Patriotism And Patriotism In Shakespeare's Julius Caesar

Caesar- Main character of the play by William Shakespeare Julius Caesar. Caesar started as a citizen of Rome and wanted to get back the power his earlier family had. Caesar become friends with a military general named Pompey and used him to rise to power. Caesar became a well respected Roman Leader. Caesar was well known due to his expertise in combat and all the battles he had won. He had plenty of enemies, however, he has many supporters as well. Caesar was eventually assassinated because the the conspiracy

Julius Caesar, a Roman general, dictator, and leader, is considered to be one of history 's most influential and powerful rulers to this day, in which his rise to power, conquest of Europe, and controversial downfall all remain to be told during modern days. The play Julius Caesar written by William Shakespeare, portrays the events leading up to Julius Caesar’s assassination, and how those who conspired against him banded together and plotted Caesar’s demise. Many of those conspirators assassinated Caesar due to his quick rise to absolute power, his “acts” of disrespect against the senate such as his failing to stand to receive the title of becoming a “god,” and pure jealousy and anger towards Caesar’s success and rule over the Roman empire. Caesar, an ambitious man, was able to conquer many lands and peoples for Rome through successful military campaigns in which he became one Rome’s best generals due to the amount of successful battles he had won and the amount of blood he had shed for Rome’s expansion. However, Caesar’s trait of ambitiousness would prove to be a double edged sword.

In this play, Julius Caesar returns to Rome to find that he has the unconditional support of the Plebeians. As he gains more power, his friends worry that he will completely take over the city, and so they conspire with one another to kill him. Preceding the attack, the conspirators notice many strange occurrences in Rome, such as a “lion who looked at [them] and strutted by without bothering to attack,” a “threatening” and “destructive” storm, and a “common slave” whose “hand did flame and burn.” The conspirators perceive these bizarre circumstances as omens that they should kill Caesar and quickly carry out their plan. When the conspirators confront him, they stab him thirty-three times, and then announce his death to the citizens of Rome, expecting a positive response but receiving the opposite. Rome is plunged into violence as the plebeians attempt to find the conspirators responsible for Caesar’s death. Citizens swarm the streets of their city, killing innocent people, such as Cinna the Poet, believing that they are among the group of people responsible for killing Caesar. This violence and death represents the weak condition that Rome continues in throughout the play. Caesar’s body represents the body of Rome, and when he is wounded, the entire city feels wounded as well. The chaos that Rome undergoes after Caesar’s death is symbolic of his importance to the city. The

    Shakespeare's play Julius Caesar is a tragic play, where the renowned Julius Caesar is on the brink of achieving total control and power by becoming emperor of the Roman Empire. Ironically enough, when he thinks he is one step away from pulling it off, his "friends" (most from the senate) decide to overthrow him, with Caesar's most trusted friend, Marcus Brutus, acting as leader of the conspirators. Though the fall of Caesar from the most powerful man in the world to a man who's been betrayed and stabbed 30 times is a great downfall, he is not the tragic hero. Shakespeare's main focus is Marcus Brutus, a noble man who brings upon himself a great misfortune by his own actions,

The tragedy of Julius Caesar is a story of struggle and betrayal; however, in it, Shakespeare conveys messages about human nature. Three of the main characters in the play convey the ways that power corrupts and changes people. Brutus’ attitude towards killing Caesar and rising to power, along with his personality, change throughout the first three acts. Cassius’ need for power makes him lose himself and his humanity. Mark Antony, changed by Caesar's death, rises to power after taking it away from those that killed him. In Shakespeare’s play, The Tragedy of Julius Caesar, he conveys notions regarding human nature and the ways that power changes and corrupts people; he does this through his characters Brutus, Cassius, and Antony.

Well, honor is the subject of my story. I cannot tell you what other men Think of this life, but for my single self, I had as lief not be, as live to be In awe of such a thing as myself” (1.2.90-96.). Brutus goes through with killing Caesar,but talks the men out of killing Mark Antony out of the belief he has done nothing wrong. Caesar believes he has done the correct thing and has saved the people of Rome from a corrupt leader, and he performs a speech to the people of Rome explaining his actions and why he murdered Caesar. This leads to his downfall in the end, because the act of not killing Mark Antony creates a war that is order to kill Cassius and Brutus.

There have been many rulers in history who have been betrayed by those they trust, but The Tragedy of Julius Caesar (William Shakespeare,1959) still holds a special place in Western literature as one of the most enigmatic human beings to ever exist. Powerful men like Julius Caesar shaped the life and times of the late Roman Republic, just before Rome would officially become the Roman Empire on the crowning of Augustus as the first Roman emperor. Julius Caesar was a powerful general who expanded Rome's power and who was beloved by the people for his generous charity after his successful conquests. Despite knowing the story of Julius Caesar to some extent, most 16th/17th century English would not have ever visited Rome, nor would know what the Roman Republic was like, which presented a unique opportunity to William Shakespeare to create a play unlike any other he had created before. (Shakespeare Julius Caesar, 1599) Shakespeare's Julius Caesar is a reimagining of Rome from a Elizabethan point of view, and despite some inaccuracies, the play depicts an enlightening view on Roman life, and the life of the Roman general, Julius Caesar.

The driving forces in the play Julius Caesar are the characters Marcus Brutus, Julius Caesar, and Marc Antony. Julius Caesar is the center of the ordeal of leadership in Rome when the play begins. When Caesar returns to Rome he is looked upon by the fickle plebeians as a glorious and triumphant hero. The authority of his heroism is questioned when the honorable Marcus Brutus speaks to the townspeople during Caesar’s funeral. Brutus proves to be the better leader for Rome rather than Caesar or Antony. Brutus is wiser and more honorable than the other Romans. He was the only one truly looking out for the good of Rome and not himself.

    In the play Julius Caesar, written and preformed by William Shakespeare, there are many characters, but two, Brutus and Cassius, stood out. The play begins in Rome where a celebration of Julius Caesar's victory over the former ruler of Rome, Pompeii. The victory leads to Caesar's betrayal by his jealous companions. Senators and other high status figures are jealous of Caesar's new and growing power, while others, like Brutus, fear the tyrannical rule Caesar could enforce. The conspirators, Brutus and Cassius being the most important, assassinate Julius Caesar and Marcus Antonius, better known as Antony, and Octavius Caesar, Caesar's heir to the thrown, revenge Caesar's

Roman values and their importance to the state play a central role in Julius Caesar. These values are portrayed as integral to the success of Rome, because the majority of these virtues act in favour of the state. Each person in Roman society has their own role which is part of a more important collective whole. Characters in the play seem to identify more with being a citizen or “soul of Rome” rather than a unique individual (Shakespeare, 2.1.323). The play emphasizes Rome as “an alien society” and analyses the relationship “between Rome and the Romans, who see themselves as ‘citizens,’ rather than ‘men’” (Miles, 2). Shakespeare emphasizes the importance of the state over personal thoughts or feelings: “not that I loved Caesar less, but that I loved Rome more” (Shakespeare, 3.2.21-22). Each of the Roman virtues arises out of a sense of duty to put the state over the self. Following this duty evokes a necessary recognition of

The Tempest, often regarded as Shakespeare’s last play, displaces the theme of possession of control and command over other, commonly known as power. Ariel, Caliban and the courtiers from Milan, all demonstrate different levels of control. Prospero, the protagonist of the play, especially displays his ability to cast influence and affect others psychologically. The characters, their relationships and their use of power can be compared to the English government and society of the 17th Century.

Although William Shakespeare’s Julius Caesar provides a largely accurate and incredibly detailed record of the assassination of its namesake, the play is regarded not as one of the Bard’s histories, but as one of his greatest tragedies. Shakespeare’s poignant lyrical interpretation of the fall of Julius Caesar is defined without a doubt as a tragedy by the sorrowful nature of the development, execution, and aftermath of Marcus Brutus’ betrayal of Julius Caesar.

Being Patriotic is a great thing until it goes bad. Over the course of the play The Tragedy of Julius Caesar, Brutus was a very impactful character. He was one of the main leaders of the conspiracy that killed Caesar. Brutus had a wife named Portia, who later in the play died. After the conspiracy killed Caesar, there were two speeches spoken one from Brutus and the other from Antony who was Caesar's right hand man. Soon after the death of Caesar, Brutus and Antony fought in a battle against each other. The battle lead to countless people left dead and Brutus kills himself. During the play The Tragedy of Julius Caesar written by William Shakespeare Brutus patriotism caused him to make decisions based on the good of Rome, not thinking of others’ thoughts, or opinions including his own.

look at both of the aspects of the play. In my piece of writing I