Pop Goes The Weasel

In conclusion, the values of a women’s role are very important in our society and in the Old English epic poem literature. All these women in Beowulf and Sir Gawain and the Green Knight poem have shown all good things such as love, loyal, and romances in the medieval period of society. So, love is a good feeling for everyone in life that makes people happy with family and friends. Love will bring as many good things to everyone with these happiness, joyful, and peace for their life. Therefore, all the women love want to be a good wife with most of the powerful man and loyal man around them. And they can easier to hold the main position in the good relationship with all these men in the medieval period. Besides that, the women characters in

During a high point in medieval chivalric romance, both Marie de France’s Lanval and the anonymous Sir Gawain and the Green Knight tell fanciful tales of knighthood, chivalry, and spiritual and temporal (courtly) love. Both Lanval and Sir Gawain and the Green Knight portray their female characters as possessing considerable power and influence, within the events in the story and in the structure of the plot. Indeed, the female characters in both works function as the catalysts of the events within the stories, and also as instruments for each author's conveyed meaning. While Lanval presents its female characters in an unorthodox reversal of gender roles, Sir Gawain and the Green Knight employs the female characters as moral and spiritual trials for the hero, Sir Gawain. I will examine how the fairy princess and Queen Gwenevere in Marie de France's Lanval present a reversal of gender roles as was traditionally understood; she presents femininity as powerful, inspiring, and morally dynamic (for a woman can be ideal, or she can be corrupt). I will compare this to the representation of Lady Bertilak and Morgan le Fay in Sir Gawain and the Green Knight, in which they are used to convey a “Biblical” warning for an ecclesiastical audience; particularly that of moral failure and the temptation of the flesh.

“Lanval” by Marie de France and “The Wife of Bath’s Tale” by Geoffrey Chaucer are both medieval romances that put a knight on trial by a queen’s court for his treatment of a lady. Throughout the course of this paper, readers will get the opportunity to travel back in time to the Middle Ages and that during the twelfth-century women were superior to men, specifically in their relationships and marriages; however, today men dominant individuals, especially in working world.

In medieval literature, the role of women often represents many familiar traits and characteristics which present societies still preserve. Beauty, attractiveness, and grace almost completely exemplify the attributes of powerful women in both present and past narratives. European medieval prose often separates the characteristics of women into two distinct roles in society. Women can be portrayed as the greatest gift to mankind, revealing everything that is good, pure, and beautiful in a woman's life. On the other side of the coin, many women are compared to everything that is evil and harmful, creating a witch-like or temptress quality for the character. These two aspects of European culture and literature show that the power of

The conventions of courtly love stem from the precise chivalric code of knights in the Middle Ages and passionate romances of European medieval folklore. Fantastic tales of dauntless knights and their fair damsels, often set in King Arthur’s kingdom

     Until recently, the role of women in literature has seemed to reflect the way they were treated in society. Women were seen as secondary to men, and their sole purpose in life was to please a man’s every desire. This is not the case in three specific literary works. The Odyssey, The Wife of Bath, and Sir Gawain and the Green Knight use the actions of its women characters to greatly enhance important thematic elements. The women in each of these works use feminine psyche to persuade men to do things that men of the time would not usually do. The use of women in these literary works is very contrary to the prevailing ideals of the female and her responsibilities at the

That isn’t to say that the spoken word is useless, but, as Postman says, “The written word endures, the spoken word disappears; and that is why writing is closer to the truth than speaking” (21). The written word endures greater than the spoken word because it is well thought out, cannot be changed once it is written down, and it reveals the truth through means that can’t often be reached through verbal communication. Before the written word poems and rhetoric were of greater importance than they were after as knowing things off the top of one’s head meant that person was of greater intelligence. This is different to modern times where there is no reason to memorize things as everything important is already written down and can, for the most part, be found at a moment’s notice. I think that Postman is trying to convey that knowledge is greater benefitted by the written word rather than the spoken

In Geoffrey Chaucer’s poem, The Knight’s Tale, the author encapsulates chivalrous characteristics in his telling of a battle for love. In its fundamental form, chivalry idealizes a knight’s conduct, both on and off the battlefield (Gregory-Abbott). Chaucer employs this “heroic code [of] bravery, loyalty, and service to one's lord” to illustrate the idillic knight throughout the narrative (Rossignol). Chaucer’s poem, The Knight’s Tale, exhibits the ideals of chivalry in the form of two knights, desperately in love with the same woman, and a wise Duke who embodies the voice of reason. Each knight upholds honor through compassion, troths, and heroism on the battlefield, despite their afflictions with each other.

The popular medieval romance, “Sir Gawain and the Green Knight,” explores many aspects of the Arthurian legend, including chivalry, religion, and courtly love. Although the poem does feature many female characters, one aspect that the Gawain poet does not touch upon is the role and place of women in this feudal society; all of whom live under the objectification of a male driven culture. One might say that the women featured in this romance are focused on more heavily than that of other literature during this time period and that might be true; however, after a closer look the reader can see how it’s the little things that the Gawain poet does or doesn’t do that diminish the importance of the four main female characters in this poem.

The Canterbury Tales begin with The Knight’s Tale; which chronicles the tragic love triangle of Palamon, Arcite and Emilye. The following tale, which is told by the Miller, is also a love triangle, and is in many ways similar to the Knight’s tale. However, the Miller’s tale sharply contrasts the Knight’s, almost parodying it. The Knight’s tale is a tragic of nobility, heritage and focuses heavily on mythology and astrology, whereas The Miller’s tale is a comedy, focusing on the common-man and his less civilized, and bawdy lifestyle. The two stories mirror one another in many ways, but are presented from completely different sides of the spectrum. When the two tales are looked at closely, it doesn’t seem to be a coincidence that they occur

The Knight’s Tale is a perfect example of how women bring out the foolishness in men. In the story, two princes trapped in a prison tower see a maiden in the garden and they both fall in love with her. Unfortunately, they start fighting over the women until they realize their efforts are foolish because they could never win her over in a prison. “Love if you want to; I shall love her too, And that is all there is to say and do. We’re prisoners and we must endure it,man,” (35). Arcite later becomes free, however he is exiled from the country. Most people would be ecstatic about this development, but Arcite was not. “Whereas I am in exile from my own good, For since I may not see you, Emily, I am but dead there is no remedy,” (37). Arcite is blinded by his desire for Emily and fails to realize the once in a lifetime opportunity he has been granted. He then foolishly decides to return back to Athens under a disguise. One day, Palamon breaks out of prison and escapes toward the garden where he meets

One of the generalizations Hodges makes is that Chaucer's Knight is not romantically ideal. On this point, we definitely agree. There haven't been many changes in peoples' conceptions of the "ideal knight" since the 14th century. The "ideal knight" is the one

    Toni Morrison makes a good point when, in her acceptance speech upon receiving the Nobel Prize in Literature, she says, “Narrative . . . is . . . one of the principal ways in which we absorb knowledge” (7).  The words we use and the way in which we use them is how we, as humans, communicate to each other our thoughts, feelings, and actions and therefore our knowledge of the world and its peoples.  Knowledge is power.  In this way, our language, too, is powerful.

The portrayal of men and women has varied in different stories throughout history. Many portray women as beautiful, deceptive, manipulative, and smart, while men are portrayed as being strong, masculine, and easily tricked. In many of the works covered in the course “Major British Writers to 1800,” men are advised to refrain from acting lustful, believed that it would harm their overall ability to succeed in whatever the characters aimed to do. An example of this is seen in “Sir Gawain and the Green Knight” when Gawain is deceived by Lady Bertilak in an effort to prove that Sir Gawain is imperfect. The depictions of men and women are very similar in Fantomina by Eliza Haywood, Sir Gawain and the Green Knight, and Phyllis and Aristotle. .

Sir Gawain is a great example of a medieval romance because of the chivalrous qualities they share. Medieval romance is a genre of poetry that has certain ways a knight lives his life. One of the main characteristics is the knights Code of Chivalry. This code made knights act honorably, bravely, honestly, and courteously.(Medieval Life and Times) Another main aspect of medieval romances are “courtly love.” Courtly love is when a knight would adore a married women, and she would admiration as well. Marriage was no for love during this time, so it would be common for a woman and man who were involved with other people to show affection to someone other than their spouse. Medieval romances also show supernatural people, animals, and events. (Hahn