Poem: An Analysis Of 'The Triangle Shirtwaist Fire'

“The ‘Triangle’ company, “With blood this name will be written in the history of the American workers’ movement, and with feeling will this history recall the names of the strikers of this shop- of the crusaders” (Von Drehle 86). Even before it happen, the Forward predicted the terrible disaster of the Triangle Shirtwaist Factory that occurred one year, one month, and seventeen days later (86). Triangle: The Fire that Changed America, by David Von Drehle tells the story of the horrible fire.

The book Travels of a T-Shirt in the Global Economy by Pietra Rivoli is about the journey of a plain cotton shirt internationally through the economy. This book consists of a plain, cheap t-shirt bought at Wal-Mart, is split into four important parts. The first part is about the source of the t-shirt: cotton. The second part is about the creation process the t-shirt goes through while being created in China. The third part is consists of explaining what happens after the t-shirt goes to the United States and faces the American protectionist policies. Lastly, the fourth essential part of this t-shirt is what happens to the shirt when it is finished in America (or other developed nations).

Sweatshops a big issue in today’s society, even though their existence can sometimes stay hidden from the public’s eye. A famous author named Berry states, “ most of us get all the things we need by buying them and most of us know only vaguely, if at all, where those things came from; and most of us know not at all what damage is involved in their production. We are almost entirely dependent on an economy of which we are almost entirely ignorant.” The majority of people in the US have no idea where the clothes they are purchasing are actually coming from. Most people would not support the exploitation of their own race of people. If they were able to see and come to realization about what is actually happening they would have a much different change of heart.

Robert Pinsky’s poems tend to be political, and his poem “Shirt” is no exception. It the beginning of the poem, Pinsky describes the process of how his t-shirt was carefully produced in a factory overseas. He then transitions to describe the tragic Triangle Fire of 1911 and how the victims had to respond to the chaos in the moment. Then, he circles back to clothing production in Europe and the United States by talking about the tedious work performed.

The imagery of fire in Edwidge Danticat 's short story “A Wall of Fire Rising” possesses a very powerful meaning and also continually changes throughout the entirety of the story. Fire was a very sacred thing to have, especially during the time this story has taken place.

The use of symbolism and imagery is beautifully orchestrated in a magnificent dance of emotion that is resonated throughout the poem. The two main ideas that are keen to resurface are that of personal growth and freedom. Furthermore, at first glimpse this can be seen as a simple poem about a women’s struggle with her counterpart. However, this meaning can be interpreted more profoundly than just the causality of a bad relationship.

Some disasters are so impactful, that they forever change the course of history. On March 25, 1911, one such event took place. The infamous Triangle Shirtwaist Fire occurred that day, and left one hundred and forty-six people dead in its wake. While many at the time thought the story would soon pass, and with it all the potential bad publicity, the story of the fire spread quickly, and outraged many people. As a result, the Triangle Shirtwaist Fire ended up changing many

On the afternoon of March 25, 1911, a fire broke out in the 10-floor Asch Building, a block east of Manhattan's Washington Square. This is where 500 mostly young immigrant girls were producing shirts for the Triangle Shirtwaist Company. Within minutes, it spread to consume the building's upper three stories. Firemen at the scene were unable to rescue those trapped inside: their ladders weren't tall enough. Exits were locked, and the narrow fire escapes were inadequate. Panicked, many jumped from the windows to their deaths. People on the street watched in horror. The flames were under control in less than a half hour, but 146 people perished, 123 of them women. It was the worst disaster in the city's history.

The poem describes the weather and its effect on cotton flower by pointing out the dying branches and vanishing cotton. The image of insufficiency, struggle and death parallel the oppression of African American race. The beginning of the poem illustrates the struggle and suffering of the cotton flower; which represent the misery of African Americans and also gives an idea that there is no hope for them. But at the end the speaker says “brown eyes that loves without a trace of fear/ Beauty so sudden for that time of year” (lines 13-14). This shows the rise of the African American race, and their fight against racism. The author used mood, tone and

     Near closing time on Saturday afternoon, March 25, 1911, in New York City a fire broke out on the top floors of the Asch Building in the Triangle Shirtwaist Company. One of the worst tragedies in American history it was know as the Triangle Shirtwaist Fire. It was a disaster that took the lives of 146 young immigrant workers. A fire that broke out in a cramped sweatshop that trapped many inside and killed 146 people.

1. In the essay “Sweatshirts to Sweatshops,” many of the universal intellectual standards are violated. To begin with, the speaker talks about the “little girl…working hour after hour…trying not to collapse from the heat…” and that violates the fairness of the argument. He is trying to manipulate the audience by appealing to their emotional side. This argument is not based in factual evidence, and therefore, could be dismissed by the audience. There may not be a little girl in this exact situation described, and therefore, this statement is irrelevant. This could be corrected by leaving the entire story of the “little girl” out, or an interview of a child that works in the factory could be conducted giving a first-hand look into the

The book is broken down into four parts: “King Cotton”, “Made in China”, “Trouble at the Border” and “My T-shirt Finally Encounters a Free Market”. Each part explains a different step of the t-shirt process.

     The owners of Triangle Shirtwaist Factory wereMax Blanck and Isaac Harris. These men were wealthy business men who did very little work and made a fortune off the backs of hard working women, and immigrants. These men were held in high regard for there riches among there rich friends in the community. Although among the less off people of New York, Mr. Blanck and Mr. Harris, along with other sweatshop owners, were thought as money hungry, filthy rich men who had no mercy, let alone personality towards the people whom worked for them.

Often, when we think of a t-shirt, not much consideration goes past throwing it on and walking out the door. We discover in The Travels of a T-Shirt in the Global Economy, author Pietra Rivoli conveys the story of a t-shirt she purchased in Florida for just $5.99. Beginning with core element of the t-shirt, she describes the cotton boom in the United States and why we have reigned supreme as the leading cotton producer. She even meets with a Texan farmer who warms your heart from the very beginning of the chapter. Next, the cotton goes on to textile mills and factories, and Rivoli explains the history of the textile industry. With this lesson, she demonstrates how the textile industry boom was a

Ilan Stavans says that Juan Rulfo’s book, The Plain in Flames, is best represented by the phrase realismo crudo. Stavans defines this phrase as “a type of realism interested in the rawness of life”, meaning that he characterizes Rulfo’s writing as an unfiltered view into the lives of the average Mexican (Stavans, xi). By writing in this style, Rulfo is able to provide “an image—instead of just a description—of our landscape” as stated by Octavio Paz (xv). To create this image, Rulfo broke his story writing the process down into three separate steps. As paraphrased by Ilan Stavans, the first step “is to create a character”, the second step “is to place him in an environment where he might move around” and the third step “is to discover how the character expresses himself” (xiii). Rulfo was able to repeatedly crafted stories that were filled with high levels of realismo crudo by using that special three-step process. By creating his protagonist, crafting an environment for said protagonist, and allowing the character to express themselves within this environment, Rulfo crafted a three-tier image of post-revolutionary life in Mexico that has never been seen before.