so abstractly, it provides a verydifferent perspective and I don’t care for it. In many ways, I’m like many of the viewers of LesDemoiselles d 'Avignon, who were disturbed by the work. (Sayre 454) However, I appreciatewhat Picasso was able to do, and understand the rationale. It’s just not my taste.Picasso clearly saw art in a different way. His emphasis was to view art less from theliteral perspective of what we see, to what these symbols represent. His radical departure fromtraditional European painting made it appear as though the art world had collapsed on release ofLes Demoiselles d 'Avignon. He abandoned known form and representation, resulting in what’sbeen called the most innovative painting in modern art history. (“Pablo Picasso and HisPaintings”)One of the steps he took to