Postmodernism vs. Marxism Essay

Though the start of the modernisation may trace back to the beginning of Industrial Revolution. “Modernism in the design world did not exist in a fully developed form, until well after First World War.” (Wilk, 2006) Causing the great loss of lives and other countless damage to the world, it reshaped many people’s way of thinking the world. With the inspiration of early avant-garde movement, the modernism began to emerge advocating an utopian future and shared certain core principles by various styles of modernists: rejecting the past and applied ornament; forms follow function, a preference for

Modernism was primarily concerned with principles such as identity, unity, authority, and certainty whereas postmodernism is often connected with difference, plurality, textuality, and skepticism. Postmodernism is a movement away from the perspective of modernism. Basically Modernism became 'whatever you could get away with.' Modernism attempts to construct a consistent world-view whereas postmodernism tries to remove the difference between high and low. Modernist thinking stresses that mankind advances by using science and reason while postmodernist thinking believes that progress is the only way to validate the European domination on culture. Modernist beliefs are in learning from past experiences and trusts the texts that relate the past. On the other hand postmodernist thinking defies any truth in the text narrating the past and renders it of no use in the present times. Modernist historians have a faith in depth. They believe in going deep into a subject to fully analyze it. This is not the case with postmodernist thinkers. They believe in going by the superficial appearances, they believe in playing on surfaces and show no concern towards the depth of subjects. Modernism considers the original works as authentic while postmodernist thinkers base their views on hyper-reality; they get highly influenced by things propagated through

on the nerve near the ear) was greater on the side of the head that the cell phone was held.[13]

The Industrial Revolution (1750-1850) had brought about significant changes in agriculture, mining, manufacturing, transportation and technology and subsequently established an era of unprecedented economic growth in capitalist economies. It was within this era that Karl Marx had observed the deprivation and inequality experienced by men of the proletariat, the working class, who had laboured excessively for hours under inhumane conditions to earn a minimum wage while the bourgeoisie, the capitalist class, reaped the benefits. For Marx it was this fundamental inequality within the social and economic hierarchy that had enabled capitalist societies to function. While Marx’s theories, in many instances have been falsified and predictions

The term “postmodernism” was first used by the philosopher Jean-Francois Lyotard in 1979. This term refers to the rejection of modernist ideas. However, if you have not had the chance to watch and films from the modern era, then it could prove difficult to tell whether or not original films are considered to be modernist or postmodernist. The films Stranger than Fiction and the short film Play are both postmodern films because they share the elements of hyper-reality, ambiguity, and metafiction.

Post Modernism Perspective’s- "According to postmodern perspectives, existing theories have been unsuccessful in explaining social life in contemporary societies that are characterized by post industrialization, consumerism, and global communications (Kendall, 01/2014, p. 29).”Postmodern theories are based on the assumption that the rapid social change that occurs as societies move from modern to postmodern (or postindustrial) conditions has a harmful effect on people. One evident change is the significant decline in the influence of social institutions such as the family, religion, and education on people’s lives. Those who live in postmodern societies typically pursue individual freedom and do not want the structural constraints that are imposed by social institutions (Kendall, 01/2014, p. 29). "Postmodern (or “postindustrial”) societies are characterized by an information explosion and an economy in which large numbers of people either provide or apply information, or they are employed in professional occupations (such as lawyers and physicians) or service jobs (such as fast-food servers and health care workers). (Kendall, 01/2014, pp. 29-30)

‘Modernism’ is derived from ‘modo’, a Latin word which means “just now”( Philosophy Basics. n.d.). Modernism, in its broad explanation includes the different movements related to art in the Europe, initiating from the end of the 19th century till the beginning of 20th century (Design History Mashup, Philip S. , 2008). These latest European movements developed to reject the conventional arts of the previous times. The public, who showed initial controversy to the new ideas, gradually acknowledged them. A major portion of these European movements and the public and political protests were

Marxist Perspective, Its central aim is to provide an empirically well-founded description of phenomenon, to get the social implications; and to illuminate the historical process through which this phenomenon came to exist in the real world. Additionally, its aims at comprehend and explain reality using themes to make analysis and this is confirmed by research. This has methods such as phenomenology and Ethnomethodology. It produces knowledge on a social reality in order to transform it. Therefore understanding reality becomes a main goal to drive the historical process and historical world. However, knowledge is not a sufficient and it must be articulated with a practical process.

Modernism was a movement that was developed during the late nineteenth century and early twentieth century. Modernism developed due to the changes happening in societies at the time. Around the late nineteenth century and early twentieth century there was a rise in the industrial society’s where there were advancements in technologies and machines, and a rapid growths in cities. This lead to a change in cultural trends and philosophies, which is known as modernism. Modernism was well known for the rejection on traditional way, such as the arts and beliefs. It rejected the idea of realism and religious beliefs. During these years modernism could be distinguished by two aspects, High and Low Modernism.

In the United States, modernism began in the late 1910s, was at its peak in the 1920s, and

Modernism began in the late 19th and early 20th century mainly in Europe and North America just before World War I. Modernism started as a reaction to existing kinds of

'It quickly emerged that the proper and unique area of competence of each art coincided with all that was unique to the nature of its medium. The task of self-criticism became to eliminate from the effects of each art any and every effect that might conceivably be borrowed from or by the medium of any other art. Thereby each art would be rendered 'pure', and in its 'purify' find the guarantee of its standards of quality as well as of its independence. 'Purity' meant self-definition, and the enterprise of self-criticism in the arts became one of self-definition, with a vengeance.'

The Modernist Period was first a reaction against the previous Victorian culture. Intellectuals and artists of the 20th century believed that the previous era’s way of doing things was a cultural dead end and they wanted to break away from traditions.

While literary critics do attempt to elaborate or develop ideas articulated by Karl Marx, it is important and necessary to make a distinction between Marx's specific socio-economic and political agenda and the body of literary theory which emerged years later. Marxist literary criticism proceeds from the fundamental philosophical assumption that "consciousness can never be anything else than conscious existence...Life is not determined by consciousness, but consciousness by life" (Marx 568-9). Marxist critics use this challenge to the notion of an innate, prefigured, individual human nature to reexamine the nature of creative or literary authority.

This next unit of theory is entitled "Ideology and Discourse." The theorists we're examining--Althusser, Bakhtin, and Foucault--are discussing how ideology works, and how ideologies construct subjects. All of these theorists are coming from a Marxist perspective, using ideas and terms developed in Marxist theory, though only Althusser actually claims to be a Marxist. So to start off, I want to talk a bit about some basic ideas of Marxist theory.