Pathos In Antigone

THESIS: In Sophocles’s Antigone, Creon is shown as an immoral character through his actions towards his family; however in the end, he realizes his faults, so the audience empathizes with him.

The first specification for the tragic hero is one of the few that both Antigone and Creon exhibit; both characters are between the extremes of perfect morality and pure villainy. Antigone’s moral neutrality is illustrated through her noble intentions and the unorthodox way she acts upon them. When she is confronted by Creon and demanded to give an explanation for her disobedience, Antigone says, “For me it was not Zeus who made that order. Nor did that Justice who lives with the gods below mark out such laws to hold among mankind” (Sophocles 207 ll. 450-2). Along with love and loyalty to her brother, Antigone is largely motivated by her desire for justice and appeasement of the gods. While her intentions are noble, Antigone’s actions in the

While Antigone’s act of civil disobedience against King Creon is admirable, it was not enough. Her actions were carried out carelessly and hastily, ultimately leading to her demise. The reasoning behind her stance was selfish in the way that she was not defending those that fear locked up their tongue or the “do-nothingers” concerning injustice. She stood up to the king for personal matters concerning her family drama. The combination of her actions,

Antigone’s words, actions and ideas contrast with Creon’s characters to the point of these two characters having conflicting motivations. These Conflicting motivations cause the characteristics of abomination, discourteous, and egocentric to be highlighted within Creon’s character. Ultimately, these conflicting motivations develop Creon a tragic hero by his downfalls, how he’s been aggressive, and also when Haemon and Antigone killed their selves.

Even though Antigone exhibits a blamable pride and a hunger for glory, her disobedience is less serious than those of Creon. It is evident that Antigone’s actions are driven by a love for her brother, and a desire to please the gods. While Creon’s actions are

It is important to discuss Antigone’s point of view on the situation when considering the rhetorical strength of her argument. She stands by the belief that her decision to bury her brother was the right one. Her morals and past experiences have shaped this point of view. Antigone has a strong foundation of family loyalty. This is evident in almost all of her actions, the most obvious being the illegal burial of her brother. Antigone also has lingering discontent towards Creon due to the fact that he took the thrown after her father’s death. These past experience may have shaped attitudes towards Creon beyond the simple unjustness of his law.

The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.

Antigone's tragedy was a story that is unbearable, and horrific when it is fully understood in the sense of the magnitude of all of the factors that came together to form a fragile, problematic situation. The joint murder of her brothers that was committed against each other, they turned against each other, driven by the lust for power and control. An opinion about how and why the conflict began, is that megalomania was an overwhelming aspect of the provocateur. Creon’s choice between honoring one brother and leaving the other to decompose shamefully with no honor at all. The way these enabling events led to the formation of a partially self-detrimental plan by Antigone, who was appalled that a decision such as that could've even been considered, much less imposed. For her to deal with the turn of events in such a quick succession can be seen as cruel and unbearable, which is one of the aspects

Sophocles symbolizes family over authority by using Antigone and Creon to conflict each other's core beliefs, showing that Antigone is willing to die to honor the love for her family, while Creon is willing to kill to honor and enforce his own authority at any cost. As we see in the story, when Antigone's brothers die, she chooses to bury Polyneices even though she knows this will cost her her life. In the play when Antigone tells her sister what she’s going to do, ismene says, ”But think of the danger! Think what Creon will do! ANTIGONE: Creon is not enough to stand in my way” This shows Antigone represents family for the great lengths she will go to to honor her brother. By contrast, Sophocles paints Creon to symbolize authority through murder of his own bloodline. In the play he plans to kill Antigone for choosing her love for her brother over his rule, and so he plans out her execution although she is family to Creon. The Choragos asks Creon “Do you really intend to steal this girl from your son?,” which then he responds by saying “No; Death will do that for me.” Which shows the reader that Creon is unsympathetic to who Antigone is in relation to him. He disregards the importance of family to uphold his authoritative values. By the end of the play the author has shown us Creon has come to realize his ways have cost him his family, and he regrets his decisions.

A stubborn man may rule the land, but what's in the hearts of his people will shift what's in his beloved’s hands. King Creon’s ego will be overturned when his family’s lives begin to diminish all for his own selfishness when justifying laws. As seen in Antigone by Sophocles, King Creon is a tragic figure that through his own stubbornness and pride, he promotes the suffering of not only his son, Haemon, but as well as Antigone herself, which shapes Creon’s character development and will function as a platform for the play’s tragedy to unveil . A tragedy is more than deaths and suffering, it's at the moment where one realizes that everything they've done has further doomed themselves.

“Zeus did not announce those laws to me. And Justice living with the gods sent no such laws for men,” (508-510) said Antigone with frustration towards Creon about the act of her burying her brother, even though it was against the law. Antigone’s words, actions, and ideas contrast with Creon’s character to the point of these two characters having conflicting motivations. These conflicting motivations cause the characteristics of stubbornness, disrespect, and anger to be highlighted within Creon’s character. Ultimately, these conflicting motivations develop Creon as a tragic hero by finding in himself that he is wrong about what should have been done with Polyneices’ corpse and the character interactions advance the plot and/or develop the theme by keeping a conflict between Antigone and Creon about who is right.

In the story, Antigone by Sophocle is a Greek tragedy whose characters misfortunes lead to their final deaths. This play is about a royal family’s cured and King Creon’s selfish ways. Antigone is a young royal lady who fights for her beliefs and defies the king’s ruling by burying her dead brother. In the end, to the king’s dismay, finds that all his loved ones, dead. Creon and Antigone differ from each other by how Antigone is loyal, beliefs, and consideration.

Throughout Antigone, Sophocles illustrates Aristotle’s definition of a tragedy by evoking pity and fear in the audience, then cleansing those emotions with a catharsis. He plays on the empathy of the audience in order to elicit an emotional response, the effects of which he relieves at the end of the work. Pity is perhaps the most prevalent emotion which the audience experiences during the play. Many situations induce pity, including the curse which plagues Antigone’s family, as demonstrated when the Chorus remarks, “I have seen this gathering sorrow from long time past/Loom upon Oedipus’s children…”

Unlike most Greek tragedies, Antigone is not essentially about the opposing powers of good and evil. Instead, the play demonstrates the conflict between one’s duty towards their family and their country and social expectations. “Antigone presents a conflict between family loyalty and loyalty to the state, between demands of the state and the will of the individual” (MacKay, 166). The king

Tyranny and immorality are key notions presented in Antigone when referring to justice. In this play, Creon is presented to be a tyrannical and irrational ruler, while Antigone rejects this system and ultimate dies because of it. Creon views leadership in a selfish, immoral manner. When speaking to his son about his rule, he states, “The state is his who rules it, so ‘tis held”