Phillis Wheatley Tone

Harriet Jacob and Phillis Wheatley, Incident in the Life of a Slave Girl and On Being Brought from Africa to America both presents the existential conditions of being a black woman in a male dominated society. Despite their years span differences, both author present different, yet similar views of enslavement in America where black women struggle to reclaim their humanity and seek freedom within their society. For both Harriet and Phillis, both women used literacy as their voice to raise concern for the plight of enslaved African-Americans, more specifically the women.

Phillis Wheatley’s first sentence, in a Letter to Samson Occom, was very long. There was at least five points she made in this sentence alone. This one sentence took up three-fourths of this letter. Phillis Wheatley’s main points are within this sentence. She is recognizing that Samson Occom observed the ‘negros’ natural rights. She is arguing that these rights are bringing hope to the African people and making like for them better, and less chaotic. Lastly, the final point she makes in the first sentence is that God will deliver them as he did the Israelites from Egyptian slavery.

Born in Senegal around 1753, Phillis Wheatley became an important American poetic figure. At the age of 8, she was kidnapped and brought to Boston on a slave ship and upon her arrival to Boston, she was quickly sold to John Wheatley (Bio). Under her new family, Phillis adopted the master’s last name, taken under the wife’s wing, and showed her deep intelligence. Even though suffering from poor health, Phillis’s intelligence did not go unnoticed; she received lessons in theology, English, Latin and Greek. Being a slave did not stop Phillis from learning and experiencing her life, she participated in the master’s family events and eventually became a family member. The irony in this situation is

In 1771, Wheatley composed her first major work, "On an elegy to evangelist George Whitefield." After realizing Wheatley’s potential for excellence, Susannah Wheatley arranged a London publication of Wheatley’s poems. As a result of this, prominent Bostonians verified the book’s author as being Black. Britons praised the book, but criticized Americans for keeping its author enslaved. At this time, Americans were only interested in benefiting White America, and were not prepared for the fact that Britons would criticize their slave policy. In 1774, she wrote a letter repudiating slavery, which was reprinted and

Proposition(s) centered around body of works authored by African Americans often fluctuate with the social stratification of its people. The writing is not stagnant bound to warranted eons, but fluid with time, as generally as any other form of literature. In other words, African American writing tends to reflect that of the current society they are subjected to, among a number of other conditions. In the 1800's, prior to the dawning of the Civil War, Black publication, in its diminutive amount, consisted roughly of memoirs, of which recounted the perils of slavery and the bliss circumvention, in turn, creating the earliest form of Black literature, slave narratives. In their own time and thereafter, said narratives have been the object of much scrutiny of both damning and plauditory natures. The authors of the works serve as no exception to such, considering each have received perlustration from their kinsmen and their counterparts, alike. Phillis Wheatley, Olaudah Equiano, and Frederick Douglass are examples of said Black authors, being that all have been accused of spiritually fleeing their race and relinquishing their “Black” identity.

In a time when Africans were stolen from their native lands and brought through the middle passage to a land that claimed was a free country, a small African girl, who would later be known as Phillis Wheatley, was sold in Boston in 1761. In the speech, “The Miracle of Black Poetry in America”, written by June Jordan, a well respected black poet, professor and activist, wrote the speech in 1986, 200 years after Phillis walked the earth, to honor the legacy of the first black female poet for the people of the United States. Jordan, passionately alludes to the example of Phillis Wheatley’s life, to show the strength and perseverance of African-American people throughout difficult history and how they have overcome the impossible.

Phillis Wheatley’s, ‘On Being Brought from AFRICA to AMERICA’ is a testament to writing that utilizes irony and satire to produce a salient argument. As Susan Martin, states in her analysis of Wheatley’s poem, “a young woman who sought to assert her views on the passage from freedom to slavery, ignorance to knowledge, darkness to enlightenment” (Martin, 157). In particular, Wheatley’s aim was to construct a piece which addresses the ideals expressed by Martin utilizing irony and satire. Moreover, Wheatley, at the time of writing this poem, was amongst those enslaved. In fact, Wheatley published her first book in 1773. This is a time before America’s independence and most certainly a time where slavery was prominent. This book, which contained numerous poems, proved those enslaved were more intelligent than previously thought. Within Wheatley’s book, her famous poem, ‘On Being Brought from AFRICA to AMERICA’ was read. Read by those who supported slavery and those who opposed it. Typically, Wheatley addresses Christianity and avoids any discussion of race. However, this poem addresses racial issues straight on. On the surface of this poem lies words that when first perceived, appear to support slavery and her deposition from Africa. Moreover, Wheatley utilizes irony and satire to provide a deeper message that speaks out against slavery. More importantly, satire and irony allow two views to form. Through analysis from authors, Levernier, Loving, and Martin, their multiple perspectives can be formed into one. This analysis, will allow a better understanding of Wheatley’s intent with each line and a closer analysis of her clever rhetoric. Furthermore, Wheatley aims to reveal the improper treatment of, “Negros, black as Cain” (Wheatley), while also allowing the poem to be perceived as an appraisal of slavery. Furthermore, Wheatley utilizes each line to provide discussion on different issues regarding slavery in terms of criticizing white Christianity. Furthermore, Wheatley makes her viewpoint of slavery clear; an improper treatment that will not last.

Wheatley is trying to subversively express that the Lord will be gracious enough to deliver the slaves from the “dark abodes”, or bad treatment as he did the Egyptians in biblical times. Throughout the first stanza of the poem, Phyllis Wheatley challenges the reader’s morals by referencing the bible right off the bat.

Ms. Wheatley was born in Senegal or Gambia in 1753 and brought to America when she was around 7 years old, on the slave ship “The Phillis”. She was bought by a tailor named John Wheatley to be a servant for his wife Susannah. John assigned her the name Phillis because of the ship that brought her to America and as was customary, Phillis took the last name of John and Susannah. Susannah soon realized that Phillis was a very gifted child and began to encourage Phillis to learn with her own children. Phillis learned to read and write English in a very short amount of time and the Wheatley’s 18-year-old daughter began to tutor her in numerous

Phillis Wheatley drew attention in the 18thcentury for being a black slave, and a child prodigy who was able to write poems and songs. She was born in Gambia, Africa, and brought to Boston as a slave when she was a child, and became slave and companion to John Wheatley’s wife. As she grew older, John Wheatley’s wife viewed her as a feeble and brilliant girl who deserves to be educated and felt great affection toward her. Therefore, Susanna Wheatley’s daughters taught Phillis how to read and write, so she delivered her honest opinions through her writings (Baym and Levine 763). Then she became the first African American writer to publish a book of poetry while other slaves were forbidden to learn how to read and write. Her ability to write and read gave her freedom of expression and enabled her to become a free woman. Her literacy influenced her surroundings in numerous ways. She was acknowledged by many people for her great poetical talents (“Phillis Wheatley, the First” para 3). In the poem “On Being Brought from Africa to America,” Phillis Wheatley appeals to ethos and pathos, uses suitable diction and a metaphor to demonstrate that the discrimination of Africans is barbarous, and encourages people to not judge by physical characteristics, but consider innate qualities.

"sable race" and "diabolic die," these are the images how Phillis pictured the racism that was in its heyday in the eighteenth century when the poem was written. Especially, that was between blacks and whites, discussed by Wheatley boldly, originated from her belief in equality; she entered Christianity proof that all are equal regardless of their races and skin colors. Secondly, the poem contains a lot of the language of religion: "God", "Savior" and "redemption". Discuss about the faith never end. In other words, Wheatley did not speak within a paragraph or two about religion. Moreover, the religious aspect in the poem had an absolute importance. The transition from Africa to America is, indeed, the transition from life to the new and different life that change opened Wheatley's eye on things were not already know as religion, God and salvation. However, the result intertwined in this, with the identity of an African woman -pagan- and Christian -white-. Except if, this overlap, in my opinion, is a vital and influential side in the poem. An important point to mention, this poem of Phillis is one of a few poems for her biography. Additionally, the use of the first person narrator made the poem more personalization. "On Being..." is clearly an internal monolog through the narrator's soul and sound. It ignited a rivalry and conflict between the identities Christianity, African, and Pagan. Also, dealt with two levels of identity are important: spiritual -Christian and Pagan- social -slaves and owners-.

Phillis Wheatley was sold into slavery when she was only 7 years old and sent to North America. She was purchased by a family in Boston—they then taught her how to read and write (Wikipedia, 2016). When she learned how to read, her writing thrived. The Wheatley’s saw that, and continued to encourage to continue on with learning and writing the poems. The people of Boston did not want to support an African-American poet, so Phillis sent her writings to a publisher in London (Poetry Foundation, 2016).

All three of the poems discussed in this essay relate to the struggles suffered by African Americans in the late 18th century to the early 19th century in many different ways. They had to live under harsh

Wheatley’s criticisms steam mostly form the figurative language in the poem. The speaker uses metaphors, when reading in a superficial manner, causes the reader to think the speaker is self-deprecating. The speaker says, “Taught my benighted soul to understand” (2) The metaphor benighted to describe her soul as spiritually unaware into religiously enlightened. Wheatley continues to use a hyperbole saying, "Their color is a diabolic die."(6) The language use could be viewed as if the speaker is belittling African natives. This was a rhetorical device helps the American colonists compare their Christian teaching to their behaviors. The author, Wheatley, “oppositional discourse on Christianity, she anticipated the moral arguments of pro-slavers, especially in her characterizations of the Christian God.” (McBride) the speaker draws the reader in with the dialectal that appears to be gracious for their intervention while reminding them of their deceit with

One of Wheatley’s better known pieces of poetry is “On being brought from Africa to America.” While it is a short poem a lot of information can be taken away from it. She begin the poem with establishing her experience with slavery as a beneficial thing to her life. She makes this clear by telling the reader that slavery brought her to Christianity, an important piece of her life. One reason the subject of Christianity is prevalent in the poem is because as an African American poet not many subjects were “safe” to write about without receiving criticism or even punishment. Christianity, however, was one of the more accepted