Perfection In Nathaniel Hawthorne's The Birthmark

In the short allegory “The Birthmark”, by Nathaniel Hawthorne, a newly-wed couple becomes consumed by the existence of a small birthmark on the wife’s face. When the wife, Georgiana, allows her husband Aylmer, a scientist, to remove the birthmark, both realize that Georgiana will inevitably sacrifice her life for the sake of its removal. As the story progresses, so does the confliction of the newlyweds as they realize exactly what the birthmark symbolized to and for each other. Hawthorne’s hallmark use of symbolism also provides a ‘perfect’ glimpse into the mindset of two themes of psychological conflictions: perfectionism and codependency. Hawthorne seems to share this story as a possible moral of the hidden pathos we place upon the ones we love, and the invisible marks or standards we place upon ourselves for the ones we love.

In the story “The Birth-Mark” Nathaniel Hawthorne illustrates a man with an obsession for perfection of the human body. With a desire to reach the ultimate level of perfection, Aylmer’s obsession ultimately creates a path of destruction that tragically ends in the death of his devoted wife, Georgiana.

It somehow contains the concept of beauty, and in the story it's easy to notice that many man found this birthmark attractive, and so did Georgiana, but looking at her husband, who obviously hates this mark, she starts to believe that it's ugly. The beauty is very subjective; it was created by people, and can be changed by them. Thus, it is impossible to be perfect for there always will be those who can find flaws in any creature. Moreover, it is known that 'Perfection leaves no room for improvement". Thus, flaws are part of human beings, and the desire to go against it is

Once Georgiana also begins to view her birthmark as an imperfection, just like Aylmer does, she begins to hate it and demands it be removed. “’Remove it, remove it, whatever be the cost, or we shall both go mad!’” (Hawthorne 21). Georgiana is sacrificing everything she can in order for this birthmark to be removed, even death. Aylmer warns her of the dangers of performing such a surgery but she refuses to think it over and believes she is “most fit to die” (Hawthorne 21). Of all mortals, she believes that she has reached her potential in the world and there is no more use for her on the world unless she is perfect, with no birthmark and no imperfections.

Nathaniel Hawthorne's novel "The Birth-Mark", explains the relationship between Aylmer, a scientist, and his wife Georgiana’s birthmark. The story is told in third person point of view. The story gives access to both Aylmer and Georgiana thoughts. It allows readers to see that because Aylmer is a scientist and a perfection, he feels that Georgiana would be perfect if the mark was to be removed or on another woman besides her. Aylmer sees his wife's birthmark is a symbol of imperfection. The mark is described to be a small deep crimson mark shaped like a hand on her left cheek. As he sees the mark, he sees her becoming less beautiful. Once the mark is removed, she would become perfect and beautiful. However, Georgiana, Aylmer wife feels that the mark is a symbol of a charm because she was told that the mark was placed on her cheek during her birth-hour by a fairy. Hawthorne shows us that people view beauty in different ways.

Hawthorne achieves this same task in the character of Georgiana in "The Birthmark." Georgiana, too, is presented as an ideal specimen of womanhood. She is beautiful, intelligent, and devoted to her husband, the alchemist, Aylmer. She would be absolute perfection, except for one flaw: a birthmark in the shape of a fairy-sized handprint on her left cheek. While those who love Georgiana attest that the mark is a symbol of the "magic endowments that were to give her such sway over all hearts," Aylmer and her detractors regard it as a "bloody hand" that belies "his wifeâs liability to sin, sorrow, decay, and death" (Hawthorne, "The Birthmark" 119-20). Hawthorne continues to impart Aylmerâs inner feelings of shock and horror over Georgianaâs single physical flaw, gradually leading his audience to share his disgust for the dreadful

When the main characters of the stories decide that they are certain that they want their flaws removed, they do not hesitate to immediately remove their imperfections. These abrupt decisions go entirely wrong for both women in the end. After all of the pressure from their peers, they remove their flaws permanently. As the unwanted mark fades from Georgiana’s face, “the parting breath of the now perfect woman passed into the atmosphere” (Hawthorne 301). Her flaw finally leaves her face, but it unfortunately takes Georgiana’s life along with it. Similar to this situation, in “Barbie Doll” the main character decides to remove her flaws by simply cutting them off. She removes her nose and legs “and offered them up” (Piercy 771). Piercy writing that she is offering her flaws up, the author is unmistakably symbolizing

In Hawthorne’s short story “The Birthmark”, Aylmer feels that his wife Georgiana is a miracle and that she is perfect. Her only flaw was the birthmark in the shape of a hand placed on her cheek. Instead of focusing on all her Georgiana’s perfections, Aylmer only focused on one of her flaws, the birthmark. Aylmer constructs a statement about her birthmark saying that, “It was the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on her productions, either to imply that they are temporary and finite, or that their perfection must be wrought by toil and pain.”(Meyer 345)

Sin, a dark and powerful force, twists the soul and warps the mind to the point where it leaves society with unconquerable difficulties in everyday life. Nathaniel Hawthorne, quite successfully, uses literature to its full potential in order to express sins presence in life. He uses the short story, “The Birthmark” to express this theme. In this story, a man by name Aylmer for the first time sees a small defect in his otherwise beautiful wife, Georgiana. When Aylmer mentions it to her, she feels hurt, but it does not seem to affect her self-image. However, as time went on, the birthmark started to bother her causing her to believe she was flawed and in need of fixing. With the assistance of Aylmer's servant, Aminadab, Aylmer creates a miracle drug that would cure his wife of her imperfection: the birthmark. The possibly deadly drug incites fear in her husband; however, the blemish on her face troubles her, as well as her husband, to the point where she believes her life means nothing unless she could get it removed. After much meticulous preparation, the wife takes the cure. At first, everything seems well as her birthmark faded, however soon everything goes wrong, and Georgina has a terrible reaction. Soon after taking the cure she dies, leaving Aylmer heartbroken and alone without his wife. In, “The Birthmark,” Nathaniel Hawthorne brings to light sin’s presence in society through the use of allusions, symbolism, color, and beauty.

Aside from Hawthorne?s use of symbolism, his extensive use of imagery also contributes to the notion that man cannot perfect nature. Aylmer?s true goal in this story is to force Georgiana to believe that her birthmark is ?a symbol of [her] liability to sin, sorrow, decay, and death? (204) and she must rid herself of it. He creates this image in order to brainwash her into believing that it is a ?dreadful hand? (207), and she, too, should wish it away. Finally, after gazing at, and studying the birthmark, this horrible image in which Aylmer had implanted in the mind of his lovely wife has become all too unbearable. Georgiana, feeling unworthy of her husband, freely surrenders herself to Aylmer and his science. ?Either remove this dreadful hand, or take my wretched life,? (207) she tells him, while rationalizing the validity of science on such a thing. Another image Hawthorne makes use of, in order to potentially change the mind of Georgiana, is that of the geranium, once diseased with yellow spots of death, is now full of life. The diseased flower symbolizes, in the eyes of Aylmer, a diseased Georgiana.

First, Hawthorne shows his worldview through his use of Aylmer’s obsession with the birthmark to show a sign of imperfection. When Aylmer is conversing with his wife Georgiana regarding the birthmark, he says “This slightest possible defect shocks me as being the visible mark of earthly imperfection.” (Hawthorne, 5). This is important because it shows that Aylmer is troubled by the birthmark and cannot leave it alone. In addition, it also shows that Aylmer ignores the main characteristics and features of Georgiana, such as her great personal qualities, in order to focus on the one imperfection, the birthmark. Adding on, the birthmark is stated as being: “It was the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceable on all her productions” (Nelson, 12). The birthmark is a part of nature and is inevitable because it cannot be altered or removed. Furthermore, the birthmark is a reminder that imperfection is part of

Georgiana sees her skin imperfection as an image for herself, and it is a defective self which she sees. She weeps over her failure to accomplish not just physical, additionally moral perfection; ‘Life is however a pitiful ownership to the individuals who have achieved correctly the level of good progression at which I stand. Where I

Perfection is hopeless. Greed is endless. In Nathaniel Hawthorne’s “The Birth-Mark”, the two protagonists of the story face the dilemma brought onto them by Aylmer’s, the husband of the relationship, selfish greed and desire for a perfection which he can’t obtain. The author manipulates a simple dream to foreshadow the eventual end and to enforce the character traits of a protagonist in order to enhance the theme surrounding the greed for perfection in one’s life within the story.

No, dearest Georgiana, you came so nearly perfect from the hand of Nature that this slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection." (Hawthorne, 1843, para. 5)

Maybe people think so—thousands have cosmetic surgery performed every year as a way of trying to make themselves more beautiful. Religion has taken a step back in society today, so the significance of perfection by God has also been moved to the back burner. But, underlying all the surgeries performed today, is the question: Is it right to change what was given to you by God? Perhaps, but it is not without consequence. Many cosmetic surgeries require painful recovery time or follow-ups, and even some may be dangerous to one’s health. Hawthorne’s gender bias reflects his times, naturally, but they are slightly exaggerated in this story. Georgiana is a rational woman, but Aylmer won’t listen to her. She is a woman and, therefore, is not supposed to have anything to contribute. She agrees to all the attempts to remove her birthmark because she is submissive and can’t bring herself to tell her husband “no.” A “good” wife wouldn’t question her husband’s motives, so she allows him to perform tests and administer concoctions. Even at the moment of her death, as her birthmark is removed, she shows some happiness at pleasing her husband. Georgiana’s worst fear is an unhappy marriage, and she would much rather die than have Aylmer look at her with disgust. Gender bias today is not as strong as it once was but it still exists. For some women, there is still that desire to be submissive and please men. Many women have overcome this, but there remains a gender bias in the workplace,