During the course of this essay I will attempt to distinguish between the meaning of the beautiful and the meaning of the sublime that are offered to the reader in the work of Immanuel Kant, the ‘Critique of Judgement’. My reasoning for choosing this particular question is my enthusiasm for the works of Immanuel Kant, not just the ‘Critique of Judgement’, but also his other renowned publications. His Kantian ethics, which revolve around the idea of a duty to moral law, is a concept which interested
William Wordsworth, Ralph Waldo Emerson, and Henry David Thoreau championed the concept of the romantic sublime. The romantic sublime can be defined as the sensation of awe and fear when witnessing nature, the belief that only through visiting the true depths of nature can an individual make a spiritual connection with God. Criticism has been drawn from the concept of the notion of the sublime for not being capable of existing alongside scientific inquiry and observation. This position becomes challenged
Affections and the Sublime in the Work of Jonathan Edward Jonathan Edwards’s attention to the separation of the body from the soul combined with his efforts to account for the spirit of revivalism during the “Great Awakening” implicates the sublime as both a rhetorical tool and psychological experience that, in either case, foregrounds the relationship between an individual’s perception of the self and his or her relationship to a community. Comparing Edwards’s personal writing to his public
ideal is difficult and complicated by personal experience. The poems, “The Story” by Karen Connelly and the “The Love Song of J.Aflred Prufrock”, by T.S Elliot, as well as the essay “Kant’s Beauty and the Sublime” by Maureen Rousseau explore the peril inherent in the quest for the ideal, which is that in our search for beauty we risk encountering the sublime. The danger of the sublime is that we cannot comprehend the magnitude of the realms of things that are sublime. We ask ourselves why someone would
of creativity and individualism? Make reference to Frankenstein and at least one other Romanticist text. Mary Shelley’s novel, Frankenstein, complies with all the fundamental principles associated with Romanticism; use of the supernatural and sublime, especially with regards for nature, thus leading to pantheism, compassion and a sense of morality towards humankind, individual freedom and rebellion against contextual societal constraints. Shelley, however, defies the Romantic principle of individual
several personal letters he writes of the process he underwent in producing the narrative and discusses his opinions and feelings in reference to the quality of his work. While he generally concedes to the positive opinions surrounding its reviews, he makes a conscious effort to refute the notion that The Red Badge of Courage is
time. Frederik Schiller (1795-1805), in his “Letters On the Aesthetic Education of Man” develops the theory of the drives to explain the fragmentation of the human being and places art in a reconciliatory role between man’s personal nature and the community. The present essay will discuss in some detail Schiller’s theory of the drives, placing the main focus on the role and importance of the play-drive in human life, to finally discuss the features in Schiller’s theory of play that help elucidate
presented in her essay "The Element of Suspense." The form of classical tragedy in this story will also be analyzed from the critical theories of Aristotle and Longinus. Tolstoy will be used to examine the use Christian symbolism. Nietzsche will provide a more well-rounded universal conclusion to the uses of tragedy and spiritual elements in this classic story. Flannery O'Connor gave a talk about "A Good Man Is Hard to Find" in 1963 at Hollins College, Virginia, which was published as the essay, "The Element
presented in her essay “The Element of Suspense.” The form of classical tragedy in this story will also be analyzed from the critical theories of Aristotle and Longinus. Tolstoy will be used to examine the use Christian symbolism. Nietzsche will provide a more well-rounded universal conclusion to the uses of tragedy and spiritual elements in this classic story. Flannery O’Connor gave a talk about “A Good Man Is Hard to Find” in 1963 at Hollins College, Virginia, which was published as the essay, “The Element
Ralph Waldo Emerson: Nature I chose to reflect upon and analyze Ralph Waldo Emerson’s essay, Nature. As this is a topic that is very interesting to me, I found this essay to be very enlightening. Emerson starts off by describing true solitude. “But if a man would be alone, let him look at the stars. The rays that come from those heavenly worlds, will separate between him and what he touches” (Emerson 5). He describes the difference in having no other people around and being in solitude with nature