Psychological Estrangement in Shakespeare’s Hamlet Essay

Shakespeare’s Hamlet is a tragic play about murder, betrayal, revenge, madness, and moral corruption. It touches upon philosophical ideas such as existentialism and relativism. Prince Hamlet frequently questions the meaning of life and the degrading of morals as he agonizes over his father’s murder, his mother’s incestuous infidelity, and what he should or shouldn’t do about it. At first, he is just depressed; still mourning the loss of his father as his mother marries his uncle. After he learns about the treachery of his uncle and the adultery of his mother, his already negative countenance declines further. He struggles with the task of killing Claudius, feeling burdened about having been asked to find a solution to a situation that was

Hamlet really wanted the revenge on Claudius but was really on the fence of what to actually do to follow through with then plan. Claudius was brave to feel so free, as Hamlet had opportunities to take advantage of him and had plenty of hate towards him for more than one reason. The action Hamlet may want and outcome of it, may be completely different as to what his father would do or like him to do.

Hamlet has been praised and revered for centuries as one of William Shakespeare's best known and most popular tragedies. Based on its popularity, critics alike have taken various viewpoints and theories in order to explain Hamlet's actions throughout the play. The psychoanalytic point of view is one of the most famous positions taken on Hamlet.

In William Shakespeare’s play, Hamlet, the playwright introduces the compelling, complex, and complicated character of the Prince of Denmark, Hamlet. In the events of the play, Hamlet swears revenge against his uncle for the foul murder of his father, the king. However, despite his intense catalyst, Hamlet reveals to be continuously torn between his motive of revenge and conflicted conscience, generating an inability to carry out his desired actions. While Hamlet possesses the passion and intellect to murder his uncle, Claudius, his actual inclination to act upon the murder directly opposes that of his powerfully emotional contemplations (S.T. Coleridge). Hamlet’s overzealous thoughts become unrealistic compared to his actual endeavors throughout the play.

One single moment or event during the course of an individual’s life can effectively alter their priorities and transform their identity drastically. In The play Hamlet, by William Shakespeare, Shakespeare introduces the readers to the protagonist Hamlet who is draped in anger and emotions and has a new-found mission in life. Initially, Hamlet is portrayed as an individual in mourning over his father's death and his mother's haste in remarrying to her brother-in-law and Hamlet's uncle, Claudius. However, Hamlet’s character and personality were drastically altered after meeting the Ghost and

Shakespeare’s Hamlet is a work of immense depth in character development, most notably the personal, moral and psychological battles

Characters may possess both the ability to intrigue whilst maintaining a commonplace and dry persona, essentially, Hamlet attains the ability to break from his compulsion to abject based on the inept character(s) of Rosencrantz and Guildenstern. In retrospect, Rosencrantz and Guildenstern are the same person as they are sparsely differentiated and never are they seen apart from one another—thus the question remains as to why Shakespeare created such characters based on the same superficial mould. Rosencrantz and Guildenstern prove to be a clever satire of the capacity for human conformity, and of course the entirety of their characters is summed upon their agreement to spy on Hamlet for King Claudius. Therein is revealed the essential flaw of Rosencrantz and Guildenstern, their otherwise ‘pack’-mentality.

This, in turn, exploits Hamlet’s similar flaw of ego and furthers the conflict, but what’s more, it illustrates Claudius’ sheer audacity and lack of repentance. He continues to try to cover up the sin and appease Hamlet into complacency rather than confess and ask for forgiveness. In a mark of pure arrogance, Claudius tells Hamlet to “throw to earth / This unprevailing woe and think of us / As of a father”, conceitedly requesting that Hamlet merely forget the murder and replace his father with the murderer himself (I, ii, 110-112). Similarly, instead of directly confronting Hamlet about his mental condition, the king more or less hires Rosencrantz and Guildenstern to spy on the prince, again cementing his smug mindset. The king does not believe he can be caught or, rather, that Hamlet is competent enough to figure out his plan and foil him. Claudius, too, thinks only of himself after Hamlet’s inadvertent killing of Polonius, pondering “how shall this bloody deed be answered? / It will be laid to us” instead of considering the ramifications of the murder with respect to Hamlet (4.1.17-18). The other two paper-thin traps the king hatches only reinforce his failure to see beyond the apparent; his attempt to deport Hamlet to England and have him killed reeks of treachery and, luckily, Hamlet realizes the king’s subterfuge, crushing the plot and flipping it back on him. Claudius remains steadfast in his efforts to remove Hamlet, going so far as to set up a

Laertes in Ophelia's grave. Hamlet tells her that he never loved her when she returns his

Isolation is a barrier to relationships. By rejecting everything around them, these people are cutting themselves off from society. Hamlet, from the play of the same name, drives himself into a corner by cutting off most of the bonds he has formed before the play. The play is the breakdown of Hamlet cutting these bonds and subsequent consequences. By the end of the play, his friend and trusted advisor, Horatio, is the only one left that Hamlet can put any faith in. The extent of Hamlet’s isolation is far-reaching as he breaks his bonds with most everyone, causing him to further isolate himself from society but also reality.

Hamlet is conflicted with his fear and morals . He wants to fill his duty as a son and go on with the revenge but he is scared and feels like a cowered. passion and fear for revenge and Hamlet’s love and doubt toward his father’s ghost. This soliloquy develops Hamlet’s character as Hamlet is frustrated with himself. for he is not being courageous and to complete the revenge. He starts to be doubtful of ability and strength.

In Hamlet, Shakespeare depicts alienation among the younger characters. Trusting no one, Claudius, the new king, and Polonius send out spies to obtain information from others to assure Claudius's rule of Denmark runs smoothly. Claudius killed Old Hamlet for the rule of Denmark and he fears that Hamlet might know of the murder. Both Claudius and Polonius spy on Hamlet to find out if he knows of the murder. Polonius sends his daughter, Ophelia, out to also gain information. Hamlet begins going mad and people claim that the cause is from the death of his father. Truly, though, Hamlet knows of the murder. But Claudius and Polonius are not the only ones, Gertrude, the queen, blames Ophelia for Hamlet's madness.

Hamlet faces challenges throughout the play that try his inner strengths and test his ability to handle the situation. He is torn between wanting to seek justice, and avenge his father’s death. Hamlet is also caught up in an intricate web of lies and deceit, he is considered mad by most characters when in all actuality it is just playing off of the actions of others to benefit himself. He puts on different acts trying to hide the truth, which makes him seem sincerely mad to the people around him. The truth of the matter is that Hamlet can’t decide whether or not his convictions are accurate. This dilemma ultimately leads to not only the deaths of the main characters, but the downfall of the kingdom.

As we see, Hamlet has already started his revenge on the king. He is simply gathering more evidence before taking unnecessary actions. Claudius,

Who knows if Hamlet would even have killed Claudius if not for Claudius acting first, to try to kill Hamlet. At times Hamlet is brave, as evidenced when he stabs through Gertrude’s curtains to kill the spy whom he assumes is Claudius, only to find out it is Polonius. Other times, Hamlet is a coward as evidenced in his soliloquy Like John-a-dreams, unpregnant of my cause, And can say nothing; no, not for a king, Upon whose property and most dear life A damn'd defeat was made. Am I a coward? (2.ii 540-543) Here Hamlet laments about his lack of energy to concoct a plan to kill the king which leads him to believe he himself is a coward.