Pecola's Traumas

Pecola evaluated herself ugly, and wanted to have a pair of blue eyes so that every problem could be solved. Pecola was an African-American and lived in a family with problems. Her father ran away because of crime, her brother left because of their fighting parents, and was discriminated simply because she has dark-skin. Pecola is a passive person. She is almost destroyed because of her violent father, Cholly Breedlove, who raped her own daughter after drinking. Because of this, Pecola kept thinking about her goal- to reach the standard of beauty. However, she was never satisfied with it. Pecola believed once she become beautiful, fighting between her parents would no longer happen, her brother would come back, and her father would no long be a rapist. No problem would exist anymore.

As a child, he was not loved by his mother. She prefered her cat to her own son. Junior saw this at an early age and “spent some happy moments watching it suffer” (86). Junior locked Pecola in a room, becoming the perpetrator with the same turn of attitude as Cholly. When he saw that the cat liked Pecola, he threw the cat, killing it, because the thing his mother loved more than himself loved her. Pecola’s wish could be paralleled to the cat. It had blue eyes, and was loved dearly by someone, which could explain the attention she gave to the cat. Junior even said, “Gimme my cat! (90). Up to this point, he wanted nothing to do with the cat and even tortured it, but with it being the only connection to his mother, he called it his own. Pecola’s dream, or having the same attention as the cat, was killed when the cat was killed. Junior was not loved by his mother, only taken care of to live. She did not “allow her baby, Junior, to cry…[she] did not talk to him, coo to him, or indulge him in kissing bouts” (86). This unlove for her family caused Junior to be victimized, and then alter his ways, and become the perpetrator. Pecola is the victim in the rage of Junior, only because his mother did not love him. She wanted someone to be kind to her, and love her, but that was only met with

A person has been exposed to a traumatic event. For Charlie, there were two childhood instances that could count as “trauma.” First, he was sexually abused by his Aunt Helen as a child, a person he considered really close and important to him, “She was my favourite person in the world.” Second, she was killed around Christmas while driving to buy his present. As he loved her, the death had a toll on him. Another source of trauma is the death of his junior high friend by suicide. He describes

In the aftermath, there is a dialogue presented between Pecola and an imaginary friend. The dialogue includes conflicted feelings of Pecola’s rape, and her deluded thoughts of her wish for blue eyes has been granted. She believes that the changes in behavior of the people around her are because of her new eyes, and not the news of her rape. Claudia speaks for a final time, and describes the recent phenomenon of pecola’s insanity. She also suggests that Cholly, (who had since died), may have shown Pecola the only affection he could by raping her. Claudia believed that the whole community, herself included, have used Pecola as a way to make themselves feel beautiful and happier.

“Again, the hatred mixed with tenderness. The hatred would not let him pick her up, the tenderness forced him to cover her.” [This quote represents the emotions that flood through Pecola’s father’s head after he rapes her. Prior to and during raping Pecola, Pecola’s father is enraged with many emotions. These emotions include anger, tenderness and l0ve towards Pecola. This is a significant quote in the novel because this is one of the few parts of where Pecola’s father, Cholly’s, character is shown. This quote reveals Cholly’s character because it shows that the events that happened in his

In the third chapter of The Bluest Eye, entitled "Autumn", Toni Morrison focuses on Pecola's family, the Breedloves. Morrison goes in depth about the family dynamic of the Breedloves and how it affects Pecola and her self-image. The passage starts after one of many arguments between Cholly and Mrs. Breedlove, Pecola's parents, turns violent. Mrs. Breedlove wants Cholly to fetch some coal from the outside shed. Cholly spent the last night drinking and does not want to get out of bed. The passage begins with the children becoming aware of the argument. Mrs. Breedlove starts to hit him with cooking pans while Cholly mostly used his feet and teeth. After the fight is over Mrs. Breedlove just lets Cholly lie on the ground and she goes about her

After she meets Pecola, her concerns go to Pecola. She explains about each and every incident that occurs to Pecola and the reasons behind leading to those incidents. According to Claudia, the narrator of the story, not just Pecola but it was the Breedlove family members who treated themselves the uglier rather than the society. Only the difference is that they make a different mindset deal with it. The narrator vividly mentions by saying, “Then you realized that it came from conviction, their conviction/And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it” (Morrison 39). This explains more of what they were dealing with. It is impossible to make them believe that they aren’t relentlessly and aggressively ugly (38). Being young, vulnerable and more importantly, female, Pecola is the one who gets abused frequently and endures the damage in greater

Her father would physically abuse her by slapping and beating her numerous times, letting her degrade herself and making her think this was placed beneath him. He had quoted, “He didn’t even give me a chance to tell me to lie. As I opened my mouth, he stretched out his arm and punched me in the eye” (156). Jules had lacked in teaching his daughter about how she should be treated and how other men and women in the world should treat her. He kept pushing the idea that if Baby did not listen to her then she would be a “whore” (156) and a “slut” (156). Baby understood that her father was a drug addict and that he was mentally ill. The reader can interpret a change in personality of Baby after she’s experienced the notion of an abusive environment, when she told herself, “it's okay. It's okay, sweetie” (157). This was the first time that the reader saw Baby breaking down

Women berate other women for the loss of their virginity, whether it be by choice or not. When Pecola is raped and impregnated by her father, no one barring Frieda and Claudia are concerned. This upsets Claudia due to the fact that “...our sorrow was more intense because no one would share it. They were disgusted, amused, shocked, outraged or even excited by the story” (Morrison 190). There are no comforting words for a girl violated by her father, only criticism and isolation.

Mayhem spreads as Lina and her family suddenly get pushed out of their own home by the NKVD once their twenty minutes to pack were up. Confusion fills the air around Lina as she cannot make out why they were forced into a truck gathered with several other strangers. Instantaneously, she observes as a bald, old man attempts to escape by leaping off of the truck, but ends up fracturing his leg on the pavement. Lina also becomes horrified at the sight of a newborn baby and a lady who’s umbilical cord was just cut a couple moments ago. Lina’s bafflement continues to increase when her mother’s cousin, Regina, risks her life just to try to communicate with Lina’s mother. However, Lina’s mother neglects her own cousin and acts as if she wants nothing

This can be seen toward the end of the novel, on page 199, where, in a conversation between Pecola and a figure of her thoughts, Morrison reveals that Pecola may have been raped twice. “You said he tried to do it to you when you were sleeping on the couch. ‘See there! You don’t even know what you’re talking about. It was when I was washing dishes,’” reads the exchange. These lines also tell the reader that even with this information, Pecola is still internally unsure of what happened herself. Through internal dialogue, her personal insecurities are projected. Dialogue is key in presenting major ideas in the novel.

Studying child trauma has become increasingly popular to gain a wider understanding of the issue. It is estimated that around one in three children exposed to trauma do develop PTSD (Fletcher, 2003). Child PTSD has been widely observed in children who witness violent crimes (Schwarz & Kowalski, 1991) or whom have survived severe traumatic events. Children directly or indirectly exposed to war conflict experience a variety of stressors, and many develop both short-term and long-term post-traumatic stress reactions (Barenbaum, Ruchkin & Schwab‐Stone, 2004). Common reactions after a traumatic experience include; fear, numbness, anger, change in sleep and appetite, nightmares, avoidance of certain situations and some also experience feelings of

Pauline eventually meets Cholly, who is Pecola’s biological father, and they fall in love. "He seemed to relish her company and even to enjoy her country ways and lack of knowledge about city things. He talked with her about her foot and asked, when they walked through the town or in the fields, if she were tired. Instead of ignoring her infirmity, pretending it was not there, he made it seem like something special and endearing. For the first time Pauline felt that her bad foot was an asset. And he did touch her, firmly but gently, just as she had dreamed. But minus the gloom of setting suns and lonely river banks. She was secure and grateful; he was kind and lively. She had not known there was so much laughter in the world." (Morrison, p. 115)

There are many themes that seem to run throughout this story. Each theme and conflict seems to always involve the character of Pecola Breedlove. There is the theme of finding an identity. There is also the theme of Pecola as a victim. Of all the characters in the story we can definitely sympathize with Pecola because of the many harsh circumstances she has had to go through in her lifetime. Perhaps her rape was the most tragic and dramatic experience Pecola had experiences, but nonetheless she continued her life. She eliminates her sense of ugliness, which lingers in the beginning of the story, and when she sees that she has blue eyes now she changes her perspective on life. She believes that these eyes have been given

The terror of the beginning of her first menstruation is symptomatic of the traumatic experience she has in life. When Pecola has her first periods she is alarmed and screams. Suddenly Pecola bolted straight up, her eyes wide with terror. A whinnying sound came from her mouth. "What's the matter with you?" Frieda stood up too. Then we both looked where Pecola was staring. Blood was running down her legs. Soon drops were on the steps. I leaped up. "Hey, you cut yourself? Look. It's all over your dress". A brownish red stain discolored the back of her dress. She kept whinnying standing with her legs far apart. Frieda said, "Oh Lordy! I know. What that is!".