Patriarchal Pride In William Shakespeare's 'Pammer Night'

In the sixteenth century the role of women in society was very limited. Women were generally stereotyped as housewives and mothers. They were to be married, living their life providing for her husband and children. The patriarchal values of the Elizabethan times regarded women as the weaker sex.’ Men were considered the dominant gender and were treated with the utmost respect by females. Women were mainly restricted within the confines of their homes and were not allowed to go school or to university, but they could be educated at home by private tutors. Men were said to be the ones to provide for their families financially. Women were often seen as not intelligent. Property could not be titled in the name of a female within the family. Legally everything the female had belonged to her husband. Poor and middle class wives were kept very busy but rich women were not idle either. In a big house they had to organize and supervise the servants.

All throughout Illyria, there is romance, passion, royalty, and an immense amount of gender stereotypes. William Shakespeare imagines the kingdom of Illyria to have very traditional norms for both women and men in his play Twelfth Night. In Scene 2 of Act 1, Viola, recently rescued from a shipwreck, hears about a duke named Orsino and instantly comes up with a plan to get closer to him. Her plan is to disguise herself as a boy who she will name Cesario and become one of Orsino's’ attendants. Right off the bat, we begin to see gender stereotypes. Why must Viola become a man in order to work for the duke? Elizabethan society “molded women into the form of the dutiful wife and mother” (Elizabethan Women). Viola could not have served duke Orsino as a woman because as a woman she was expected to work at home and be either a “dutiful wife [or a] mother”. Scene two prepares the audience for the idea of gender throughout the rest of the play. Shakespeare's Twelfth Night is very traditional play due to its ideas of gender stereotypes in Elizabethan society.

Gender roles play a major part in interpreting plays and poems. From the Early Modern English period to the 18th century and Enlightenment to present day gender roles and how they are viewed have changed. In the first piece woman were viewed as less than men and had to maneuver around to please men. As time progresses, the second piece shows how gender roles become more equal in life. This changes through time and is shown when you read Twelfth Night by Shakespeare and "A Nocturnal Reverie" by Anne Finch.

William Shakespeare's Twelfth Night as a Feminist Play The play Twelfth Night was written in the Elizabethan days, near the end of the ruling of Queen Elizabeth I. It was also during The Renaissance, which is also the rebirth of learning, which this play was born. It was a period of change, questioning and vitality.

The love produced by Cupid’s flower serves as comedic relief in the play and can be considered to be the second form of love. The love produced by the love juice causes one to fall in love with the first living creature they see and do not seem to occupy themselves with anything that does not involve their lover. Titania enamores over Bottom once she wakes up:

Both Jeremy and Leo use their English masculinity to charm their way into Catriona’s home, and eventually her bed. As the men spend more time with Catriona, they develop a sexual relationship with her which does not read as entirely consensual. When Jeremy has sex with Catriona for the first time, he acknowledges the strength of his body and the nature in which she generously gave herself to him. Hogan describes the aftermath of the event, claiming that Catriona, “looked more like an Irish country girl after that” because she engaged in a dirty activity, further isolating her from English modesty. At this point, Jeremy’s dominance and Northern Irish blood corresponds more with England than Catriona’s, even though she grew up in England. Both Carthage and Jeremy use sex, or the result of sex, to exemplify their power over seemingly weak, Irish females.

Some critics and other readers of Shakespeare's plays argue that he treats women with disrespect. However, he actually treats them with a great amount of respect. Shakespeare has been criticized by many modern writers for his portrayal of women.

In this paper I will be discussing how both males and females were portrayed in the book The Odyssey. While reading the story I was not surprised to see that men were treated as being superior to women. First I will discuss the roles of Odysseus and Telemachus as strong male roles throughout the story. Secondly I will discuss the role of Penelope and the goddess Athena. I will provide examples showing how males were seen as superior to women. I will do my best to paint a picture of how a model Greek male and female would of behaved during this time. If there were any instances where either a male or female violated the rules of behavior according to those times, I will discuss the situation that caused them to act differently. Lastly I will

Women in today’s society feel as if they are given less power than a man and are fighting back for their rights. In his comedic romance novel, A Midsummer Night’s Dream, William Shakespeare portrays women as the weakest of the sexes. Throughout the tale, Shakespeare makes it a societal normal to treat women in this manner, which in old times, was accepted. Women in the story even see themselves as weaker than men and accept they are below them. Shakespeare’s conflict, imagery, and symbolism sets the stage for how the sexes are portrayed in this novel full of comedic irony.

Women in the sixteenth century were commonly dominated by a patriarchal society. Meaning their loyalty and respect lay amongst the men in their lives with little choice for opposition. In Othello by William Shakespeare, he portrays the role of women in a way typical to their representation in Elizabethan and Venetian society. While the women may be presented as mentally stronger than their male counterparts, the language given to these female characters suggest that they have internalized society 's expectation of them. Apart from moments of private conversation and Emilia 's reaction to Desdemona 's death, the women behave in a submission that is expected of them, believing it to be the natural way, as the men continue to downgrade and treat them as secondary citizens. Shakespeare represents this status of women through the traditional views of the male characters, moments of submission from the females, and how the women internalize this society.

Ann-Marie MacDonald’s Goodnight Desdemona (Good morningJuliet) uses intertextuality to unveil the complete Shakespearean characters of Juliet and Desdemona to reveal the feminist narrative lurking between lines of Shakespeare’s plays. Only through the intertextual re-examination of the Shakespearean text itself via the interjection of genre and the reassigning of dialogue, within the metatheatre, is the true feminist representation of the female Shakespearian characters unveiled from behind the patriarchal preconceptions. From this understanding we may read Goodnight Desdemona (Good Morning Juliet) to be true feminist reworking of Shakespeare. Therefore the metatheatre’s intertextuality reinforces and supports the traits of the feminine.

In the play The Twelfth Night by William Shakespeare gender role is not entirely equal. In The Twelfth Night Shakespeare uses gender role from English Renaissance but also challenges these stereotypes of men and women roles in society. He questions the roles of gender and displays that both men and women contain feminine and masculine qualities. Crying for example is thought to be feminine but in Hamlet “Too much of water hast thou, poor Ophelia, And therefore I forbid my tears” suggest that Laertes is feminine and cannot be hidden by his masculinity. (Shakespeare 8) While questioning the play Twelfth Night it is evident that Shakespeare contemplates the issue and used Viola and her role with Orsino as a path to gender equality.

The Role of Disguise and Gender Treatment in Twelfth Night Before Queen Elizabeth I ascended to the throne, women certainly did not have any lasting impact on society, and they almost never were allowed to articulate their thoughts and feelings. They did not have a choice but to listen to their husbands every command, and would keep any objections they had to themselves. When Elizabeth I was crowned queen, she revolutionized that traditional role and gave women the first real chance to be forward, have power, and demonstrate their strength. This is illuminated in "Twelfth Night," with strong female protagonists such as Olivia, Viola, and Maria. Hints of Queen Elizabeth's characteristics can be seen in countess Olivia's power, status, and the

Homer’s Iliad is undoubtedly focused on its male characters: Achilles, primarily, but also Hector and Agamemnon. Nevertheless, it seems that the most crucial characters in the epic are female. Homer uses the characters of Thetis, Andromache, and Helen as a basis for comparison to the male characters. Homer wants his audience to see and understand the folly of his male characters in choosing war over peace, aggression over kindness, and honor over family. While the behavior of these characters clearly speaks for itself, the contrasting attitudes and behaviors of the female characters proffer an alternative; in comparison, the reader can hardly fail to concur with Homer’s message that war, aggression,

Shakespeare’s Twelfth Night is a play with themes that parallel the folly of the festival it is named after. The main storyline of the plot plays on this a lot by mixing up the stereotypes around gender that were very present at the time. However, a sub-plot involving secondary characters defines this theme even more. It takes the idea even further by relating servants’ attempts to blur the lines between social classes. Twelfth Night’s Maria and Malvolio both have great aspirations to rise above their social class. However, Maria succeeds where Malvolio fails because of her capability to make use of the satiric ambiance of her mistress’s household to achieve her goals.