Portrayal Of Women In Greek Drama Opposed Gender Norms

Throughout history, art has been a reflection of society, an indication to culture and a way to analyze historical context. Art is a gateway to understanding how people think, feel, and act in the context the art was created in. Athenian theater remains popular in modern times; it is not only timeless in its message but it can be useful in analyzing the way in which people lived during the time. Oedipus and Lysistrata, both Greek dramas, prove an example of this: they provide a reflection on the views of women at the time. The playwrights, Sophocles and Aristophanes, were both highly popularized at the time, deeply culturally ingrained into society and therefore highly reliable when it comes to cultural observation. The role of women in Ancient Athens was that of subservience and limitation. Respectable women held no job, instead bound housework and childcare. While higher class women often had

A woman’s place was supposed to be at home, in both Sparta and Athens, but the capacity in which they were supposed to be at home differed substantially. In Athens, it was compulsory for women to be acquiescent and compliant. They were supposed to stay home most of the time, bearing, nourishing and taking care of the children, spinning and weaving clothes, keeping the home clean and tidy, preparing food or overseeing the preparation of food by the servants; women from Sparta were the complete opposite of the women in Athens, they were allowed to keep property with the over seeing of the male counterpart, which according to Aristotle, said that in 4th BCE, 405 Sparta was owned by women, and may have contributed to

For this informative report I will attempt to point out the roles women and how they are viewed in ancient Greece. I will then show how these views are present in Homer’s "The Odyssey." How are women, goddess or mortal, conveyed in "The Odyssey?"

Studies concerning the lives of women in classical Athens have sparked much controversy because, despite the apparent fascination with femininity manifested in art and drama, we have no evidence voicing the opinions of the actual women themselves. This presents a

In “The Trojan Women,” there are four enduring women who dominate the play and only two men who say anything at all. Moving us with their rants and dramatic reactions, these women engulf the audience in overwhelming grief and irresistible pride. Euripides emphasizes these four women to help us understand one of his main themes. Hecuba with her pride, Cassandra with her virginity and uncanny wisdom, Andromache with her misery and heartache, and Helen with her powerful, seductive reasoning all represent superior illustrations of feminism throughout the play.

Women’s role in Greece can be seen when one first begins to do research on the subject. The subject of women in Greece is coupled with the subject of slaves. This is the earliest classification of women in Greek society. Although women were treated differently from city to city the basic premise of that treatment never changed. Women were only useful for establishing a bloodline that could carry on the family name and give the proper last rites to the husband. However, women did form life long bonds with their husbands and found love in arranged marriages. Women in Athenian Society Women are “defined as near slaves, or as perpetual minors” in Athenian society (The Greek World, pg. 200). For women life didn’t

Respectable Athenian women seldom left their homes. Only men could purchase goods or engage in soldiering, lawmaking, and public speaking. The societies of ancient Egypt and of the Greek city-state of Sparta provided a rare contrast. Both Egyptian and Spartan women could own property and engage in business. According to Dr. Peter Picone, the author of “The Status of Women in Ancient Egyptian” states “the Egyptian women seem to have enjoyed the same legal and economic rights as the Egyptian man”. Also he states that legal rights were on a class boundary more than a gender boundary. The Women of Sparta on the other hand were quite different from the women of their neighbor, Athens. As you well know, the women of Sparta were bold, freer, and well educated. Also with the Sparta women, everything depended up money, which would determine your rank in society. While some of the Spartan citizens have quite small properties, others have very large ones; hence the land has passed into the hands of a few. And this is due also to faulty laws; for, although the legislator rightly holds up to shame the sale or purchase of an inheritance, he allows anybody who likes to give or bequeath it. Yet both practices lead to the same result. And nearly women held two-fifths of the whole countries; this is owing to the number of heiresses and to the large dowries that are customary. The Women of Sparta on the other hand were quite

Euripides and Sophocles wrote powerful tragedies that remain influential to this day. The vast majority of work recovered from this time is by male authorship. What remains about women of this time is written through the lens of male authors’ perspective and beliefs about the role of women in Greek culture. The works of these two playwrights frequently characterize women as unstable and dangerous. Agave, Antigone, and Medea are all undoubtedly the driving force behind the tragic action in these plays. It is their choices that lead to the pain and death of the people around them. Through an examination of the evidence from three separate works, Antigone, The Bacchae, and The Medea, the role of women in ancient Greek tragedy becomes clear. The actions of Agave, Antigone, and Medea repeatedly prove their characters instability and danger.

The different portrayals of female characters Antigone and Lysistrata illustrate the fundamental nature of the proper Athenian woman. Sophocles' Antigone allows the reader to see that outrage over social injustices does not give women the excuse to rebel against authority, while Aristophanes' Lysistrata reveals that challenging authority in the polis becomes acceptable only when it's faced with destruction through war. Sophocles and Aristophanes use different means to illustrate the same idea; the ideal Athenian woman's ultimate loyalty lies with her polis. This Greek concept of the proper woman seems so vital when considering Athenian society because both a tragedy and comedy revolve around this concept. The differing roles accorded to

For centuries men have been finding ways to gain control over everything and everyone. One group that has been oppressed by men throughout history are women. Men have placed rules and regulations upon women making them seen as unequal and inferior. Was it fear? Was it the hunger for power? Was is the highness of superiority? Whatever the reasons were, men had to be seen as the highest being next to whom they worshiped. In the play Antigone by Sophocles, the audience is exposed to the roles of men and women in an ancient Greece society known as Thebes. Although ancient Greece was a male-dominant society where women had as much freedom as a slave, Sophocles’ main character in the play, Antigone, is an example of a brave, strong-minded woman who goes against the limitations that were unfairly set upon women during that time to do what she believes is right. In this play, gender roles assists in the process of portraying the story since it affects some of the decisions of the characters and helps lead the story into the climax.

The role of women in ancient Greek life was insignificant compared to that of Greek men. A woman's job was to take care of the children and to cook and clean unless she had servants or slaves that would do it for her. Yet, in Greek mythology, women were often written as major characters. Well-known Greek plays contain many well-written, complex, female characters. Female individuals in Greek mythology were often seen as very powerful and fierce and were depicted by “her wits, her beauty, or her bad deeds.”

This investigation will attempt to answer the question what are the similarities and differences of the role of women in Athens and Sparta. The question is relevant because women’s roles have developed over time and knowing women’s history helps women’s rights to keep moving forward. The issues that will be addressed are the religious, job roles and the expectations of women in their society. Women of wealth and women of lower classes will be included. This investigation will focus on the time period of 600 BC to 300 BC and the places investigated will include Athens and Sparta. This will be accomplished through a thorough examination of academic journals, books and websites.

The poetic tone of Aristophanes' Lysistrata differs greatly from the poetic tone of the Greek tragedies we have read in class. However, after analyzing this Greek comedy, it seems to share some of the main characteristics of Euripides' Medea. Within these plays, we meet shrewd, powerful masculine women who use the art of manipulation to get what they want from others and to accomplish their goals. This theme of manipulation is employed through various means and techniques. The women of these plays also seem to contradict the stereotypical woman and have characteristics similar to the Homeric Greek warrior.

Life for an Athenian woman was marked by her daily occupation to the household and its occupants. This was the sphere of life where she was able to exert the most power and maintain a certain degree of agency. Her domestic duties included attendance to her husband, and his sexual needs. In the comic portrayal of women in Lysistrata, Aristophanes exploits this domestic power to create a scenario where “the harsh and intractable realities of life, politics and international aggression are transformed so that wives manage to overcome husbands, love conquers war, insignificant citizens manage to

Lysistrata was a political satire written by Aristophanes in early 400 B.C.E., and was performed in Athens. The connection between Lysistrata and the society and culture surrounding it is deeply significant. Due to the immense cultural pressure in this period, it’s difficult to pinpoint a singular theme that Aristophanes was trying to make a comment on. With the Peloponnesian War continuing to lead a seemingly endless reign of chaos over Greece and its citizens, these elements of fear and despair became very relevant in the plays of the time, most notably being Aristophanes’ Lysistrata. Within such satires, it became commonplace to see women being used as satirical devices to call attention to the craziness that had consumed society. It also contributed to the idea of women having a social or political power and, more importantly, having worth and a voice. Although it is impossible to know exactly which social aspects Aristophanes was trying to comment on, through historical documents and contexts, it is clear that statements were made condemning war through the satirical use of subverting gender norms to reinforce the foolishness in society and fighting.