To stay or not to stay? That is the question. There are many people who are debating the true home of the Parthenon Marbles. Some believe the sculptures should stay in the British Museum whereas others believe it should go back to Greece where it originally belonged. I do believe the British Museum should return the Parthenon Marbles to Greece because Lord Elgin did not obtain the marbles legally, Greece can now take care of the sculptures, and it would not force other museums to return artworks in which they originated. Firstly, there has been controversy over whether or not Lord Elgin took the sculptures legally. I believe that he in fact did not take them legally because when he was asked for the papers validating the removal of the sculptures, he did not have them but instead he gave a vague translation in Italian (1). Therefore, it is uncertain whether or not he told the truth or told people what they needed to hear in order for him to acquire and sell the sculptures. Not only did Lord Elgin not provide legal documentation …show more content…
The return of the Parthenon Marbles is not the first case of a museum returning artworks to their country of origin; in fact the Wright Brothers’ aircraft and the Ethiopian Manuscripts are a few which have been returned (6). The side for returning the sculptures argues that the return of these objects did not disrupt or change big museums (6). It is not a matter of preserving and keeping big museums the center of the world, it is a matter of ethics and giving countries what is rightfully theirs. The opposing side argues that if the Parthenon Marbles were removed from the British Museum, museums all over the world would be forced to return other artworks from where they originated (5). They argue that the concept of a museum, which means collecting object and artworks from different locations, would be lost
Building the Parthenon was a greater feat than they ever would have known. Work on the Parthenon began in 477 BC. A much smaller shrine already stood on this site, one to which we can attribute various pieces of surviving decorative material--lions and snakes, a cornice incised with flying birds, and a blue-bearded trinity that may conceivably represent Cecrops, Erechtheus, and Poseidon. If such an edifice in fact existed, it was torn down to make way for a huge limestone platform, roughly 252 by 103 feet in size, that was built as a base for the new temple. The slope of the Acropolis was such that while on the north side the foundations rested directly on bedrocks, the southeast corner needed to be built up with no
In the second story that I’ve read called Museums Preserve the Cultures of The World says that “sometimes museums agree that it is appropriate to return these items, but sometimes the other museums don’t return the items back to the right museums that
Historic treasures and artifacts are often donated to or purchased by other nations to place in their museums. Often museums are given the objects with full cooperation from the originating country, but sometimes they are stolen or given for protection such as in a time of war. When nations want the artifacts returned it can cause a disagreement with the other nations of who the rightful owner is.
Therefore, the Greece government demands for their Elgin Marbles or the Parthenon Sculptures to be send back to their rightful home, Greece. In the modern days the argument has arisen about weather or not they should return the Elgin Marbles to Greece? In my opinion, I think that it should remain
As I mentioned, this is an extremely controversial topic that has raised a lot of difference in opinions. Furthermore, I must admit that those arguing for the sculptures to remain in Britain do make some interesting points that plenty of people have taken into consideration. One of their arguments is that the sculptures were already in a damaged and fragile condition, and leaving them in Greece would have destroyed them completely (‘The Parthenon Marbles: Refuting the Arguments”, par 6). In the YouTube video, “Parthenon Marbles Debate ", one of Tristam Hunt’s arguments is if the Greeks are able to acquire their historic artwork, this may cause other countries to demand their historic artifacts as well, not just from the British Museum, but from museums all over the world as well. I can see the counter arguments that this controversy issue involves. However, regardless of whether they were in a horrible condition, the Greeks were never consulted, nor did they have a say regarding the selling of this artwork to Elgin. Now, when it comes to everyone claiming and demanding they receive their ancient artwork, like historian Hunt said; this is true. It can happen, but I don't believe that any other artifacts have the amount of significance that these sculptures do. The Greeks worked their hearts
Ancient artifacts are the symbols of human civilization. All of them are priceless and cannot be measured by currency value. Repatriate is a controversial problem because of the various reasons. For instance, the aggressor took all of the captures back to their home countries and showed them to the public, during the war. Voyagers took other countries’ artifact to prove they had been in that place. Archeologists, anthropologists, and scientists took the antiquities back to their university for research. Politicians used the regulation to move away a relic as decrease the power of a competitor. Thieves had stolen someone’s important items or expensive objects in a tomb in order to sell to the private collectors. It can’t be right to steal the items that belong to other people. When the owner found out the items were stolen, and then they hoped they could get them back. That was how repatriated started. Some antiquities were transported to the country that they do not belong to. Thus, there are some people think those ancient artifacts should be returned to the original country because it involves moral issues. However, some people think they shouldn’t be returned because they are the spoils of the wars. Most antiquities were looted from other places, which are showed in the museum. So which countries do they belong to? However, In my opinion, museums don’t have to return the antiquities to the original
The Athenian Greeks at the height of their power built a temple called the Parthenon which was a monument to their core values of perfectionism, humanism, and rationalism. It is important to understand that the human eye has imperfections which deceive the mind, so one can understand the unique steps that were taken to achieve the illusion of perfection to the human eye. The Greeks loved perfection, and as seen in the Parthenon, the Greek architects purposely made the Parthenon imperfect to account for the imperfections in the human eye. This was done so that when one views the Parthenon with the naked eye, it appears to be perfectly symmetrical, straight, and proportional. The entire Parthenon does not have a single right angle. An example of the Greeks compensating for the imperfections of the human eye is seen in the base of the Parthenon, which from a picture or in real life looks perfectly straight, but in reality it is actually curved slightly upward. It is curved because the Greeks knew that if you have a perfectly flat base for a building, it appears curved to the human eye. To account for that, the Greeks made it so that the base was already curved. The Greeks also curved the columns of the Parthenon inward, because if the columns were straight, it would appear to be curving outward. Again, the Greeks knew about how the human eye deceives the mind, and decided that they must trick the eye to please the mind. This was all done because the Greeks strived for
“Who Owns the Elgin Marbles?” this question continues to linger in some minds today, and just so happens to be reviewed in the respectfully titled article written by John Henry Merryman in 1986. In this article, Merryman, in the most unbiased way possible, assesses both Britain’s and Greece’s side of the argument pertaining to the ownership of the Elgin Marbles and whether they should be returned to Greece after being removed from the Parthenon by Lord Elgin in the early 19th century. Within the article, the main points discussed regard the morality and legality of the removal of the marbles. Merryman goes on to discuss three more main concerns dealing with the marbles and where they belong:
The philosophical ideas of Plato that relate to the Parthenon include whether the structure is an element of the Visible World or the Intelligible World. In my opinion, Plato would view the Parthenon as an object in the Visible World. The Parthenon is a one of a kind monument that is tangible and exists in our real world. The Parthenon is an architectural project and deals with forms of science and mathematics. Plato's view of science and mathematics are categorized as forms in the Intelligible World, which are intangible. Through analysis of illusory tactics, the Tripartite Soul, the simile of the line, and the artistic qualities of architecture, Plato's, as well as my view of the Parthenon will become evident.
The ancient Greek civilization contributed many great new ideas and aspects to everyday life that shaped and inspired the modern day society. The Greeks are well known for their construction of temples, acropolis’ and other grand architectural structures. Among these structures stood one of the most famous, the Parthenon. The Parthenon was a symbol of Greek society and culture as it stood as one of Greece’s most important architectural buildings.
The philosophical ideas of Plato that relate to the Parthenon include whether the structure is an element of the Visible World or the Intelligible World. In my opinion, Plato would view the Parthenon as an object in the Visible World. The Parthenon is a one of a kind monument that is tangible and exists in our real world. The Parthenon is an architectural project and deals with forms of science and mathematics. Plato's view of science and mathematics are categorized as forms in the Intelligible World, which are intangible. Through analysis of illusory tactics, the Tripartite Soul, the simile of the line, and the artistic qualities of architecture, Plato's, as well as my view of the Parthenon will become
The Elgin Marbles is a culturally important piece of history for Greece. Having said this, it is important that the British museum focuses on being fair and follows the steps taken by other countries to return the items taken from Acropolis. By returning the item, the British Museum will simply be showing a form of peace and will help in attaining a positive outcome.
The controversy began almost one hundred years ago. Between 1801 and 1812, Thomas Bruce, 7th Earl of Elgin and British Ambassador to the Ottoman Empire, removed several sculptures from the Parthenon in Athens and shipped them to England, where he sold them to the British Museum in 1816. 167 years later, Melina Mercouri, Greek Minister of Culture, requested that the “Elgin” Marbles be returned. This request sparked one of the greatest debates the art world has ever known. For the past two decades, people have argued over who has the rights to these Marbles. The Greek position is certainly understandable from a cultural and emotional point of view. However, from the standpoint of
The marble figures were passionately crafted for religious and cultural purposes, which presents the argument of preserving the religious icons of the Grecian peoples. However, the principle of cultural nativism is not being infringed upon by the British because of the acknowledgement that the marbles originate from Greece. These marvelous works of art can be appreciated while also being protected and preserved at the British Museum instead of being exposed to the elements at the Parthenon. In contrast to this view, Robert browning structures his view on the topic by presenting the cases of cultural property and integrity. On the argument of cultural property, Browning states that the Earl of Elgin’s intentions for the removal of the sculptures are irrelevant to the argument and the legality of his actions should be the main point of this argument. However, Browning suggests that the past cannot be undone, but can be rectified by the Parliament after a debate in front of the House of Lords. This informed debate will also have to take into account of the integrity of the continued British ownership of the Greek religious
In contrast to what I believe, other individuals would counter my belief. One counter argument I could receive from other individuals would be that the Parthenon is missing the Elgin marbles which is a very significant piece for their culture, since it represents their goddess Athena. Others would argue that the sculpture looks incomplete without its Elgin marbles (Elgin), so therefore the British museum should return the Elgin marbles to Athens. According to the British Museum (2015),