The Bluest Eye by Toni Morrison Essay

“Again, the hatred mixed with tenderness. The hatred would not let him pick her up, the tenderness forced him to cover her.” [This quote represents the emotions that flood through Pecola’s father’s head after he rapes her. Prior to and during raping Pecola, Pecola’s father is enraged with many emotions. These emotions include anger, tenderness and l0ve towards Pecola. This is a significant quote in the novel because this is one of the few parts of where Pecola’s father, Cholly’s, character is shown. This quote reveals Cholly’s character because it shows that the events that happened in his

Pecola and the caged bird range in the use of coping strategies, from singing to having virtually none, in order to manage their situations. Like the caged bird, Pecola also “stands on the grave of dreams,” symbolizing the hopelessness that has come over the two. After being kept in a cage for so long, the bird as well as Pecola, long “of things unknown” that are simply unattainable; freedom for the bird and acceptance in the form of blue eyes for Pecola. Throughout the Bluest Eye, Pecola is deeply infatuated with having blue eyes. She is convinced that beauty is directly associated with whiteness, specifically blue eyes. She believes that if she somehow gets blue eyes she will suddenly be beautiful in the eyes of those around her, and therefore lovable. After her father rapes her and her innocence dies, Pecola’s last shred of hope, her baby, also

In the aftermath, there is a dialogue presented between Pecola and an imaginary friend. The dialogue includes conflicted feelings of Pecola’s rape, and her deluded thoughts of her wish for blue eyes has been granted. She believes that the changes in behavior of the people around her are because of her new eyes, and not the news of her rape. Claudia speaks for a final time, and describes the recent phenomenon of pecola’s insanity. She also suggests that Cholly, (who had since died), may have shown Pecola the only affection he could by raping her. Claudia believed that the whole community, herself included, have used Pecola as a way to make themselves feel beautiful and happier.

Pecola then starts to disintegrate into her fantasy world in an attempt to make herself feel better. In asking "please God... please make me disappear," she wants to leave this ugly place that is her home and her family (45). Morrison then leads the reader through the process of Pecola's different body parts disappearing, from her "fingers... one by one; then her arms disappeared all the way to the elbow... the legs all at once... her stomach... then her chest, her neck" (45). This succession of "slowly, now with a rush... [and] slowly again" fading body parts illustrates how much effort Pecola is putting into disappearing and how much this effort puts a toll on her body (45). In making herself feel better she is also tiring herself out, for the exertion she puts out does not make her happy and does not fulfill what she wants in the end: to fully disappear.

Pecola evaluated herself ugly, and wanted to have a pair of blue eyes so that every problem could be solved. Pecola was an African-American and lived in a family with problems. Her father ran away because of crime, her brother left because of their fighting parents, and was discriminated simply because she has dark-skin. Pecola is a passive person. She is almost destroyed because of her violent father, Cholly Breedlove, who raped her own daughter after drinking. Because of this, Pecola kept thinking about her goal- to reach the standard of beauty. However, she was never satisfied with it. Pecola believed once she become beautiful, fighting between her parents would no longer happen, her brother would come back, and her father would no long be a rapist. No problem would exist anymore.

Society continues to rape Pecola through its refusal to acknowledge her as a human being. Since society thinks she is “ugly”, no one needs to care for or love her. For example, one of the biggest insults that her peers use for teasing boys is using Pecola as the insult.

Based on a quintessential white home with the perfect parents and it's pleasant setting, this story ultimately becomes the “framework against which Morrison structures the Pecola story.” (Blumenthal) The striking contrast between Pecola’s life and this story’s representation of mass culture is able to cultivate the “class consciousness” (Kuenz) that is highly evident during the time and throughout the novel. Even their name is ironic, as the name “Breedlove” no-where near symbolizes the love and affection it seems to imply. Pauline, Pecola’s mother, is depicted as neglectful, cold and bitter, completely contradicting Dick and Jane’s whose “mother is very nice”

The desire to feel beautiful has never been more in demand, yet so impossible to achieve. In the book “The Bluest Eye”, the author, Toni Morrison, tells the story of two black families that live during the mid-1900’s. Even though slavery is a thing of the past, discrimination and racism are still a big issue at this time. Through the whole book, characters struggle to feel beautiful and battle the curse of being ugly because of their skin color. Throughout the book Pecola feels ugly and does not like who she is because of her back skin. She believes the only thing that can ever make her beautiful is if she got blue eyes. Frieda, Pecola, Claudia, and other black characters have been taught that the key to being beautiful is by having white skin. So by being black, this makes them automatically ugly. In the final chapter of the book, the need to feel beautiful drives Pecola so crazy that she imagines that she has blue eyes. She thinks that people don’t want to look at her because they are jealous of her beauty, but the truth is they don’t look at her because she is pregnant. From the time these black girls are little, the belief that beauty comes from the color of their skin has been hammered into their mind. Mrs. Breedlove and Geraldine are also affected by the standards of beauty and the impossible goal to look and be accepted by white people. Throughout “The Bluest Eye” Toni Morrison uses the motif of beauty to portray its negative effect on characters.

have white beauty is so strong that she eats Mary Jane candies, fantasizing that the candies will

This fact leads to Pecola's desire for blue eyes, as she believes blue eyes would change the way others see her, allowing her to transcend horrible situation at home and in the community. Furthermore, Pecola is repeatedly teased and abused. She is teased at school, gets punched in the face and junior attacks her with cat. "A group of boys was circling and holding at bay a victim, Pecola Breedlove" (Morrison 80). Her father rapes her.

Throughout all of history there has been an ideal beauty that most have tried to obtain. But what if that beauty was impossible to grasp because something was holding one back. There was nothing one could do to be ‘beautiful’. Growing up and being convinced that one was ugly, useless, and dirty. For Pecola Breedlove, this state of longing was reality. Blue eyes, blonde hair, and pale white skin was the definition of beauty. Pecola was a black girl with the dream to be beautiful. Toni Morrison takes the reader into the life of a young girl through Morrison’s exceptional novel, The Bluest Eye. The novel displays the battles that Pecola struggles with each and every day. Morrison takes the reader through the themes of whiteness and beauty,

"She owned the crack that made her stumble; she owned the clumps of dandelions...owning them made her a part of the world, and the world part of her", (Morrison 47-49). Pecola is exaggerating in the ownership of cracks and dandelions. She's trying to express that she relates to them because they are considered unwanted and that is how she

I couldn't join them in their adoration because I hated Shirley” (Morrison, 35). This quote from Claudia’s perspective shows her distaste for Shirley temple and Pecola and Frieda’s love for her. Pecola becomes so obsessed with the Shirley Temple cup that she drinks milk in excess just to use the cup with her on it. Pecola is particularly fascinated by Shirley Temple’s big blue eyes. Pecola after a life time of obvious abuse, belittlement, and racist has very low self-esteem and wants to be everything she is not. She strongly connects beauty with desire and love, she starts to believe that if she had blue eyes, all the cruelty and hatred she gets in her life, would disappear. This unrealistic and hopeless desire for blue eyes, eventually leads to immeasurable madness. “It had occurred to Pecola some time ago that if her eyes, those eyes that held the pictures, and knew the sights—if those eyes of hers were different, that is to say, beautiful, she herself would be different” (Morrison, 46). Pecola is finally granted her overwhelming want for blue eyes. When she is finally granted her wish for blue eyes, she receives it in a perverse and darkly ironic form.  She is only able to be granted blue eyes in exchange for her sanity. Pecola loses her mind and ultimately her insight into the outside

She thought that if she had blue eyes, the blue eyes of the accepted white ideal, she would be beautiful and therefore loved. The acquisition of the blue eyes she so fiercely covets signifies Pecola's step into madness. It was a safe place, where she could have her blue eyes, and where she could be accepted.

With some background knowledge on Pauline, the mother of Pecola, it’s easier to understand some of Pecola's core traits. There are parallelisms between Pecola and Pauline. They find their reality too harsh to deal with, so they become fixated on one thing that makes them happy, and they ignore everything else. Pecola's desire for blue eyes is more of an inheritance that she received from her mother. One of Pauline’s own obsessions was back when she was fascinated with the world of the big pictures. As long as they can believe in their fantasies, they're willing to sacrifice anything else.