Introduction:
This report looks to demonstrate my capability in the area's of understanding personal and social issues in society. The research project deals directly with these capabilities as it begs the thoughts about women in society. It asks what women think about their own body but also, how society sees it. I will demonstrate in all eras how women influenced by media and the relevant ‘pin-up girl’ of the time tried to find their own identity closely linked to these role models. Such linkage being mainly through fashion that enhanced the targeted body shapes To explore this I have asked myself to what extent did the imagery of the desired female identity change over the 3 different time periods in European culture? In answering
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She portrayed exactly what it was to be a woman during this time period she displayed through domesticity, family, and motherhood, which were all things that were highly valued in Victorian society. Another influencing female of the era who in fact substantially influenced the “craze” of the small waist and large bust was The Gibson Girl (See in appendix 1). Ironically she was designed on the drawing board and was only a male perception on what beauty is and infact not real. She began appearing in the 1890s and was the embodiment of an ideal female woman of this time portrayed simply by the pen-and-ink illustrations by a man named Charles Dana Gibson, the artist saw his creation as an accurate representation of what women and girls were to look like. The style of the time reflected women’s motherly position in …show more content…
To be caught in the wrong fashion at the wrong time of the day was as greatly to be feared as addressing a member of society by the wrong title. At this time, large swept up hairstyles with loose curls and fake hair were popular. The cosmetic beauty ideal was still the same pale, delicate, glowing skin that was seen in the Victorian era. Contrary to our ideals today, gray hair was considered very attractive because it made women appear “softer and younger. The main body focus of this time was the bosom as well as the childbearing hips, but still without any cleavage showing. The 19th century was an era of rapid development and change during this period England changed from an agricultural country to a city an industrialised one. This involved massive displacement and drastically altered the nature of society. It took many years for both the government and the people to adjust to the new conditions. From these new conditions came a changing impression of fashion, morals and media towards people wanting to achieve the highest class in society available for them. Under the new ruling of the influential Queen Victoria with its new society standers regarding women’s morals, to how tight the corset must be laced. This really was a memorable era for women, fashion and
Furthermore, in spite of women gaining independence they started to shock society by their rebellious fashion styles and attitudes. Their rebellious attitudes were shown mainly through fashion choices: hemlines got raised, more jewelry became worn, makeup got heavier and hair became shorter.1 According to the 1920’s Vanity Fair, these magazines allowed people to stay updated on Women’s Suffrage and fashion ideas. In the light of, 1920’s Vanity Fair, many of the images shown were of women’s fashion which consisted of ‘Flappers’ who were the progressive, sexually liberated woman of the 1920’s.45
Before the 1920’s, women’s attire was considered fairly modern. Women would have worn clothing with more of a silhouette than clothing that was loose and flowy. The length of their dresses never revealed more of their leg than just their ankle. Women received bad reputations when showing their knees or even their calfs. Women in the 1920’s also had a different ideal figure than most women do today. The body types women wanted to achieve also transformed into a more feminine look. This look consisted of low bust lines, higher hems lines, and showing off more curves than ever before. These women became unapologetically fearless.
In the essay “Don’t Look Now: The Male Pin-Up” by Richard Dyer, the author analyzes how male and female models look at the spectator. His argument is that men are always photographed in an active manner, and the women are just there sitting passively. Men do this because they cannot be feminine in any manner or otherwise they face a backlash from society. His goal in this essay is to reveal this cultural phenomenon to the reader by stating what the model’s look represents and the activity of models in images. Throughout this essay I will be analyzing how Dyer explains these concepts to inform the reader.
As the 1920s climaxed, there was an emergence of the confident face of femininity. Women gained insight on their true womanhood and took on more unconventional lifestyles. For example, they changed their fashion standards. What was once strict Victorian uniform transformed into a sleek, trendy look. Hairstyles and clothing incrementally became shorter and more revealing. This led to the birth of a new woman in 1926. She dressed provocatively, smoked cigarettes, and
In today’s society, concepts of gender roles and body images plague the minds of young ladies and men of the millennial generation. These are enforced by popular culture in song, video and magazines that are published. These roles and images are seen by and influence the minds of mainly young girls but not more popularly seen, young men. Magazines such as Cosmopolitan, Vogue and Sports Illustrated flaunt slim women and very muscular men with “perfect” bodies and hair on their covers and give no thought to the readers and how it may influence their minds. Also, the artists of this generation also have a large influence on how young men and women see themselves and perceive their gender roles to be. These affect the minds of persons in ways such as they end up having a lower self-esteem as they cannot live up to societal image standards, young men and women tend to follow the gender roles that they see and young girls and boys ultimately turn to drastic measures to fulfil the body images that they feel they should obtain.
Iggy Azalea's return to social media hasn't been as smooth as she would have hoped. A fan contacted her on social media and stated that the single "Pretty Girls" flopped a little bit. The rapper responded,"It's difficult to send a song up the charts without additional promo and TV performances etc. unfortunately I'm just featured." Azalea's comments were taken as disrespectful and Pop Zone tweeted that the rapper was throwing shade at Britney Spears and her team. Azalea answered Pop Zone by tweeting,"My comment is factual, it applies to any song. I don't have to suck the womans [sic] asshole 24/7 to be her friend, do I? Bye girls." "Pretty Girls" has achieved moderate success since its release last month. It reached Number 9 on the Billboard Hot 100, Number 23 on Mainstream Top 40, and Number 5 on the Hot Dance Club Songs. The music video for the single has received over 79 million views on YouTube.
The South is a culture all of its own. Known for its fried food, college football, and country music, one cannot help but fall in love with this distinct culture. Residing within the already unique South is a group of even more unique college-aged girls. These girls are often referred to as the Preppy Southern Belles. All though these Belles are materialistic and sassy, there is a part of every girl that dreams of fitting this mold.
Pin Up Girls is an early 20th century themed video slot, mainly based on the 40s to 60s decades. Pin Up Girls features rollerblades, poster girls, Vespas, and other classical imagery from the period. Pin Up Girls can be quite cheap to play for an iSoftBet slot, with a floor bet of a penny per line, per spin possible, and maximum capped ceiling bets never exceeding a total of £45 a spin. This 5-reel, 9-payline slot will allow players to win as much as 225,000 coins in total.
The Gibson Girls image was very feminine. They were tall, slender, and wore corsets to accentuate their hips and breasts. They had thin necks and wore their hair in loose curls piled on top of their head. Gibson Girls did not
It’s difficult to envision a world where idealized female imagery is not plastered everywhere, but our present circumstance is a relatively new occurrence. Before the mass media existed, our ideas of beauty were restricted to our own communities. Until the introduction of photography in 1839, people were not exposed to real-life images of faces and bodies. Most people did not even own mirrors. Today, however, we are more obsessed with our appearance than ever before. But the concern about appearance is quite normal and understandable given society’s standards. According to Jane Kilborne, “Every period of history has had its own standards of what is and is not beautiful, and every contemporary society has its own distinctive concept of the
This however raises a conundrum because not all women of the time were models either. Therefore the new woman of arising in the americas were a lot more independent ant had a lot more freedom so they became , “athletic and free-spirited” (Blakemore). This in return shows the difference in the way the woman looked compared to one another. The women could wear their hair down and do with it as they pleased, while the Gibson Girls would wear it up high in a big hairdo. Not every woman was gorgeous either unlike the description of the Gibson Girl. The reason the Gibson Girl was so gorgeous was so that men would be more attracted to them. This is one of the reasons the Gibson Girl was criticized which is also shown here,” for creating an unrealistic ideal of what women should look like: perfect proportions and long flowing hair “ (Chopin ). Therefore as you can see the Gibson Girl’s look was completely inaccurate compared to the women of the time.
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“Do you see her? She went from normal to Goth.” That’s what people claimed of me being, yet behind the scenes I was a victim of a sixth grade Friendswood Junior High rumor. As an enthusiastic sixth grade student, I was anxious to meet new people and make new friends. As I did I apparently fell into a category classified as the “Goth Girls group”. As you can imagine I was not aware of it at the time and perhaps uncomprehending of the overwhelming consequences of the entire scenario.
Another area in which women made changes was with their appearance. Women used their attire and style to show an independence, a certain freedom in which they alone had control. Starting with the “Gibson Girl”, women dressed in long, slim dresses, freeing themselves of the poufy petticoats of yore. Women started wearing shorter dresses and shorter hairstyles, leading to “Flapper Jane”. “Women started wearing “less” clothing, shorter dresses, cutting off their hair, and just being more “sensual” than normal”, (Bliven, 1925).
Before the 1920’s, women’s attire was considered fairly modern. Women would have worn clothing with more of a silhouette than clothing that was loose and flowy. The length of their dresses never revealed more of their leg than just their ankle. Women received bad reputations when showing their knees or even their calfs. Women in the 1920’s also had a different ideal figure than most women do today. The body types women wanted to achieve also transformed into a more feminine look. This look consisted of low bust lines, higher hems lines, and showing off more curves than ever before. These women became unapologetically fearless.